VALUTAZIONE IMDb
7,4/10
962
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.
- Vincitore di 1 Oscar
- 3 vittorie e 1 candidatura in totale
Conlan Carter
- Farmer
- (non citato nei titoli originali)
Ian McShane
- Charlie Cartwright
- (filmato d'archivio)
- (non citato nei titoli originali)
Suzanne Pleshette
- Self - Actress in Film Clip from If It's Tuesday, This Must Be Belgium
- (filmato d'archivio)
- (non citato nei titoli originali)
- Regia
- Walon Green
- Ed Spiegel(Hellstrom Sequence)
- Sceneggiatura
- Tutti gli interpreti e le troupe
- Produzione, botteghino e altro su IMDbPro
Trama
Lo sapevi?
- QuizDavid Wolper and Cinema 5 got audiences into theatres to see this documentary by promoting it as if it were a science fiction thriller.
- Citazioni
Dr. Hellstrom: Compared with Man, we have to admit that the insect does not display what we can describe as intelligence. But don't feel too proud about that, because where there is no intelligence, there is also no stupidity.
- Curiosità sui creditiEnd Credits: Nils Hellstrom, M.S., Ph.D., is a fictional character who was portrayed by Lawrance Pressman. His statements relating to the impermanence of the human species have been synthesized from contemporary opinions. All statements about the insect world are factual and have been reviewed by Roy Snelling and Charles Hogue, Ph.D., of the Entomology Department, Los Angeles County Museum of Natural History.
- ConnessioniFeatures Furia bianca (1954)
Recensione in evidenza
How so "fake documentary"? What do you mean "fictional"?
Be wary and skeptical towards reviews that put too much focus on "The Hellstrom Chronicles" being fictional and a pseudo-documentary. Although most people acknowledge how great and visually stunning it is, they seem to think the "fake" aspects are much more important to write about.
What's so fake about it, I ask? Okay, the narrating scientist - Swedish Ph. D. Nils Hellstrom - doesn't exist, and thus didn't do all the entomologic research he so convincingly proclaims he did. Other entomologists did, though, because all these staggering insights and dazzling particularities we learn about the insect world are factual and captured in the tiniest detail. Lawrence Pressman is an actor, so "The Hellstrom Chronicle is fake. So if, say, David Attenborough or James Earl Jones had done the voiceover instead, it would have been okay?
Before watching the film (on a big cinema screen, which was awesome!) and based on its reputation, I was led to believe "The Hellstrom Chronicle" would spawn grotesque theories around conspiring against all other life-forms, human in particular, or gradually metamorphosing into indestructible monsters. It does nothing of that sort. Hellstrom merely demonstrates, meticulously, that insects are much better equipped and emotionally immune enough to survive and quickly repopulate after whatever type of potential apocalypse overcomes the world. This is not only correct, but also plausible and even probably. And the documentary doesn't even biblically state this will happen tomorrow or in a hundred years, just in the even of. Quite obviously, the tone of the narration and some of the footage is heavily dramatized, but can you honestly blame the producers for inserting a bit of sensationalism? After all, the early 70s was the era of flamboyant ecological horror and dystopian Sci-Fi cinema.
In 1972, "The Hellstrom Chronicle" won the Academy Award in the category of best documentary. I, for one, think this is more than deserved! Apart from the fascinating subject matter, it's also a supreme work of craftmanship. The film is more than half a century old now, but the cinematography and the editorial/technical knowhow have barely aged. I don't watch many documentaries, but this one can still easily compete with all the widely acclaimed stuff National Geographic and the BBC are producing these days. The voiceover monologues are almost like poetry or advanced literature to listen to; - full of superlatives and a wide range of synonyms. And, last but not least, even as a diehard horror fanatic, I occasionally squirmed in my seat when beholding close-up footage of - for example - the Black Widow destroying her mating partner, or a massive colony of legionary ants devouring an adult Komodo lizard!
In short - and apologies for the lengthy review - "The Hellstrom Chronicle" is an absolute must-see!
What's so fake about it, I ask? Okay, the narrating scientist - Swedish Ph. D. Nils Hellstrom - doesn't exist, and thus didn't do all the entomologic research he so convincingly proclaims he did. Other entomologists did, though, because all these staggering insights and dazzling particularities we learn about the insect world are factual and captured in the tiniest detail. Lawrence Pressman is an actor, so "The Hellstrom Chronicle is fake. So if, say, David Attenborough or James Earl Jones had done the voiceover instead, it would have been okay?
Before watching the film (on a big cinema screen, which was awesome!) and based on its reputation, I was led to believe "The Hellstrom Chronicle" would spawn grotesque theories around conspiring against all other life-forms, human in particular, or gradually metamorphosing into indestructible monsters. It does nothing of that sort. Hellstrom merely demonstrates, meticulously, that insects are much better equipped and emotionally immune enough to survive and quickly repopulate after whatever type of potential apocalypse overcomes the world. This is not only correct, but also plausible and even probably. And the documentary doesn't even biblically state this will happen tomorrow or in a hundred years, just in the even of. Quite obviously, the tone of the narration and some of the footage is heavily dramatized, but can you honestly blame the producers for inserting a bit of sensationalism? After all, the early 70s was the era of flamboyant ecological horror and dystopian Sci-Fi cinema.
In 1972, "The Hellstrom Chronicle" won the Academy Award in the category of best documentary. I, for one, think this is more than deserved! Apart from the fascinating subject matter, it's also a supreme work of craftmanship. The film is more than half a century old now, but the cinematography and the editorial/technical knowhow have barely aged. I don't watch many documentaries, but this one can still easily compete with all the widely acclaimed stuff National Geographic and the BBC are producing these days. The voiceover monologues are almost like poetry or advanced literature to listen to; - full of superlatives and a wide range of synonyms. And, last but not least, even as a diehard horror fanatic, I occasionally squirmed in my seat when beholding close-up footage of - for example - the Black Widow destroying her mating partner, or a massive colony of legionary ants devouring an adult Komodo lizard!
In short - and apologies for the lengthy review - "The Hellstrom Chronicle" is an absolute must-see!
D’aiuto•40
- Coventry
- 15 set 2021
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- Las Vegas, Nevada, Stati Uniti(Nuclear Test Site Mercury NV)
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- 39.767 USD
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By what name was La cronaca di Hellstrom (1971) officially released in India in English?
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