Hot Millions

Okay, for those that dislike this movie, I agree this ain't Olivier doing Shakespeare. But it is a charming little caper movie that could only have been made in the sixties.

Peter Ustinov plays a charming embezzler and Maggie Smith plays a not-so dumb-in-the end secretary that he marries. It doesn't have any roll on the floor laughs but then again it doesn't try to. Made before the blockbuster era of Jaws and Star Wars and even before the crass but extremely funny humor of M.A.S.H., simple movies like this could be made for a modest cost without being expected to be the next Gone With The Wind.

If you come across this movie, just enjoy it without looking for any deep underlying message.

"Hot Millions" is a well-written, well-acted tale about an embezzler who steals (whoops! -- too low class a word for an embezzler, according to Peter Ustinov's lead character) a "hot million" from the London branch of a U.S. corporation by creating shell corporations on the continent and using the firm's ostensibly secure computer to transfer funds to them. (Remember, spoiler police, this is a comedy, not a mystery.)

From 1968, this movie's depiction of computers may seem naive to today's more computer-literate populace; but as one who has worked with computers since before this film was released, I would assert that even then, this smacks of having been written by and for computer illiterates, probably on purpose to heighten the droll comedic aspects of this British flick.

If one has little taste for this type of entertainment, the movie may seem to drag in spots. Fortunately, it has a nicely wrapped-up ending; unfortunately, the end credits give no indication of the classical music used therein -- the symphonic piece at the end and the piano-flute duet in the middle -- just the song sung by Lulu which I totally don't remember.

Talk about a dream cast - just two of the most wonderful actors who ever appeared anywhere - Peter Ustinov and Maggie Smith - together - in "Hot Millions," a funny, quirky comedy also starring Karl Malden, Robert Morley, and Bob Newhart. Ustinov is an ex-con embezzler who gets the resume of a talented computer programmer (Morley) and takes a position in a firm run by Malden - with the goal of embezzlement in mind. It's not smooth sailing; he has attracted the attention of his competitor at the company, played by Newhart, and his neighbor, Maggie Smith (who knows him at their place of residence under another name), becomes his secretary for a brief period. She can't keep a job and she is seen throughout the film in a variety of employment - all ending with her being fired. When Newhart makes advances to her, she invites Ustinov over to her flat for curry as a cover-up, but the two soon decide they're made for each other. Of course, she doesn't know Ustinov is a crook.

This is such a good movie - you can't help but love Ustinov and Smith and be fascinated by Ustinov's machinations, his genius, and the ways he slithers out of trouble. But there's a twist ending that will show you who really has the brains. Don't miss this movie, set in '60s London. It's worth if it only to hear Maggie Smith whine, "I've been sacked."

I just saw Hot Millions on TCM and I had completely forgotten this gem. Ustinov creates a clever and divisive plot that has him cleverly going from two bit con man to ingenious... Well you'll see. Maggie Smith is perfect as the bumbling secretary/neighbor who has a tough time holding a job but has a warm and vibrant personality that beams through in this picture. She creates a fine portrayal of a warm, witty and real person who in the long run...well...

Molden and Newhart as top executives take on the challenge of making what could be banal roles and make them come out into a comic life of their own.

Robert Morley and Ceasar Romero are just a pleasure to see and I know at least in Romero's case Ustinov is extending a helping hand of work.

This film is meant to be a shot back at the rising computer age and it's problems for the average con man or man for that matter but in fact the characters are so involving and so much fun to watch that the computer sub plot is almost lost...I say almost.

Let down your usual expectations of modern comedy and look for the great performances and friendly, forgiving and deeply involving plot in this picture.

I rented this mainly to see Maggie Smith, and she proved to be enjoyable as always. Interesting to see Dame Maggie oogled as a pretty babe by Ustinov and Newhart. Overall, a charming, frothy little comedy-definitely a product of its time- with tacky 60s pop music & choppy 60s editing- it all seems to work somehow.