An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler."Written by
Scott Renshaw <firstname.lastname@example.org>
A commentary by Peter Sellers on a newspaper was enthusiastic, and was loosely reworded (as "It was shocking, outrageous, insulting... and I loved every minute of it!") into the 2005 musical movie script. See more »
In LSD's number "Love Power", his musical ensemble consists of a guitarist, keyboardist and sax player, however, the music we hear clearly has flute, bass guitar, drums and other instruments not represented, and no saxophone. See more »
[holding a gun to his head]
Soon, I shall be with mein Führer... and Himmler. I'm coming to join you boys!
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Closing credits are in reverse order, acting like curtain calls, which lead up to the star actor. (which matches the order shown in imdb.) See more »
Some prints eliminate the opening "Embassy Pictures" logo, as well as a few seconds of footage in the bar scene, including the drunk's dialogue "Let's have a toast...to toast! I love toast..." and the beginning of the song "By the Light of the Silvery Moon". Most prints just cut into the scene in the middle of the song verse. See more »
This is a classic film with wonderful performances all around (although I didn't take to Dick Shawn's as much as the others). Zero Mostel and Gene Wilder were perfect casting as was Christopher Hewitt (later to be known as TV's "Mr. Belvedere"). What's even more impressive are the various elements of truth that are beneath the histerical if not obsurbed storyline. The current Broadway hit doesn't compete with this film. The performances are good on stage but not as wonderful as here. Due to long term business problems this film wasn't released for home video and cable until much later then it should have been. Outright broad comedy and silliness belong in our daily lives and this film offers them very well. EVERYONE should see this film!
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