70
Metascore
10 reviews · Provided by Metacritic.com
- 83The A.V. ClubNoel MurrayThe A.V. ClubNoel MurrayThere's ample overacting by the likes of Stella Stevens, Ernest Borgnine, and Shelley Winters, but the movie's one-obstacle-atop-another plot—and active meditation on faith—remain sharp and surprising.
- 83Entertainment WeeklyClark CollisEntertainment WeeklyClark CollisOnce the lady in question is overturned by a freak tidal wave the tone shifts from unintentionally comedic to undeniably exciting as renegade priest Gene Hackman leads a motley band of souls (including Ernest Borgnine, Shelley Winters, and Roddy McDowall) on their upside down quest to escape from a watery grave.
- 75Rolling StoneDavid FearRolling StoneDavid FearThe effects here run the gamut from grandiose to goofy, but watch the upside-down ballroom sequence again. It's a set piece of pure destructive bliss, set to a symphony of screaming and breaking glass. Awesome.
- 75TV Guide MagazineTV Guide MagazineA well thought-out script and fine direction keep a steady amount of tension, which doesn't let up until the survivors are rescued.
- 75Slant MagazineEric HendersonSlant MagazineEric HendersonA nightmarishly schematic fantasia of guiltless discomfort.
- 70Time OutTime OutIt's a terrific piece of junk: the top-notch screenwriters (Stirling Silliphant and Wendell Mayes) never let a cliché slip through the net, and Neame's anaemic direction ensures that every absurdity is treated at face value.
- 63Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertThis is a wonderful formula. I love it. The Poseidon Adventure is the kind of movie you know is going to be awful, and yet somehow you gotta see it, right?
- 60The New York TimesThe New York TimesThough tensions slacken and credibility is strained here, realistic technical effects make the stricken ship and the efforts of its survivors to escape a fairly spellbinding adventure.
- 60The New YorkerPauline KaelThe New YorkerPauline KaelExpensive pop disaster epic, manufactured for the market that made Airport a hit. Ronald Neame directed, with dull efficiency.