AVALIAÇÃO DA IMDb
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SUA AVALIAÇÃO
Um jornalista alemão leva uma menina de nove anos após encontrar sua mãe em um aeroporto de Nova Iorque.Um jornalista alemão leva uma menina de nove anos após encontrar sua mãe em um aeroporto de Nova Iorque.Um jornalista alemão leva uma menina de nove anos após encontrar sua mãe em um aeroporto de Nova Iorque.
- Prêmios
- 1 vitória e 1 indicação
Lisa Kreuzer
- Lisa van Damm
- (as Elisabeth Kreuzer)
Julia Baier
- Young Girl on Ferry
- (não creditado)
Chuck Berry
- Chuck Berry
- (cenas de arquivo)
- (não creditado)
Peter Genée
- Man Looking at Monitor in New York Airport
- (não creditado)
- …
Peter Handke
- Man at Chuck Berry concert
- (não creditado)
Jane Jarvis
- Organist at Shea Stadium
- (não creditado)
Micky Kley
- Woman Behind Philip and Alice on Plane
- (não creditado)
Martin Müller
- Man on Empire State Building Roof
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe novel "Tender is the Night" by F. Scott Fitzgerald is seen on the coffee table of Phil Winter's girlfriend. A character in the novel, Rosemary Hoyt, was inspired by Fitzgerald's affair with actress Lois Moran, who appears in this film as an airport hostess. It was Moran's last movie.
- Erros de gravaçãoCrew are reflected in the side of the car (at around 46 mins - sound man, microphone and other crew. This is why so many cars in movies appear dirty or have a matte paint job.).
- Citações
Lisa - Alice's Mother: What are you writing?
Philip 'Phil' Winter: The inhuman thing about American TV is not so much that they hack everything up with commercials, though that's bad enough, but in the end all programmes become commercials. Commercials for the status quo. Every image radiates the same disgusting and nauseated message. A kind of boastful contempt. Not one image leaves you in peace, they all want something from you.
- ConexõesFeatured in Mia toso makryni apousia (1985)
- Trilhas sonorasUnder the Boardwalk
Written by Kenny Young and Arthur Resnick
Performed by The Drifters and The Rolling Stones
Avaliação em destaque
the spaces between self-discovery
I might have been Alice. Or was I too fearful, too cared for, too lost in myself? Was I born at the wrong time? When I watch this film, I'm reminded of a line from another of director Wim Wenders' films: "Life is in colour, but black & white is more realistic". I'm still not sure if I believe that, but there are memories that seem more a thing of light and shadow than of colour. And this is, after all, a black & white film. "Alice in the Cities" is as much about its other main character, Philip Winter, as Alice herself. Him, I have been. Lost out on the highways of New Brunswick and Maine, lonely hotel holidays all by myself with no one to comfort or to talk with. I wanted to smash that television just as he does in an early scene, but it was my only companion through the long night ahead.
"Alice in the Cities" is the first of three consecutive films by Wim Wenders about the open road, each starring Rüdiger Vogler as a similar, if not identical character. The second, "The Wrong Movement" (Falsche Bewegung) (1975), is an incredibly difficult slog of total human alienation. The third, and much better than the second film, "Kings of the Road" (Im Lauf der Zeit) (1976) is similar to this one, as Mr. Winter continues his journeys through the German countryside.
This is a film about childhood relationships - not those we have with our peers, but those of a greater age. This makes perfect sense to me, as I would without fail seek out the company of an adult over the fleeting fancies of ones closer to me. To me, anything past fully grown would blur together, all except for the very old. Philip isn't comfortable with children, just as I have become over time. It is a hallmark of those who feel that they have never outgrown their own childhood, who feel so lost inside the adult world that the past feels foreign to a present that will never fit. Their belief that living in the future is futile keeps them grounded in today, their only salvation from a life spent dreaming.
Reality is harsh in "Alice in the Cities". The release comes where life lives. The precious and precocious sensation of human interaction runs like a vein through the center of everything. This is a story suitable for anyone, not because it holds back, but because it is all in. In love with the very same world it fears, holding the hands of the same dream on whose feet it steps on. Like we all do in life. This film feels exactly like those first two or three years of your earliest memories. If you let it, you'll be taken further back than you'd have ever imagined.
"Alice in the Cities" is the first of three consecutive films by Wim Wenders about the open road, each starring Rüdiger Vogler as a similar, if not identical character. The second, "The Wrong Movement" (Falsche Bewegung) (1975), is an incredibly difficult slog of total human alienation. The third, and much better than the second film, "Kings of the Road" (Im Lauf der Zeit) (1976) is similar to this one, as Mr. Winter continues his journeys through the German countryside.
This is a film about childhood relationships - not those we have with our peers, but those of a greater age. This makes perfect sense to me, as I would without fail seek out the company of an adult over the fleeting fancies of ones closer to me. To me, anything past fully grown would blur together, all except for the very old. Philip isn't comfortable with children, just as I have become over time. It is a hallmark of those who feel that they have never outgrown their own childhood, who feel so lost inside the adult world that the past feels foreign to a present that will never fit. Their belief that living in the future is futile keeps them grounded in today, their only salvation from a life spent dreaming.
Reality is harsh in "Alice in the Cities". The release comes where life lives. The precious and precocious sensation of human interaction runs like a vein through the center of everything. This is a story suitable for anyone, not because it holds back, but because it is all in. In love with the very same world it fears, holding the hands of the same dream on whose feet it steps on. Like we all do in life. This film feels exactly like those first two or three years of your earliest memories. If you let it, you'll be taken further back than you'd have ever imagined.
útil•272
- SteveSkafte
- 7 de jul. de 2011
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- How long is Alice in the Cities?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Alice in the Cities
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- DEM 500.000 (estimativa)
- Faturamento bruto mundial
- US$ 59.294
- Tempo de duração1 hora 53 minutos
- Cor
- Mixagem de som
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