An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler."Written by
Scott Renshaw <firstname.lastname@example.org>
The movie's line, "We find the defendants incredibly guilty." was voted as the number eighty-eight of "The 100 Greatest Movie Lines" by Premiere in 2007. "I'm the author. You are the audience. I outrank you!" was number fourteen in the same. See more »
When going to be de Bris, the positions in elevator change, and the hand that Carmen holds his monocle changes. See more »
The closing credits shows the actors full name and their picture. It only says "Zero" for Zero Mostel. See more »
The 4-Front UK video release omits a couple of lines from Leo Bloom's hysterical attack in Bialystock's office (with a very noticeable edit), considerably shortens the scene with Leo and Max in the bar with the drunk (most of the 'Light of the Silvery Moon' number is missing) and deletes about half of the scene where Franz attempts to blow up the theatre. All these scenes are intact on the print regularly screened by BBC-TV. See more »
Die Wacht am Rhein
Music by Karl Wilhelm
Lyrics by Max Schneckenburger
(only used in the german synchronisation, replacing 'Das Lied der Deutschen')
sung on the roof of Franz Liebkings house See more »
This is a classic film with wonderful performances all around (although I didn't take to Dick Shawn's as much as the others). Zero Mostel and Gene Wilder were perfect casting as was Christopher Hewitt (later to be known as TV's "Mr. Belvedere"). What's even more impressive are the various elements of truth that are beneath the histerical if not obsurbed storyline. The current Broadway hit doesn't compete with this film. The performances are good on stage but not as wonderful as here. Due to long term business problems this film wasn't released for home video and cable until much later then it should have been. Outright broad comedy and silliness belong in our daily lives and this film offers them very well. EVERYONE should see this film!
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