The Getaway (1972)

A recently released ex-con and his loyal wife go on the run after a heist goes awry.

Director:

Sam Peckinpah

Writers:

Walter Hill (screenplay), Jim Thompson (novel)

Stars:

Steve McQueen, Ali MacGraw, Ben Johnson

Nominated for 1 Golden Globe. Another 1 win.

Cast

Cast overview, first billed only:
Steve McQueen	...	Doc McCoy
Ali MacGraw	...	Carol McCoy
Ben Johnson	...	Jack Beynon
Sally Struthers	...	Fran Clinton
Al Lettieri	...	Rudy Butler
Slim Pickens	...	Cowboy
Richard Bright	...	The Thief
Jack Dodson	...	Harold Clinton
Dub Taylor	...	Laughlin
Bo Hopkins	...	Frank Jackson
Roy Jenson	...	Cully
John Bryson	...	The Accountant
Bill Hart	...	Swain
Tom Runyon	...	Hayhoe
Whitney Jones	...	The Soldier

Storyline

Carter "Doc" McCoy is a career robber, currently in his fourth year of a ten year prison sentence at the Texas State Penitentiary. After his request for parole is denied despite he being a model prisoner, Doc, unable emotionally to endure life inside, asks his loving wife Carol McCoy to contact crooked businessman Jack Beynon, a man with political connections, to secure his release in return for he being "for sale" to Beynon. Beynon is able to get Doc released, the sale price being for Doc to plan and execute a robbery at a small bank branch in Beacon City, Texas where Beynon knows that $750,000 will be kept in the vault for the next two weeks. Rather than Doc using his own men for the job, Beynon directs that the only other people involved will be the men of his own choosing, Rudy and Frank. There are to be no casualties, which is all right with Doc who is not a murderer. After the robbery is completed and the monies divvied up accordingly, Doc and Carol will cross the border into ...

---

Plot Keywords:

husband wife team | kill | robbery | texas | parole | 

---

Taglines:

They're Hot

---

Genres:

Action | Crime | Thriller

---

Certificate:

PG

Details

Country:

USA

Language:

English Spanish

Release Date:

16 December 1972 (Italy)

Also Known As:

The Getaway

Filming Locations:

100 Hopkins Street, San Marcos, Texas, USA

Box Office

Budget:

$3,352,254 (estimated)

Gross USA:

$36,734,619

Cumulative Worldwide Gross:

$58,831,997

Company Credits

Production Co:

First Artists, Solar Productions, Foster-Brower Productions

Technical Specs

Runtime:

123 min

Sound Mix:

Mono Mono (Todd-AO)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

As hotelkeeper Laughlin (Dub Taylor) takes cover under a table during a violent shootout in his lobby, a book sticking out of his pants rear pocket is clearly titled, "Sex and the Over Fifties" by Robert Chartham.

---

Goofs

During the bank robbery, the same couple walks past the main entrance twice.

---

Quotes

[first lines]
Parole Board Chairman: I think we can begin. First parole request for Carter 'Doc' McCoy.

---

Alternate Versions

To get permission to release the film in Spain, which at the time was ruled by Francisco Franco, an additional sequence was tacked onto the end in which McCoy is captured and returned to prison, because it's bad for the moral health of the people to show that criminals can escape from paying their debt to society.

---

Connections

Referenced in Hello, He Lied & Other Truths from the Hollywood Trenches (2002)

---

Soundtracks

The Stars and Stripes Forever
(uncredited)
Music by John Philip Sousa
Played during the parade

User Reviews

Hypnotic, violent classic

Was wondering why they don't make films like this anymore. Then it dawned on me. It has ambiguous morals and doesn't particularly ask for or seek redemption. The hero is a killer and bank robber, he says little and therefore you should have to work hard to empathize with him. But it comes easy because everyone else around Doc McCoy is ten times worse than he is. And Doc is played by Steve McQueen. A magnificent brooding presence who's character doesn't stop to question his actions, because if he did he'd die or get arrested. And this is where it is so much better than a contemporary film of the same vein. It's not made with actors who are scared that their image might be tarnished or misunderstood, it is not made by film-makers who are scared they might upset someone, it is not made by people who particularly need to be loved. So what you get is a story that rings true, a piece of fiction that at no time stops to apologize for itself. It grabs you, says this is what I am, and if you're hooked then great. If not go and watch Bambi or something.

A bona fide classic piece of storytelling.