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The Producers (1967)

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Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop.

Director:

Mel Brooks

Writer:

Mel Brooks
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Popularity
4,555 ( 290)
Won 1 Oscar. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Estelle Winwood ... Hold Me Touch Me
Renée Taylor ... Eva Braun (as Renee Taylor)
David Patch David Patch ... Goebbels
William Hickey ... The Drunk (as Bill Hickey)
Barney Martin ... Göring
Shimen Ruskin Shimen Ruskin ... The Landlord
Frank Campanella Frank Campanella ... The Bartender
Josip Elic Josip Elic ... Violinist
Madelyn Cates Madelyn Cates ... Concierge (as Madlyn Cates)
John Zoller John Zoller ... Drama Critic
Brutus Peck Brutus Peck ... Hot Dog Vendor
Anne Ives Anne Ives ... Lady
Amelie Barleon Amelie Barleon ... Lady
Lisa Kirk Lisa Kirk ... Lady (as Elsie Kirk)
Nell Harrison Nell Harrison ... Lady
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Storyline

Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler." Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Taglines:

Once upon a time there was a Broadway producer...who met a "creative" but timid accountant. Together they concocted the most outrageous $1,000,000 scheme in the annals of Show Biz. See more »

Genres:

Comedy | Music

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German

Release Date:

10 November 1968 (USA) See more »

Also Known As:

Mel Brooks' The Producers See more »

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Box Office

Budget:

$941,000 (estimated)

Opening Weekend USA:

$6,091, 9 June 2002, Limited Release

Gross USA:

$111,866, 12 January 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Pathécolor) (uncredited)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The movie's line, "We find the defendants incredibly guilty." was voted as the number eighty-eight of "The 100 Greatest Movie Lines" by Premiere in 2007. "I'm the author. You are the audience. I outrank you!" was number fourteen in the same. See more »

Goofs

When going to be de Bris, the positions in elevator change, and the hand that Carmen holds his monocle changes. See more »

Quotes

Leo Bloom: My blanket! My blue blanket! Give me my blue blanket!
See more »

Crazy Credits

The closing credits shows the actors full name and their picture. It only says "Zero" for Zero Mostel. See more »

Alternate Versions

The 4-Front UK video release omits a couple of lines from Leo Bloom's hysterical attack in Bialystock's office (with a very noticeable edit), considerably shortens the scene with Leo and Max in the bar with the drunk (most of the 'Light of the Silvery Moon' number is missing) and deletes about half of the scene where Franz attempts to blow up the theatre. All these scenes are intact on the print regularly screened by BBC-TV. See more »

Connections

Spoofed in Glitch! (1988) See more »

Soundtracks

Die Wacht am Rhein
(uncredited)
Music by Karl Wilhelm
Lyrics by Max Schneckenburger
(only used in the german synchronisation, replacing 'Das Lied der Deutschen')
sung on the roof of Franz Liebkings house
See more »

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User Reviews

A Classic!
6 August 2002 | by doned88See all my reviews

This is a classic film with wonderful performances all around (although I didn't take to Dick Shawn's as much as the others). Zero Mostel and Gene Wilder were perfect casting as was Christopher Hewitt (later to be known as TV's "Mr. Belvedere"). What's even more impressive are the various elements of truth that are beneath the histerical if not obsurbed storyline. The current Broadway hit doesn't compete with this film. The performances are good on stage but not as wonderful as here. Due to long term business problems this film wasn't released for home video and cable until much later then it should have been. Outright broad comedy and silliness belong in our daily lives and this film offers them very well. EVERYONE should see this film!


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