Investigative reporter Carl Kolchak, who's after his wife's killer, teams up with Perri Reed, Jain McManus, and their boss Tony Vincenzo to investigate strange crimes in Los Angeles that may contain dark supernatural elements.
An investigative reporter stumbles onto an artist that has made a pact to come back after his death to sculpt a statue of a demon using human blood and clay. Once the demon is awakened he will be granted immortality.
Carl Kolchak is a newspaper reporter with an abrasive personality that has gotten him fired ten times from various big-city papers. Now he's reduced to reporting for a relatively small-time paper in Las Vegas. It's here he gets the story of his life. But will the local sheriff, or the D.A., or even his own boss, let him print it? He has an ally in the FBI agent brought in to investigate this strange case. It seems someone is biting the necks of young girls and draining their blood. Can this killer with supernormal powers really be a 70-year-old Romanian millionaire? Can he really be a vampire? And can an aging reporter do anything to stop him?Written by
The music from the 1970 movie House of Dark Shadows was used towards the end of the TV movie Night Stalker. It is particularly noteworthy towards the end of the movie as Kolchak and Bernie Jenks (Ralph Meeker) are fighting Janos Skorzeny (Barry Atwater) in the vampire's house. See more »
When the vampire is in the hospital stealing from the blood bank, a nurse is thrown against a wall, and knocked unconscious. But as the scuffle continues, the "unconscious" nurse, moves her legs - twice - to avoid being stepped on. See more »
Good stuff here as modern-day vampirism gets a respectable TV-movie treatment that managed to bring something original to the mixture by having the story told from the point of view of a weary reporter.
Darren McGavin is unforgettable in a telefilm that set the record for ratings shares in its day. His reporter, Carl Kolchak, becomes a believer in the supernatual when he investigates a series of murders where the (female) victims are drained of blood. Kolchak uncovers the truth--the murders are the work of a "real live vampire"--and the truth is quickly covered up again by the Las Vegas police department, who don't want the news of a vampire to interfere with business (one is forced to consider that the ultimate proof of bonafide supernatural goings-on would ultimately be of more importance, but that would spoil the fun).
The film is delightfully dated in its fashions and styling, but otherwise the treatment of the material is surprisingly contemporary, which goes to show just how far ahead of its time "The Night Stalker" really was. 70s genre buffs will be thrilled to see plenty of familiar faces among the cast, including Carol Lynley and Elisha Cook, Jr. The finale, where Kolchak makes the classic spooky-movie mistake of confronting the monster in his own lair, manages to be both tongue-in-cheek and hair raising at the same time. A real example of how storytelling and creativity can render a big budget unnecessary.
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