IMDb-BEWERTUNG
6,5/10
7192
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.A master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.A master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.
Lidia Biondi
- Policewoman
- (as Lidia Biondi C.S.C.)
Terry-Thomas
- Minister of the Interior
- (as Terry Thomas)
- …
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe movie is based on "Diabolik," one of the longest running - and most successful - Italian comic strips (known as "fumetti"). It was created by Angela Giussani and Luciana Giussani, two Milan sisters who built a small but very profitable publishing empire out of the King of Terror's success. In the comic version, "Diabolik" is much more sinister than its cinematic counterpart - he's a criminal fighting evil with evil, often resorting to murder to "punish" the evildoers he meets. The film was made assuming some knowledge of the fumetti, thus explaining the negative reaction it initially received outside Italy, although it has since been reevaluated as a classic of 1960s cinematic psychedelia and pop art.
- PatzerDiabolik recovers emeralds from the ashes of a cremated body. Emerald, a type of green beryl, fractures and discolors when exposed to even mild flame (thus losing considerable value), and certainly cannot survive the intense heat of a crematorium.
- Zitate
Diabolik: [as he and Valmont freefall from a plane that has suddenly exploded] I almost forgot. When I stumbled, I attached a magnetic capsule to your plane.
Ralph Valmont: Who cares? Pull the cord!
- Alternative VersionenThe most widely seen version, seen on Mystery Science Theatre 3000, has trimmed many scenes so it could fit in the 2-hour time slot, along with the host segments.
- VerbindungenFeatured in Beastie Boys: Body Movin' (1998)
- SoundtracksDeep Down
(uncredited)
Music by Ennio Morricone
Lyrics by Audrey Nohra
Performed by Maria Cristina Brancucci
Ausgewählte Rezension
An often derided movie that deserves to be seen.
I first saw 'Danger:Diabolik' on British television when I was 5 years old, peeking from behind the sofa when I was supposed to be in bed fast asleep. The next morning I thought the whole experience had been a vivid and bizarre dream. The film has fascinated me ever since.
Mario Bava's film is a hallucinatory, artistic, but undercooked and under-budgeted concoction which never quite coheres into the film we want it to be. 'Danger: Diabolik' nonetheless conjures up some masterful cult moments that richly reward the intrepid viewer who is willing to brave (and embrace) some ropey filler scenes and awful dubbing.
The magic of this film is sometimes missed by the casual viewer, and many of those who I have lent my copy to have simply stopped watching half way through, as the plot gets bogged down in the muddled, leaden Valmont scenes.
The magic of this film for me lies in this childhood connection that I have. Diabolik is indeed (as many viewers have pointed out) amoral and selfish. He kills people and lives only for his hedonistic indulgence. But this isn't really the point. Diabolik's greed is a metaphor of all our material greed and fantasies of self-indulgence [for more on this, see the definitive article on 'Danger:Diabolik' on the 'dvd savant' website] Diabolik, in all his piecing glances, hystrionic leaping, minimal dialogue, fetishistic costumes, and designer love parlours is very much like an irrational, inexplicable dream that we read our own meanings and desires into. Diabolik is a hypnotic, mysterious figure beyond judgement and law; he's not a real person in any way, and is not supposed to be one. His love for Eva is an erotic, wet dream and has nothing to do with anything except sensual pleasure and wish-fulfillment, and these scenes linger on as if the editor had forgotten to cut the film.
Bava denies us (or is perhaps incapable of constructing) a conventional, well-paced narrative, or a palatable, structured story. Instead he gives us a psychadelic reverie. A string of moments to enjoy and remember. Oh, and some really crap bits too, there's no denying!
DON'T WATCH THIS FILM IF YOU HAVE A SHORT, MTV ATTENTION SPAN OR NO APPRECIATION OF EURO-TRASH / PSYCHOTRONIC CINEMA.
I agree that 'Danger:Diabolik' isn't everything it could be, but it almost succeeds in achieving pop-art genius on several occasions. Definitely worth checking out. Just put your normal movie expectations aside for this one and you might love it!
If you are a big fan of 'Danger:Diabolik', or just feel like debating it, please feel free to email me!....
Mario Bava's film is a hallucinatory, artistic, but undercooked and under-budgeted concoction which never quite coheres into the film we want it to be. 'Danger: Diabolik' nonetheless conjures up some masterful cult moments that richly reward the intrepid viewer who is willing to brave (and embrace) some ropey filler scenes and awful dubbing.
The magic of this film is sometimes missed by the casual viewer, and many of those who I have lent my copy to have simply stopped watching half way through, as the plot gets bogged down in the muddled, leaden Valmont scenes.
The magic of this film for me lies in this childhood connection that I have. Diabolik is indeed (as many viewers have pointed out) amoral and selfish. He kills people and lives only for his hedonistic indulgence. But this isn't really the point. Diabolik's greed is a metaphor of all our material greed and fantasies of self-indulgence [for more on this, see the definitive article on 'Danger:Diabolik' on the 'dvd savant' website] Diabolik, in all his piecing glances, hystrionic leaping, minimal dialogue, fetishistic costumes, and designer love parlours is very much like an irrational, inexplicable dream that we read our own meanings and desires into. Diabolik is a hypnotic, mysterious figure beyond judgement and law; he's not a real person in any way, and is not supposed to be one. His love for Eva is an erotic, wet dream and has nothing to do with anything except sensual pleasure and wish-fulfillment, and these scenes linger on as if the editor had forgotten to cut the film.
Bava denies us (or is perhaps incapable of constructing) a conventional, well-paced narrative, or a palatable, structured story. Instead he gives us a psychadelic reverie. A string of moments to enjoy and remember. Oh, and some really crap bits too, there's no denying!
DON'T WATCH THIS FILM IF YOU HAVE A SHORT, MTV ATTENTION SPAN OR NO APPRECIATION OF EURO-TRASH / PSYCHOTRONIC CINEMA.
I agree that 'Danger:Diabolik' isn't everything it could be, but it almost succeeds in achieving pop-art genius on several occasions. Definitely worth checking out. Just put your normal movie expectations aside for this one and you might love it!
If you are a big fan of 'Danger:Diabolik', or just feel like debating it, please feel free to email me!....
hilfreich•3013
- bennozoid1
- 10. Feb. 2002
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- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Danger: Diabolik
- Drehorte
- Blue Grotto, Capri, Italien(insert shots of Diabolik and Eva's pool)
- Produktionsfirmen
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- Budget
- 400.000 $ (geschätzt)
- Laufzeit1 Stunde 45 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Mario Bava's Gefahr: Diabolik (1968) officially released in India in English?
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