A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy.Written by
Andrew Harmon <firstname.lastname@example.org>
In an interview, Jason Miller stated that he had a major verbal confrontation with William Friedkin after the director fired a gun near his ear to get an authentic reaction from him. He told Friedkin that he is an actor, and that he didn't need a gun to act surprised or startled. See more »
The length of Chris's hair changes from scene to scene. This is especially noticeable at her party, her hair is much longer here than in previous scenes. See more »
They've found something... small pieces.
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There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »
The Special Edition released on DVD for the 25th Anniversary includes the original ending as a special feature, not used in the theatrical release: after Father Dyer is seen on top of the steps behind the MacNeil's residence, he walks away and his approached by Lt. Kinderman. They talk briefly about Regan and the events that just took place there; Kinderman then invites Dyer to the movies to see Wuthering Heights and quotes Casablanca, telling Dyer "I think this is the beginning of a beautiful friendship". See more »
Many people complain that this movie's too slow but those are the kind of folks who only like 80-minute splatter films with characters so dumb and one-sided, you pray for the bad guy to kill them. This monster of a drama is both beautiful and bold. It has CHARACTERS and not simply LAMEBRAINS lined up for slaughter. It has class and purpose. It takes the audience into the darkest recesses of humankind and then brings them back through a message of hope and self-sacrifice. The movie is NOT anti-religion, it's anti-evil. Anyone who likes smart, clever, meaningful horror-drama should see this film at least twice. It is surprisingly touching and amazingly powerful.
That said, the cast deserves a hand for their wonderful performances. Ellen Burstyn perfectly conveys the tension of a mother of the cusp of tragedy; Max von Sydow is hauntingly perfect as the story's ray of light; Jason Miller embodies the sadness of a defeated man; and Linda Blair is far above average even at her young age.
Once again, see this movie. You won't forget it.
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