Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A suburban housewife's world falls apart when she finds that her pornographer husband is serially unfaithful to her, her daughter is pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends.... See full summary »
Sleaze queen Divine lives in a caravan with her mad hippie son Crackers and her 250-pound mother Mama Edie, trying to rest quietly on their laurels as 'the filthiest people alive'. But competition is brewing in the form of Connie and Raymond Marble, who sell heroin to schoolchildren and kidnap and impregnate female hitchhikers, selling the babies to lesbian couples. Finally, they challenge Divine directly, and battle commences...Written by
Michael Brooke <email@example.com>
According to production designer Vincent Peranio, the art department's budget was about $200. Half went to purchasing the trailer, half to decorating it. "And then after that (running out of money), we would just steal things." See more »
When Connie and Raymond have burned Divine's trailer, they go back to their house. When the door is open, you can hear Divine talking to John Waters. See more »
Babs, where do eggs come from?
From little chickens, Mama. They lay them, and we eat them.
But suppose someday there weren't any chickens. Would that mean there wouldn't be any eggs?
Oh, I don't think you have to worry about that, Mama.
But... but is it true, Babs? lf there weren't any chickens, there wouldn't be any eggs? Is that true?
I suppose so, Mama... but there will always be chickens. You can be sure of that.
But suppose someday it happens. Suppose someday there weren't any chickens. Oh...
[...] See more »
For Sadie, Katie, and Les- February 1972 (The Manson Family members Susan Atkins, Patricia Krenwinkel and Leslie Van Houten. February 1972 was the month when the California State Supreme Court abolished the death penalty in California (it was later reinstated), reducing the sentences of the convicted Manson Family members to life imprisonment.) See more »
The 25th Anniversary re-release version contains a re-recorded music soundtrack, re-mixed for stereo, plus 15 minutes of deleted scenes preceeded by the film, introduced by John Waters. See more »
On the surface "Pink Flamingos" could easily be dismissed as a nostalgic piece of shock cinema. With an unparalleled level of notoriety -- based almost entirely on the final scene, the film has become a curiosity of sorts and a right of passage for those testing their own boundaries of decency. Beneath this seedy exterior however, lies a brilliant and biting satire of society's obsession with fame and the lengths one will go to in order to achieve it. This theme is relevant even more so today than it ever was. Just consider the over abundance of reality TV shows, for example 'Fear Factor' a show boasting contestants eager and willing to outdo one another by performing a variety of dangerous stunts and eating unimaginable specimens how is this any different than the characters in 'Pink Flamingos' attempting to outdo one another in an effort to claim the dubious title of the filthiest people alive? Society is (and has always been) captivated with sensationalism; from the Roman era and the coliseum packed with bloodthirsty audiences, to modern day and the likes of the 'Jerry Springer Show' (of which Babs Johnson and the Marbles would make excellent guests!!). The purpose of "Pink Flamingos" is to not only put a hilariously depraved spin on the fascination with celebrity but to also provide a cautionary tone to the dissolution of society itself. The performances are all top-notch; especially the ever-dependable and over-the-top Mink Stole, as heartless Connie Marble; and scene stealing Edith Massey, as Edie 'The Egg Lady'. It's amazing that the film is over thirty-years old because the message is just as fresh today as it was back in 1972.
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