7.0/10
5,402
91 user 15 critic

Thoroughly Modern Millie (1967)

Millie comes to town in the roaring twenties to encounter flappers, sexuality and white slavers.

Director:

George Roy Hill

Writer:

Richard Morris
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Won 1 Oscar. Another 4 wins & 11 nominations. See more awards »

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Cast

Complete credited cast:
Julie Andrews ... Millie Dillmount
James Fox ... Jimmy Smith
Mary Tyler Moore ... Miss Dorothy Brown
Carol Channing ... Muzzy Van Hossmere
John Gavin ... Trevor Graydon
Jack Soo ... Oriental #1
Pat Morita ... Oriental #2
Philip Ahn ... Tea
Anthony Dexter ... Juarez
Cavada Humphrey Cavada Humphrey ... Miss Flannery
Herbie Faye ... Taxi Driver
Michael St. Clair Michael St. Clair ... Baron Richter
Lisabeth Hush Lisabeth Hush ... Judith Tremaine
Ann Dee Ann Dee ... Singer
Beatrice Lillie ... Mrs. Meers
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Storyline

In 1922 New York City, Millie Dillmount and Miss Dorothy Brown are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers. Orphaned, Miss Dorothy, just recently arrived, is a naive, old-fashioned girl from a seemingly privileged background who has aspirations to be a stage actress. From more modest means, Millie, in New York for three months, used to be old fashioned, but now has a new modern sensibility and look to match, complete with bobbed hair and dresses with hemlines above the knee. Included in this new modern sensibility is Millie's goal of getting a job as a stenographer, with a quick promotion to being her wealthy boss' "Mrs.". Love is not to factor into the equation. She believes she's found the right employer in the form of chisel-jawed Trevor Graydon of the Sincere Trust Insurance Company. Millie's pursuit of Mr. Graydon is despite the fact that Mr. Graydon sees her as one of the boys, he has old fashioned sensibilities, and Millie ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

The happiest picture in years. See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish | French | German | Italian | Hebrew

Release Date:

22 March 1967 (USA) See more »

Also Known As:

Millie See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$34,335,025

Cumulative Worldwide Gross:

$40,000,000, 31 December 1968
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints)| Mono (35 mm prints)| 4-Track Stereo (35 mm magnetic prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Film debut of Pat Morita. See more »

Goofs

When Millie and Jimmy are sitting on the ledge of the building and he leans forward, you can see through the top of his head. See more »

Quotes

Miss Dorothy Brown: Operator, you have obviously never been in a Chinese opium den!
See more »

Alternate Versions

On some video releases of Thoroughly Modern Millie, the Overture is cut out. See more »

Connections

Referenced in Sarah Millican: Thoroughly Modern Millican (2012) See more »

Soundtracks

I Can't Believe That You're in Love with Me
(uncredited)
Music by Jimmy McHugh
Lyrics by Clarence Gaskill
Sung by an uncredited male vocalist on the gramophone
See more »

Frequently Asked Questions

See more »

User Reviews

An enjoyable family film that balances slapstick with surrealism
22 March 2004 | by allansluisSee all my reviews

If you got to see this film when you were six like I did, you pleasantly discover that viewing it at 33 is still a lot of fun. In many ways it's better- contrary to most films you remember enjoying as a kid. Even though my nostalgic memories of this movie included some mildly scary imagery, when I view it now it still has impact but from a more humorous standpoint. I must also add on a more base level that Julie Andrews level of attractiveness is on par with her considerable talent. An interesting observation particularly since I remember being more attracted to Mary Tyler Moore when I was a kid and barely noticed Julie. The director's intention no doubt. Digressions aside, this movie is an ideal choice for a family movie night. Although it has aspects that are not as culturally sensitive as some may like, these details are not intended to be malicious but are included as contrast devices. Particularly for 1967. Do yourself a favor and rent or purchase the DVD. A widescreen treat that will get your feet tapping. The child and the middle aged man in me must both give this film a 9 out of 10.


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