A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies.Written by
Col Needham <email@example.com>
After Andre returns from Cuba, his French supervisor states "I sent Peugeot to Dulles Airport to meet you". The first airline flight from Dulles was on November 19, 1962, 3 weeks after the Cuban Missile crisis (October 14, 1962 - October 28, 1962) ended. See more »
Opening credits prologue: Somewhere in this crowd is a high Russian official who disagrees with his government's display of force and what it threatens. Very soon his conscience will force him to attempt an escape while apparently on a vacation with his family. Copenhagen, Denmark Nineteen Hundred Sixty-two See more »
The new ending takes place at Paris airport; Deveraux and his wife are leaving for America and see Granville boarding a plane to the USSR. He salutes them. Deveraux explains to his wife why he let Grainville leave. The last scene shows someone throwing a newspaper on a bench. The camera shows the headline and then pans to the Paris Arc de Triomphe, the same pictured in the opening shots. See more »
"Topaz" is one of Hitchcock's least satisfying films, yet the same time it's one of his most interesting ones, as well. Usually people don't remember it, maybe because there are no famous Hitchcock stars. Either the director didn't get any, or he didn't want them, because the audiences should tightly concentrate on the complex plot.
The film clearly divides into three parts. The one in the middle, which takes place in Cuba, is the best of them. It involves the films most memorable scene, the beautifully photographed murder. Weakest part is the last one, where you might get confused with the messy intrigues.
There are too many characters in the movie, which leaves many of them just bystanders, for example the worried wife (Dany Robin), who doesn't do really anything. The films brightest spot is Karin Dor, who gives an excellent performance as the beautiful Juanita. Too bad that her screen time is quite short. And the ending climax shines with its absence: the film ends like bumping into a wall.
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