Shaft (1971)

Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Director:

Gordon Parks

Writers:

Ernest Tidyman (screenplay), John D.F. Black (screenplay)

Stars:

Richard Roundtree, Moses Gunn, Charles Cioffi

Won 1 Oscar. Another 4 wins & 6 nominations.

Cast

Cast overview, first billed only:
Richard Roundtree	...	John Shaft
Moses Gunn	...	Bumpy Jonas
Charles Cioffi	...	Vic Androzzi
Christopher St. John	...	Ben Buford
Gwenn Mitchell	...	Ellie Moore
Lawrence Pressman	...	Tom Hannon
Victor Arnold	...	Charlie
Sherri Brewer	...	Marcy
Rex Robbins	...	Rollie
Camille Yarbrough	...	Dina Greene
Margaret Warncke	...	Linda
Joseph Leon	...	Byron Leibowitz
Arnold Johnson	...	Cul
Dominic Barto	...	Patsy
George Strus	...	Carmen

Storyline

John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter.

---

Plot Keywords:

private detective | blaxploitation | kidnapping | drug lord | harlem manhattan new york city | 

---

Taglines:

Wanna see Shaft? Better ask yo' mamma. (Trailer)

---

Genres:

Action | Crime | Thriller

---

Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

2 July 1971 (USA)

Also Known As:

Shaft

Filming Locations:

Greenwich Village, Manhattan, New York City, New York, USA

Box Office

Budget:

$1,125,000 (estimated)

Gross USA:

$12,121,618, 31 December 1971

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM), Shaft Productions

Technical Specs

Runtime:

100 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

During the scene where Bumpy Jonas visits Shaft at his office, a door adjacent to the office says "Skloot Insurance" - named for Steven P. Skloot, a production manager on the film.

---

Goofs

Towards the end, before the rescue of Marcy, a chef is seen breaching health and safety regulations by smoking while peeling potatoes.

---

Quotes

[first lines]
John Shaft: [holding up his middle finger to a cab driver who is honking his horn at him] Up yours! Get out the way!

---

Alternate Versions

Most UK video versions, including the widescreen Maverick Directors release, feature an edited print of the film which is dubbed to remove strong language. DVD releases are fully uncut.

---

Connections

Referenced in Sliders: A Thousand Deaths (1999)

---

Soundtracks

Bumpy's Lament
(uncredited)
Composed by Isaac Hayes
Performed by Isaac Hayes

User Reviews

Roundtree's performance

This is not a great film, but it is one of the most important films in American history.

The film suffers primarily because Parks isn't sure whether he wants to direct a 'relevant' black crime drama - for which he doesn't really have the money - or a film of the genre that became infamous as "blaxploitation", which had at that time not yet achieved definition. In other words, Parks is breaking new ground, and he wasn't sure exactly what ground he is breaking. So the film tends to amble, and sometimes even stagger, as it tries to define a goal for itself.

Nonetheless, this is the first film where a strong black man in a truly heroic role - without the props of white liberal social blather, and without being borderline criminal - is portrayed without excuses or apologies. Shaft is truly a hero of his time, part Sam Spade (& no jokes here, please), part James Bond - and all man - intelligent, fast to act, direct and always true to himself - he's nobody's "boy".

Although these qualities are in the script, the communication of the message depends entirely on Richard Roundtree - one of the truly great action actors of Hollywood history - hey, I'm a white boy, and I still want to be this John Shaft! he's that cool. The marginalization of this savvy and witty actor, due to the racism of Hollywood, is a real crime.

Well, for now, never mind; his performance alone carries this film, and makes it a treasure; and no matter how badly Hollywood marginalizes black action cinema, Roundtree's performance will continue to stand tall, for many generations to come.