The Exorcist (1973)

When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

Director:

William Friedkin

Writers:

William Peter Blatty (written for the screen by), William Peter Blatty (novel)

Stars:

Ellen Burstyn, Max von Sydow, Linda Blair

Won 2 Oscars. Another 14 wins & 17 nominations.

Cast

Cast overview, first billed only:
Ellen Burstyn	...	Chris MacNeil
Max von Sydow	...	Father Merrin
Lee J. Cobb	...	Lt. William Kinderman
Kitty Winn	...	Sharon
Jack MacGowran	...	Burke Dennings
Jason Miller	...	Father Karras
Linda Blair	...	Regan
William O'Malley	...	Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman	...	Dr. Klein
Peter Masterson	...	Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler	...	Karl
Gina Petrushka	...	Willi
Robert Symonds	...	Dr. Taney
Arthur Storch	...	Psychiatrist
Thomas Bermingham	...	Tom - President of University (as Reverend Thomas Bermingham S.J.)

Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy.

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Plot Keywords:

exorcist | exorcism | demonic possession | demonic force | priest | 

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Taglines:

Something beyond comprehension is happening to a girl on this street, in this house . . . a man has been sent for as a last resort. That man is The Exorcist.

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Genres:

Horror

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Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images

Details

Official Sites:

Official Facebook Warner Brothers

Country:

USA

Language:

English Latin Greek French German Arabic Kurdish

Release Date:

26 December 1973 (USA)

Also Known As:

William Peter Blatty's The Exorcist

Filming Locations:

3600 Prospect Street, Georgetown, Washington, District of Columbia, USA

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$8,175,666, 24 September 2000

Gross USA:

$232,906,145

Cumulative Worldwide Gross:

$441,306,145

Company Credits

Production Co:

Warner Bros., Hoya Productions

Technical Specs

Runtime:

122 min 132 min (director's cut)

Sound Mix:

70 mm 6-Track (1979 re-release) DTS-ES (director's cut) Dolby Digital EX (director's cut) Mono (original release) SDDS (director's cut)

Color:

Color (Metrocolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Producers sought to have Jamie Lee Curtis audition for the role of Regan MacNeil but her mother Janet Leigh refused.

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Goofs

In the 2000 re-release, when Father Merrin asks Chris McNeil what Regan's middle name is, she is wearing a fur coat. When the priests enter Regan's room and Father Karras closes the door in her face, Mrs. McNeil is no longer wearing the coat. This was fixed on some versions of the DVD by adding a coat digitally.

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Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.

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Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973.

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Alternate Versions

The Special Edition released on DVD for the 25th Anniversary includes the original ending as a special feature, not used in the theatrical release: after Father Dyer is seen on top of the steps behind the MacNeil's residence, he walks away and his approached by Lt. Kinderman. They talk briefly about Regan and the events that just took place there; Kinderman then invites Dyer to the movies to see Wuthering Heights and quotes Casablanca, telling Dyer "I think this is the beginning of a beautiful friendship".

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Connections

Referenced in Beverly Hills Vamp (1989)

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Soundtracks

Beginnings (from The Wind Harp)
Written by Harry Bee (uncredited)
Courtesy of United Artists Records

User Reviews

Still a powerful film, more than thirty years on...

More than thirty years on, The Exorcist remains a very powerful film and was a cinematographic milestone in 1973. Repeated duplication of the genre has, no doubt, 'desensitized' a new generation of movie-watchers, though it remains an unnerving masterpiece. It is not difficult to understand why the film generated such a seismic global impact all those years ago, since it imposed an unprecedented sensory attack on the viewer. Regan's vile physical appearance, combined with her vile language and blasphemous diatribe sent a shock wave around the world. Moreover, many people seemed to believe the claims that the film was based on a true story and could therefore actually happen to them. Electricity consumption must have soared for several months in 1973 as people who had seen the film slept with their lights on! It is still not a film I would feel comfortable watching before going to bed. On another level, I found parts of it profoundly moving and actually cried at the end when Regan was finally released from her possessor and wept in the arms of her mother and Father Damien, having lunged himself through a window and down a precipitous flight of steps, managed to find just enough life in himself to indicate that he had retained his faith and repented of his sins by motioning his fingers in the sign of penitence when comforted by a distraught colleague. Possibly the only thing that lets the film down if one really sits and thinks about it is the underpinning concept that an ancient demon which had existed since the dawn of time should wish to possess the body of a twelve year old child and emit a string of juvenile profanities. But then the film was designed to shock all along!