Topázio (1969)

A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.

Director:

Alfred Hitchcock

Writers:

Leon Uris (from the novel by), Samuel A. Taylor (screenplay) (as Samuel Taylor)

Stars:

Frederick Stafford, Dany Robin, John Vernon

3 wins & 1 nomination.

Cast

Cast overview, first billed only:
Frederick Stafford	...	Andre Devereaux
Dany Robin	...	Nicole Devereaux
John Vernon	...	Rico Parra
Karin Dor	...	Juanita de Cordoba
Michel Piccoli	...	Jacques Granville
Philippe Noiret	...	Henri Jarre
Claude Jade	...	Michele Picard
Michel Subor	...	Francois Picard
Per-Axel Arosenius	...	Boris Kusenov
Roscoe Lee Browne	...	Philippe Dubois
Edmon Ryan	...	McKittreck
Sonja Kolthoff	...	Mrs. Kusenov
Tina Hedström	...	Tamara Kusenov (as Tina Hedstrom)
John Van Dreelen	...	Claude Martin
Donald Randolph	...	Luis Uribe (as Don Randolph)

Storyline

A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies.

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Plot Keywords:

cold war | soviet defector | intrigue | foreign agent | espionage | 

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Taglines:

Hitchcock takes you behind the actual headlines to expose the most explosive spy scandal of the century!

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Genres:

Drama | Thriller

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Certificate:

M/12

Details

Official Sites:

Topas: Gallery, Credits, Plot, Links.

Country:

USA

Language:

English Spanish French Russian

Release Date:

13 May 1970 (Portugal)

Also Known As:

Topázio

Filming Locations:

Place Gaillon, Paris 2, Paris, France

Box Office

Budget:

$4,000,000 (estimated)

Company Credits

Production Co:

Universal Pictures

Technical Specs

Runtime:

143 min 127 min (edited)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The opening credits lists the most comprehensive cast, all twenty-five members. The end credits list only eleven of those members with character names. IMDb policy, therefore, requires the opening cast list to be used.

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Goofs

While talking to the Mendozas before they leave for their picnic, in the first shot Juanita is leaning over a map with both hands on the table. In the very next shot she is standing straight with her hands in her pockets.

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Quotes

Philippe Dubois: I think I'll go as a reporter. I'm loaded with press cards. Ebony, Playboy, Newsweek...
Andre Devereaux: Ebony.
Philippe Dubois: I think Playboy is more my style.
Andre Devereaux: [shakes head] Ebony.
Philippe Dubois: Man, you're square!

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Crazy Credits

Opening credits prologue: Somewhere in this crowd is a high Russian official who disagrees with his government's display of force and what it threatens. Very soon his conscience will force him to attempt an escape while apparently on a vacation with his family. Copenhagen, Denmark Nineteen Hundred Sixty-two

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Alternate Versions

Three alternative endings:

• The Duel
• The Airport
• The Suicide

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Connections

Referenced in Unikal'noe pozdravlenie (2014)

User Reviews

An underrated Cold War thriller

Based on Leon Uris' novel of the same name about the tense days of the Cuban missile crisis, Alfred Hitchcock's `Topaz' is an underrated cold-war thriller - - underrated by English-speaking audiences and critics probably because the chief protagonist is a Frenchman! The first half of the movie is especially exciting, starting as it does with the defection (very realistically filmed) of a top Soviet official to the U.S, who hints at the existence of Soviet missiles in Cuba.. Frederick Stafford very adequately plays Andre Deveraux, the French trade official with Cuban connections whose help is requested by the Americans. Karin Dor is excellent as his beautiful Cuban paramour. Hitchcock's initial portrayal of Castro's Cuba is that of a rather benign place, but quickly changes to a frightening place later in the movie when the director clearly delineates the full brutality of his terrible regime. Deveraux's allies in Cuba are tortured and killed. The last third of the film, set in France, is not as exciting. The movie takes it own time exposing the members of the Topaz spy ring. The transition of the action from Cuba to France is abrupt and is another weakness of this flick. Maybe, `Topaz' should have been filmed in 2 parts, one about the Cuban missile crisis and another about French fellow-travellers! This is, perhaps, the only movie in which Hitchcock seems to show some sympathy towards those who get murdered, as evidenced by the final scene, which shows the ironical contrast between the superficial newspaper headline about the Cuban missile crisis ending and the grim fates of the unsung secret agents who helped end it. `Topaz' is one of the best cold-war movies ever made. Critics should re-evaluate it. But it is only a good Hitchcock movie, not his best.