An American missionary and his wife travel to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
George Roy Hill
Max von Sydow,
Sorrowful Jones is a cheap bookie in 1930's. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her arrival and his ... See full summary »
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
In 1922 New York City, Millie Dillmount and Miss Dorothy Brown are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers. Orphaned, Miss Dorothy, just recently arrived, is a naive, old-fashioned girl from a seemingly privileged background who has aspirations to be a stage actress. From more modest means, Millie, in New York for three months, used to be old fashioned, but now has a new modern sensibility and look to match, complete with bobbed hair and dresses with hemlines above the knee. Included in this new modern sensibility is Millie's goal of getting a job as a stenographer, with a quick promotion to being her wealthy boss' "Mrs.". Love is not to factor into the equation. She believes she's found the right employer in the form of chisel-jawed Trevor Graydon of the Sincere Trust Insurance Company. Millie's pursuit of Mr. Graydon is despite the fact that Mr. Graydon sees her as one of the boys, he has old fashioned sensibilities, and Millie ...Written by
The interior theatre audience, with the main characters seated in the front opera box, was filmed on Universal Studios' stage 28 permanent oldest stage set in existence in Hollywood's history, the original 1925 and 1943 remake of The Phantom of the Opera (1925) feature film. The same set had been used the previous year, 1966, for the final sequence of Alfred Hitchcock's feature spy film the Torn Curtain (1966). See more »
When Muzzy is flying through the air after being shot from a cannon. She has on a silver colored suit and helmet. After she lands on the stage the suit and helmet are both gold colored. See more »
Muzzy Van Hossmere:
[seeing Millie in tears]
Oh! Moderns don't cry.
No. No, of course not.
Muzzy Van Hossmere:
Now Millie, I must apologize for my guest. Judith is a rude and spoiled young lady. You must not let her upset you.
Oh Muzzy, I'm so mixed up, so confused. It's not only Miss Tremaine, though she did read me right. I am a working girl, and a boob.
Muzzy Van Hossmere:
Well, there's certainly nothing wrong with being a working girl. I was a working girl myself in the chorus, but I wasn't a boob.
No, you married well, and that's exactly my plan, ...
[...] See more »
On some video releases of Thoroughly Modern Millie, the Overture is cut out. See more »
An enjoyable family film that balances slapstick with surrealism
If you got to see this film when you were six like I did, you pleasantly discover that viewing it at 33 is still a lot of fun. In many ways it's better- contrary to most films you remember enjoying as a kid. Even though my nostalgic memories of this movie included some mildly scary imagery, when I view it now it still has impact but from a more humorous standpoint. I must also add on a more base level that Julie Andrews level of attractiveness is on par with her considerable talent. An interesting observation particularly since I remember being more attracted to Mary Tyler Moore when I was a kid and barely noticed Julie. The director's intention no doubt. Digressions aside, this movie is an ideal choice for a family movie night. Although it has aspects that are not as culturally sensitive as some may like, these details are not intended to be malicious but are included as contrast devices. Particularly for 1967. Do yourself a favor and rent or purchase the DVD. A widescreen treat that will get your feet tapping. The child and the middle aged man in me must both give this film a 9 out of 10.
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