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2001: A Space Odyssey (1968)

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A space-opera spanning the dawn of man to humanity reaching the stars, 2001: A Space Odyssey tells the story of the Black Monolith, humanity's evolution and the rise of A.I.'s ultimate supercomputer HAL 9000.

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay), Arthur C. Clarke (screenplay)
Popularity
330 ( 1)

Director's Trademarks: A Guide to Stanley Kubrick's Films

2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?

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Top Rated Movies #88 | Won 1 Oscar. Another 14 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller Frank Miller ... Mission Controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ... Astronaut
Alan Gifford ... Poole's Father
Ann Gillis ... Poole's Mother
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

An epic drama of adventure and exploration See more »

Genres:

Adventure | Sci-Fi

Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English | Russian

Release Date:

12 May 1968 (UK) See more »

Also Known As:

How the Solar System Was Won See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£69,567 (United Kingdom), 30 November 2014, Limited Release

Opening Weekend USA:

$202,759, 20 May 2018, Limited Release

Gross USA:

$56,954,992

Cumulative Worldwide Gross:

$190,700,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (theatrical release) | (initial release)

Sound Mix:

4-Track Stereo (35 mm magnetic prints)| 70 mm 6-Track (70 mm prints)

Color:

Color (Technicolor)| Color (Metrocolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

The National Film Arhcive of Japan showed the "unresotred" 70mm prints from the 2018 Cannes Film Festival in Oct, 2018. In order to make the cinematic experience as close as possible to the 1968 theater experience, the theater showed the film with dual projectors instead of a film platter, and the theater lighting and the curtain timing was same as 1968 and are precised down to seconds. These are the timing that was used during the film. For opening, overture 2 minutes and 53 seconds, dimmed lights, closed curtain, before the MGM logo shows up, lights out, and open curtain. For intermission, the "intermission" was showed for 26 seconds, and intermission for 15 minutes. For the second half, intermission music 2 minutes and 18 seconds, dimmed lights, closed curtain, before the movie starts, lights out, and open curtain. For closing, 10 seconds before the "The End" disappear, the lights up, and curtain fully closed, post-credit exit music 4 minutes and 23 seconds. See more »

Goofs

When the hatch is blown with the "explosive bolts", it appears to vanish when it should have been in between Dave and the Discovery, blocking his entrance, However, the door isn't actually detached in this sequence but is, rather, forcibly opened with the door sliding into the side of pod as it normally would, just much quicker due to the explosive bolts being fired. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

"Thus Spake Zarathustra" is the only musical piece in the film whose conductor and orchestra are not mentioned in the closing credits. For all other pieces, the orchestra which plays it, and the conductor who leads it, are given screen credit. See more »

Alternate Versions

Some versions have title cards on-screen during the Overture and Entr'acte sections, while other versions omit these titles and simply play the music over a black screen. See more »

Connections

Referenced in Rugrats: Tommy's First Birthday (1991) See more »

Soundtracks

The Blue Danube
(1866)
("An der schönen, blauen Donau, op. 314 (The Blue Danube)")
Music by Johann Strauss (as Johann Strauss)
Performed by Berliner Philharmoniker (as the Berlin Philharmonic Orchestra)
Conductor Herbert von Karajan
Courtesy Deutsche Grammophon
See more »

Frequently Asked Questions

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User Reviews

 
A film of monolithic proportions.
5 January 2005 | by ManthorpeSee all my reviews

A review I have put off for far too long....

Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. Stanley Kubrick was a genius of a film maker and this is one of his very best works. And although it is misunderstood by many, and respectively underrated, it is considered one of the best films of all time and I'll have to agree. Back in 1968, no one had done anything like this before, and no one has since. It was a marvel of a special effects breakthrough back then, and seeing how the effects hold up today, it is no wonder as to why. The film still looks marvelous after almost forty years! Take note CGI people. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. I can't think of another film where you can't here anything in space, like it is in reality. Not only is the absence of sound effects in space realistic, it is used cleverly as a tool to establish mood, and it works flawlessly.

Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler.

The story, while seemingly simple, is profound. Sequentially, several mysterious black monoliths are discovered and basically trigger certain events integral to the film. What are they? Where did they come from? What do they do? These are all questions one asks oneself while watching the story develop and is asked to find his own way. While most come away with a general idea of what took place in the story, each individual will have to decide what it means to them. Any way one decides to answer these question results in profound solutions. It's not left entirely up to interpretation, but in some aspects it is. Experience it for more clarification. The end result is quite chilling, no matter your personal solution.

While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. It's not a subject that would have faired well in a shorter film, faster paced feature. Those with short attention spans need not apply.

Last but not least, is the epitome of a remorseless antagonist, HAL 9000, the computer. Never has a machine held such a chilling screen presence. Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. Another sign of Kubrick's genius.

All in all, one of the best films made to date and one of the very best science fiction films made. A personal favorite. Everyone must see this film at least once.

Very highly recommended.


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