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The Exorcist (1973)

Trailer
1:41 | Trailer
When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

Director:

William Friedkin

Writers:

William Peter Blatty (written for the screen by), William Peter Blatty (novel)
Popularity
713 ( 318)
Won 2 Oscars. Another 14 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ellen Burstyn ... Chris MacNeil
Max von Sydow ... Father Merrin
Lee J. Cobb ... Lt. William Kinderman
Kitty Winn ... Sharon
Jack MacGowran ... Burke Dennings
Jason Miller ... Father Karras
Linda Blair ... Regan
William O'Malley ... Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman ... Dr. Klein
Peter Masterson ... Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler ... Karl
Gina Petrushka Gina Petrushka ... Willi
Robert Symonds ... Dr. Taney
Arthur Storch ... Psychiatrist
Thomas Bermingham Thomas Bermingham ... Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

Somewhere between science and superstition, there is another world. The world of darkness. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Latin | Greek | French | German | Arabic | Kurdish

Release Date:

26 December 1973 (USA) See more »

Also Known As:

William Peter Blatty's The Exorcist See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$8,175,666, 24 September 2000

Gross USA:

$232,906,145

Cumulative Worldwide Gross:

$441,306,145
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

70 mm 6-Track (1979 re-release)| DTS-ES (director's cut)| Dolby Digital EX (director's cut)| Mono (original release)| SDDS (director's cut)

Color:

Color (Metrocolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

As advised by a studio executive, director William Friedkin made several cuts to the movie prior to the release, citing that the scenes were unnecessary. This offended William Peter Blatty, the author of the novel and screenplay whom he had befriended, who thought these scenes formed the heart of the movie. Blatty even refused to speak to Friedkin for some time, but they eventually made amends. Many years later, when the immense popularity of the movie warranted a re-release, Friedkin agreed to re-evaluate some of the deleted scenes and put several of them back as a favor to Blatty, creating an extended "Version You've Never Seen". By his own admission, Friedkin tends to see this extended version as his favorite. See more »

Goofs

Father Karras's lighter changes hands just as he is about to light a cigarette in his apartment. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Alternate Versions

The Special Edition released on DVD for the 25th Anniversary includes the original ending as a special feature, not used in the theatrical release: after Father Dyer is seen on top of the steps behind the MacNeil's residence, he walks away and his approached by Lt. Kinderman. They talk briefly about Regan and the events that just took place there; Kinderman then invites Dyer to the movies to see Wuthering Heights and quotes Casablanca, telling Dyer "I think this is the beginning of a beautiful friendship". See more »

Connections

Referenced in Hotel Hell: Cambridge Hotel (2012) See more »

Soundtracks

Beginnings (from The Wind Harp)
Written by Harry Bee (uncredited)
Courtesy of United Artists Records
See more »

Frequently Asked Questions

See more »

User Reviews

 
Unmatched brilliance
28 March 2000 | by pheonix19See all my reviews

There is a reason for the hysteria and mystique surrounding THE EXORCIST. And it's called genius.

Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest.

Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar!

THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.


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