Agrega una trama en tu idiomaBlack revolutionaries take action in the white suburbs.Black revolutionaries take action in the white suburbs.Black revolutionaries take action in the white suburbs.
Celia Milius
- Renee Freeman
- (as Celia Kaye)
Ed Cambridge
- Dr. Smalls
- (as Edmund Cambridge)
Morris D. Erby
- Mr. Johnson
- (as Morris Erby)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaReleased between two of Billy Dee Williams' best films; television's "Brian's Song" 1971, and the theatrical "Lady Sings The Blues" 1972.
- Versiones alternativasBlast! (1976) is an alternate version of this film, with new footage directed by Allan Arkush. The director credited is "Frank Arthur Wilson."
- ConexionesFeatured in Planet X: Episode #2.1 (2006)
Opinión destacada
Violence on the streets in this gritty blaxploitation effort
THE FINAL COMEDOWN is a cheap blaxploitation vehicle for actor Billy Dee Williams, later to achieve worldwide fame and recognition for his role in the STAR WARS films. His appearance here is something of a star-making turn for the actor, who burns up the screen as the black revolutionary determined to stand up to the racist white cops who are making his life a nightmare.
This is an undeniably cheap film that's plenty rough around the edges, although it's an interesting picture for sure. It avoids the usual stereotypes of sex and violence that often prop up this genre, even though both are present throughout the running time, most noticeably during a lengthy and gratuitous sex scene. Instead it provides a kind of social commentary exploring the issues of the times, and the racism inherent in 1970s society.
The grungy vibe of THE FINAL COMEDOWN gives it a realistic appearance even though it isn't particularly satisfying on a visceral or emotional level. The supporting cast is a well-judged one and I was amused to see a younger R.G. Armstrong, still looking old even at this stage of his career. This isn't the kind of film that's going to set anyone's world on fire - it's obscure for a reason - but fans of the stars or genre will find themselves intrigued by it.
This is an undeniably cheap film that's plenty rough around the edges, although it's an interesting picture for sure. It avoids the usual stereotypes of sex and violence that often prop up this genre, even though both are present throughout the running time, most noticeably during a lengthy and gratuitous sex scene. Instead it provides a kind of social commentary exploring the issues of the times, and the racism inherent in 1970s society.
The grungy vibe of THE FINAL COMEDOWN gives it a realistic appearance even though it isn't particularly satisfying on a visceral or emotional level. The supporting cast is a well-judged one and I was amused to see a younger R.G. Armstrong, still looking old even at this stage of his career. This isn't the kind of film that's going to set anyone's world on fire - it's obscure for a reason - but fans of the stars or genre will find themselves intrigued by it.
útil•21
- Leofwine_draca
- 13 nov 2016
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 163,591
- Tiempo de ejecución1 hora 23 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was The Final Comedown (1972) officially released in Canada in English?
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