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Patton (1970)

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The World War II phase of the career of the controversial American general, George S. Patton.

Writers:

Francis Ford Coppola (screen story and screenplay), Edmund H. North (screen story and screenplay) | 2 more credits »
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2,442 ( 1,714)
Won 7 Oscars. Another 16 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
George C. Scott ... General George S. Patton Jr.
Karl Malden ... General Omar N. Bradley
Stephen Young ... Captain Chester B. Hansen
Michael Strong ... Brigadier General Hobart Carver
Carey Loftin ... General Bradley's Driver (as Cary Loftin)
Albert Dumortier Albert Dumortier ... Moroccan Minister
Frank Latimore ... Lieutenant Colonel Henry Davenport
Morgan Paull ... Captain Richard N. Jenson
Karl Michael Vogler ... Field Marshal Erwin Rommel
Bill Hickman ... General Patton's Driver
Pat Zurica ... First Lieutenant Alexander Stiller (as Patrick J. Zurica)
James Edwards ... Sergeant William George Meeks
Lawrence Dobkin ... Colonel Gaston Bell
David Bauer ... Lieutenant Gen. Harry Buford
John Barrie ... Air Vice-Marshal Sir Arthur Coningham
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Storyline

"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Europe and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and tendency toward insubordination, faults that would prevent him from becoming the lead American general in the Normandy Invasion as well as to his being relieved as Occupation Commander of Germany. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Direct from its sensational reserved seat engagement.

Genres:

Biography | Drama | War

Certificate:

GP | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German | French | Russian | Arabic | Italian

Release Date:

2 April 1970 (USA) See more »

Also Known As:

A Salute to a Rebel See more »

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Box Office

Budget:

$12,000,000 (estimated)

Gross USA:

$61,700,000
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints) (Westrex Recording System)| Mono (35 mm prints)| DTS 70 mm (70 mm re-release)

Color:

Color

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Some of the stock actual war footage--such as the Free French troops marching through a newly liberated Paris--was shot by future director Russ Meyer, who was a combat cameraman in the U.S. Army's Signal Corps during World War II, from July 19, 1944, and was attached to Patton's Third Army. See more »

Goofs

In 1944, there is not one single M4 Sherman tank. The M4 Sherman was the workhorse of the Allies, and was almost the only tank used in World War II from early 1944 on. The tanks used in the film are all post war M47 and M48 Patton tanks, despite showing newsreel footage of Shermans. See more »

Quotes

[first lines]
Patton: Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.
See more »

Crazy Credits

Opening credits prologue: KASSERINE PASS TUNISIA, 1943 See more »

Alternate Versions

The Italian version is approx. 20 minutes shorter and removes all scenes set in the German Military HQ and/or showing German officers: although the credits still include the names of German performers, like as Marshall Rommel, their characters never appear onscreen in the Italian release. See more »

Connections

Spoofed in The 'Burbs (1989) See more »

Soundtracks

The Washington Post
(1889) (uncredited)
Music by John Philip Sousa
Played as the 7th Army parades through Palermo and Patton meets the Cardinal.
See more »

Frequently Asked Questions

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User Reviews

 
Fascinating portrait of the Allies' greatest general
8 September 1999 | by Danimal-7See all my reviews

A few years ago, I had the pleasure of reading "The Patton Papers," a collection of Gen. Patton's diary entries and letters edited by Martin Blumenson. Having seen the movie, I think that no actor has ever better captured the spirit of a man better than George C. Scott, nor has any movie better portrayed that spirit than PATTON.

Patton was a man who lived for war. World War II was the high point and culmination of his life. He didn't fight for any principles, he didn't fight to defend freedom or democracy or any abstract idea; he fought because he loved fighting. In his diaries you can read of his fear of flunking out of West Point; the prospect terrified him because he was certain that he would never be good at anything except being a general or a leader of a country.

As a leader of men, he was exceptional. His speech at the beginning of the movie is vintage Patton, an almost exact reproduction of a speech Patton actually gave to Third Army. It's tough, and no-nonsense; Patton lets you know in no uncertain terms that he is here to win, to destroy the enemy, and by God you'd better be too. I don't know if Patton actually directed traffic on the roads as he is shown doing in the movie, but it was a very Pattonish thing to do. Patton did on at least one occasion get out of his staff car and join a squad of G.I.'s in heaving a vehicle out of the mud. Try to imagine Montgomery doing that; the very thought is hilarious!

Patton's character explains his treatment of his men. To those who had been wounded fighting for him he was always kind and considerate. But to those whose minds could not stand the horrible strain that war imposed on them, he was merciless; he could not comprehend the fact that other people didn't share his love of violence for violence' sake. PATTON shows this aspect of his character very well.

Karl Malden's Omar Bradley is shown in an almost father-like role; he sees and recognizes Patton's immense talents as a general, and uses them in spite of Patton's natural ability to antagonize everybody around him. Not shown in the movie is Patton's unloveable characteristic of turning on his subordinates once they surpassed him in their careers. Patton had nothing but good to say about Bradley, until Bradley was promoted over Patton's head, whereupon Patton savaged Bradley in his diary. Patton did the same to Eisenhower.

A general can have no higher compliment than the fear and respect of his adversaries, and as PATTON demonstrates, Patton was more feared by the Germans than any other Allied general, at least on the Western front. As one German officer observes all too prophetically, "the absence of war will destroy him [Patton]." And although mankind's single greatest stroke of good fortune in the 20th century was that Russia and America never came to blows, it is still hard not to feel sorry for Patton as he desperately seeks his superiors' approval to carry the war on eastward into the Soviet Union - anything, just to have a war to fight. Patton is like an addict to a destructive drug.

Hollywood has rarely given us such a textured and human portrait of a great man: cruel, often foolish in his relations with others, rude, and psychopathically attached to violence, but brave, dedicated, and loyal. Certainly those who, like myself, have Jewish blood, or who were otherwise marked for death by the Nazi state, all owe him a great debt of gratitude for his pivotal role in destroying that state. And yet, had he been born German, Patton would surely have fought just as devotedly for the Nazi side. I'm glad he wasn't.

Rating: **** out of ****.


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