PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Una pareja casada va en un viaje para visitar a los padres de la esposa con la intención de matarlos por la herencia.Una pareja casada va en un viaje para visitar a los padres de la esposa con la intención de matarlos por la herencia.Una pareja casada va en un viaje para visitar a los padres de la esposa con la intención de matarlos por la herencia.
- Premios
- 1 premio y 4 nominaciones
Yves Afonso
- Gros Poucet
- (sin acreditar)
Yves Beneyton
- Un membre du FLSO
- (sin acreditar)
Juliet Berto
- Une activiste du FLSO
- (sin acreditar)
- …
Michèle Breton
- Girl in the woods
- (sin acreditar)
Michel Cournot
- Man From Farmyard
- (sin acreditar)
Lex De Bruijn
- Revolutionary
- (sin acreditar)
Omar Diop
- Mon frère africain
- (sin acreditar)
Jean Eustache
- L'auto-stoppeur
- (sin acreditar)
Jean-Claude Guilbert
- Le clochard
- (sin acreditar)
Paul Gégauff
- Le pianiste
- (sin acreditar)
Blandine Jeanson
- Emily Bronte
- (sin acreditar)
Louis Jojot
- Monsieur Jojot
- (sin acreditar)
Valérie Lagrange
- La femme du chef du FLSO
- (sin acreditar)
Jean-Pierre Léaud
- Saint-Just
- (sin acreditar)
- …
Ernest Menzer
- Ernest - le cuisinier
- (sin acreditar)
- …
- Dirección
- Guión
- Julio Cortázar(sin acreditar)
- Jean-Luc Godard
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que...?
- CuriosidadesThe tracking shot of the traffic jam was the longest tracking shot in the history of cinema at that point in time as it was 300 meters long.
- Versiones alternativasFor the original U.S. theatrical release, distributor Grove Press dubbed the monologues (the garbagemen's piece on black revolution and the hippie's "ocean" poem) into English, although the rest of the film was in the original French with subtitles. A short credits sequence was also appended to the end of the film.
- ConexionesEdited into Bande-annonce de 'Week End' (1967)
Reseña destacada
What a self-indulgent, didactic mess!
There are enough interesting devices employed in Week-end to make one regret its fatal flaws. The ten minute long tracking shot of the traffic jam near the film's beginning, which has elicited so much press, is indeed riveting. There are other moments of brilliance, such as the long circular pan at the piano recital. But the problems with Week-end eventually overpower these moments and one is left wondering why the film and its creator have such a reputation for greatness. Ultimately, Godard's quite valid points about the complacency of the bourgeoisie, the brutality of human nature and the false promises of philosophy, religion and art are undermined by his heavy-handedness. Did Godard really believe that it was necessary to give us scene after scene of people acting in the same craven way to make us understand? Did we really need the 15 minute-long revolutionary speech by the garbage collectors to be able to see his point? Even the implied cannibalism in the final scene is rendered impotent, as just a few minutes earlier, we are forced to watch the very real (and sickening) killing and butchery of a pig. This film, edited mercilessly, would have made a fascinating 45-minute short, and would've produced much more impact upon the viewer. Instead, we are left with this rambling, repetitious exercise in excess. If you intend to see Week-end, I recommend keeping a finger poised over your fast-forward button.
útil•166
- rch427
- 2 ago 1999
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- How long is Weekend?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 250.000 US$ (estimación)
- Duración1 hora 45 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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Principal laguna de datos
By what name was Week End (1967) officially released in India in English?
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