AVALIAÇÃO DA IMDb
7,2/10
4,7 mil
SUA AVALIAÇÃO
Um jornalista de televisão está pessoalmente envolvido na violência que ocorre em torno da Convenção Nacional Democrata de 1968.Um jornalista de televisão está pessoalmente envolvido na violência que ocorre em torno da Convenção Nacional Democrata de 1968.Um jornalista de televisão está pessoalmente envolvido na violência que ocorre em torno da Convenção Nacional Democrata de 1968.
- Prêmios
- 2 vitórias e 4 indicações
Enredo
Você sabia?
- CuriosidadesThe main character was originally called "John Cassavetes" and was in fact going to be played by actor-director John Cassavetes. When he withdrew from the film due to a scheduling conflict, the character's name was changed to "John Cassellis" and Robert Forster was cast in the role.
- Erros de gravaçãoWhen Eileen enters the L looks for Harold, she is wearing a white hair band, but when they show her sitting on the L, the hair band is missing.
- Citações
John Cassellis: If I gotta be afraid in order for your argument to work, then you got no argument.
- Cenas durante ou pós-créditosStuds Terkel is credited as "Our Man in Chicago".
- Versões alternativasDue to copyright disputes, all video releases feature some different songs on the soundtrack from the theatrical version.
- ConexõesEdited into O Show Não Pode Parar (2002)
- Trilhas sonorasSweet Georgia Brown
by Ben Bernie, Kenneth Casey and Maceo Pinkard
Performed by Brother Bones
Courtesy of Tempo Records
Played during roller derby scene
Avaliação em destaque
A real masterpiece
This is one of the great American movies. The reasons for its obscurity have everything to do with mass consumerism in the late 20th century and nothing to do with its quality. In my opinion this film captures the essence of the late 1960s better than Easy Rider, The Graduate, or any of the other popular films that have come to be associated with that era.
Wexler combines a very European (Italian Neorealist/French New Wave) style with a very American subject matter in a way that comes across as completely natural. It is an art film that plays like watching the evening news.
It is exciting both formally, and culturally: not only does it provide a lasting document of the late 1960s counter-culture in conflict with the aging, square America of the Eisenhower era, it more specifically does a fine job of representing the more general cultural conflict of rural people (here white Appalachians) thrust into the Yankee city environment.
All this, and the movie is fun to watch, not some intellectualized snorefest. It a great movie.
Wexler combines a very European (Italian Neorealist/French New Wave) style with a very American subject matter in a way that comes across as completely natural. It is an art film that plays like watching the evening news.
It is exciting both formally, and culturally: not only does it provide a lasting document of the late 1960s counter-culture in conflict with the aging, square America of the Eisenhower era, it more specifically does a fine job of representing the more general cultural conflict of rural people (here white Appalachians) thrust into the Yankee city environment.
All this, and the movie is fun to watch, not some intellectualized snorefest. It a great movie.
útil•84
- tvspace
- 3 de fev. de 2001
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Medium Cool
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 800.000 (estimativa)
- Tempo de duração1 hora 51 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Dias de Fogo (1969) officially released in India in English?
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