Topaz (1969)

A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.

Director:

Alfred Hitchcock

Writers:

Leon Uris (from the novel by), Samuel A. Taylor (screenplay) (as Samuel Taylor)

Stars:

Frederick Stafford, Dany Robin, John Vernon

3 wins & 1 nomination.

Cast

Cast overview, first billed only:
Frederick Stafford	...	Andre Devereaux
Dany Robin	...	Nicole Devereaux
John Vernon	...	Rico Parra
Karin Dor	...	Juanita de Cordoba
Michel Piccoli	...	Jacques Granville
Philippe Noiret	...	Henri Jarre
Claude Jade	...	Michele Picard
Michel Subor	...	Francois Picard
Per-Axel Arosenius	...	Boris Kusenov
Roscoe Lee Browne	...	Philippe Dubois
Edmon Ryan	...	McKittreck
Sonja Kolthoff	...	Mrs. Kusenov
Tina Hedström	...	Tamara Kusenov (as Tina Hedstrom)
John Van Dreelen	...	Claude Martin
Donald Randolph	...	Luis Uribe (as Don Randolph)

Storyline

A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies.

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Plot Keywords:

1960s | cold war | spy | defection | cuban missile crisis | 

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Taglines:

Hitchcock takes you behind the actual headlines to expose the most explosive spy scandal of the century!

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Genres:

Drama | Thriller

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Certificate:

PG

Details

Official Sites:

Topas: Gallery, Credits, Plot, Links.

Country:

USA

Language:

English Spanish French Russian

Release Date:

19 December 1969 (USA)

Also Known As:

Alfred Hitchcock's Topaz

Filming Locations:

Place Gaillon, Paris 2, Paris, France

Box Office

Budget:

$4,000,000 (estimated)

Company Credits

Production Co:

Universal Pictures

Technical Specs

Runtime:

143 min 127 min (edited)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Yves Montand and his wife Simone Signoret were offered the roles of Andre and Nicole Devereaux, but declined them.

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Goofs

The position and numbers of the pencils in the mug on Jarré's desk, when Picard interviews him, varies between shots.

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Quotes

Michele Picard: Oh, the Cubans. I love the Cubans. They are so wild!

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Crazy Credits

Opening credits prologue: Somewhere in this crowd is a high Russian official who disagrees with his government's display of force and what it threatens. Very soon his conscience will force him to attempt an escape while apparently on a vacation with his family. Copenhagen, Denmark Nineteen Hundred Sixty-two

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Alternate Versions

Three alternative endings:

• The Duel
• The Airport
• The Suicide

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Connections

Featured in 78/52: Hitchcock's Shower Scene (2017)

User Reviews

Atypical Hitchcock

Like so many Hollywood talents, Hitchcock was stereotyped. Also like so many Hollywood talents, whenever he tried to escape stereotyping, he would get criticized. That certainly was the case with TOPAZ. Although not as humorous, nor as romantic, nor even as exciting as the director's best films, the movie is nonetheless an intelligent and intriguing spy drama, one that compares more to a motion picture like DAY OF THE JACKYL than usual Hitchcock fare.

His other spy dramas, like NORTH BY NORTHWEST, may be more fun, but none of them are as realistic. In fact, very few spy films have the authenticity as TOPAZ. The story is based on fact. In 1962, a Russian top-level KGB defector informed the U.S. that some very high-level French diplomats, in a group called "Sapphire", were selling secrets to the Soviet Union. TIME Magazine printed this story in April 26, 1968, and did so using the same source that Leon Uris did: the U.S. sympathizing (and exiled) former Chief of French Intelligence, Philippe Thyraud de Vosjoli.

Incidentally, a viewer needs to know the chronology and key events surrounding the 1962 Cuban Missile Crises as background, or else the film will be confusing. I suspect many critics condemn it because it's easier for them to dismiss the film rather than confront their own ignorance.

Not that this movie is without weaknesses. Hitchcock was no realist, and the grim world of films like THE SPY WHO CAME IN FROM THE COLD is probably the type of ambiance it should have presented, but doesn't. However, I definitely join the camp of those who consider it underrated. I read writers on Hitchcock who unthinkingly rank TOPAZ with his worst stuff, and yet many of us prefer it over THE TROUBLE WITH HARRY, MR. AND MRS. SMITH, and other Hitchcock works that don't get castigated as nearly as much. I can't help but suspect they receive less criticism because they are more typical Hitchcock. This film is atypical Hitchcock, so readjust your expectations accordingly.