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Charley Varrick (1973)

A man, his wife, and their friend, stage a bloody bank robbery, unaware they are stealing money from the Mob.

Director:

Don Siegel

Writers:

John Reese (novel), Howard Rodman (screenplay) | 1 more credit »
Reviews

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From $2.99 (SD) on Prime Video

ON DISC
Won 1 BAFTA Film Award. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Walter Matthau ... Charley Varrick
Joe Don Baker ... Molly
Felicia Farr ... Sybil Fort
Andrew Robinson ... Harman Sullivan (as Andy Robinson)
Sheree North ... Jewell Everett
Norman Fell ... Mr. Garfinkle
Benson Fong ... Honest John
Woodrow Parfrey ... Harold Young
William Schallert ... San Miguel Sheriff Bill Horton
Jacqueline Scott ... Nadine
Marjorie Bennett ... Mrs. Taft
Rudy Diaz ... Deputy Sanchez
Colby Chester ... Deputy Steele
Charlie Briggs Charlie Briggs ... Highway deputy
Priscilla Garcia Priscilla Garcia ... Miss Ambar
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Storyline

Charley Varrick and his friends rob a small town bank. Expecting a small sum to divide amongst themselves, they are surprised to discover a very LARGE amount of money. Quickly figuring out that the money belongs to the MOB, they must now come up with a plan to throw the MOB off their trail. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Plot Synopsis

Taglines:

It's not easy to rob the Mob and stay alive. See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

19 October 1973 (UK) See more »

Also Known As:

Charley Varrick: The Last of the Independents See more »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Charley's old mobile home was located near the home of well known Nevada artist Afton Frederick, who allowed the use of her home for some exterior shots. Her husband Cliff Frederick helped the crew with the night security of the old Varrick mobile home, because the roof of Varrick's home was fully removed for the ease of the camera and lighting work inside. The weather was extremely warm during the filming, which lasted seven weeks in the Dayton, Carson City, and Genoa, Nevada area. See more »

Goofs

Boyle has a tense conversation with bank manager Harold Young about the trouble they're in. Pleading his innocence to Boyle, Harold -- in an over-the-shoulder shot -- grabs Boyle's knee. When the perspective shifts, Harold is now clutching Boyle's arm. This mismatched perspectives continue throughout the scene. See more »

Quotes

Maynard Boyle: You need a rest, Harold. A long trip to someplace quiet. Another name, another country.
Harold Young: I can't start my life over again now.
Maynard Boyle: You don't have much choice, Harold. They're gonna try to make you tell where the money is. You know what kind of people they are. They're gonna strip you naked and go to work on you with a pair of pliers and a blowtorch.
See more »

Connections

Edited into You're Still Not Fooling Anybody (1997) See more »

Soundtracks

You Can Make a Memory Out of Me
Written by Lalo Schifrin and Paul Vance
See more »

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User Reviews

 
Towards the top of the list for both Walter Matthau and director Don Siegel
1 February 2005 | by Brandt SponsellerSee all my reviews

Charley Varrick (Walter Matthau) is a former stunt pilot turned independent crop duster who is on the low end of the socio-economic scale. He lives in a trailer park with his girlfriend, Nadine (Jacqueline Scott). He decides to supplement his income by robbing a small bank in a backwater New Mexican town. Unfortunately, not everything goes as planned.

I watched Charley Varrick (in a fine widescreen transfer by the way; at present only a bad pan and scan version appears to exist on DVD) during a TCM channel marathon of director Don Siegel's films. I had just finished Madigan (1968), which I didn't care that much for (although I thought the limited action sequences were good and the direction fine), and was about to finally shut off the television and go to sleep. However, Walter Matthau is one of my favorite actors, and Charley Varrick was starting almost immediately after the end of Madigan, so I figured I'd at least "peek" at the first few minutes. That was a long peek, because this is one excellent film. Charley Varrick ended up with a 10 out of 10 from me.

It probably wouldn't be quite so good without Matthau as the lead. He's had a plethora of fantastic performances, but none are better than Charley Varrick (many are just as good). Matthau was perfectly cast--he had exactly the right age, the right look, and the right disposition for this role. His understated, intelligent manner makes the character and his actions eminently believable within the context of the film. As this is a film that hinges on a fairly complex, logically intricate plot, believability within the context of the film is very important.

Not that the other elements aren't laudable. Siegel's direction--most of it imbued with a great, gritty, early 1970s "feel"--is impeccable, and ranges from a series of beautiful shots of the countryside during the opening credits to elaborately staged, underhanded "clues" as to the "plot beneath the plot"--during most of the middle section, Varrick makes a number of moves that would seem bizarre if taken at their surface value, but he's really hatching a scheme to extricate himself from the mire he's sunken into. None of this is explicitly stated, but Siegel easily conveys it with his direction. There is even one point--right after a character named Molly (Joe Don Baker) visits Jewell Everett (Sheree North), that it seems like maybe Siegel made a fatal misstep, and a scene or two are missing, but I retained faith that it would work out in the end, and it did, seamlessly.

The rest of the cast is fantastic, as well, and of course a film like this wouldn't succeed without a great script, in this case written by Dean Riesner and Howard Rodman from a John Reese novel. This is a too-little-known gem that deserves wider recognition and better treatment, such as a good DVD transfer with lots of extras.


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