7.0/10
5,179
91 user 15 critic

Thoroughly Modern Millie (1967)

Millie comes to town in the roaring twenties to encounter flappers, sexuality and white slavers.

Director:

George Roy Hill

Writer:

Richard Morris
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Won 1 Oscar. Another 4 wins & 11 nominations. See more awards »

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Cast

Complete credited cast:
Julie Andrews ... Millie Dillmount
James Fox ... Jimmy Smith
Mary Tyler Moore ... Miss Dorothy Brown
Carol Channing ... Muzzy Van Hossmere
John Gavin ... Trevor Graydon
Jack Soo ... Oriental #1
Pat Morita ... Oriental #2
Philip Ahn ... Tea
Anthony Dexter ... Juarez
Cavada Humphrey Cavada Humphrey ... Miss Flannery
Herbie Faye ... Taxi Driver
Michael St. Clair Michael St. Clair ... Baron Richter
Lisabeth Hush Lisabeth Hush ... Judith Tremaine
Ann Dee Ann Dee ... Singer
Beatrice Lillie ... Mrs. Meers
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Storyline

In 1922 New York City, Millie Dillmount and Miss Dorothy Brown are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers. Orphaned, Miss Dorothy, just recently arrived, is a naive, old-fashioned girl from a seemingly privileged background who has aspirations to be a stage actress. From more modest means, Millie, in New York for three months, used to be old fashioned, but now has a new modern sensibility and look to match, complete with bobbed hair and dresses with hemlines above the knee. Included in this new modern sensibility is Millie's goal of getting a job as a stenographer, with a quick promotion to being her wealthy boss' "Mrs.". Love is not to factor into the equation. She believes she's found the right employer in the form of chisel-jawed Trevor Graydon of the Sincere Trust Insurance Company. Millie's pursuit of Mr. Graydon is despite the fact that Mr. Graydon sees her as one of the boys, he has old fashioned sensibilities, and Millie ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Julie as you love her... in the happiest motion picture hit of the year! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish | French | German | Italian | Hebrew

Release Date:

22 March 1967 (USA) See more »

Also Known As:

Millie See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$34,335,025

Cumulative Worldwide Gross:

$40,000,000, 31 December 1968
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints)| Mono (35 mm prints)| 4-Track Stereo (35 mm magnetic prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Film debut of Pat Morita. See more »

Goofs

When Miss Dorothy checks into the hotel, Mrs. Meers's hands change positions between shots. See more »

Quotes

Jimmy Smith: You think that...?
Trevor Graydon: I do.
Jimmy Smith: You don't mean...?
Trevor Graydon: I'm afraid.
Jimmy Smith: Then by now she could be...
Trevor Graydon: Yes.
See more »

Connections

Referenced in Brooklyn Nine-Nine: The 9-8 (2016) See more »

Soundtracks

Do It Again
(uncredited)
Music by George Gershwin
Lyrics by Buddy G. DeSylva
Sung by Carol Channing
See more »

Frequently Asked Questions

See more »

User Reviews

 
This is an AWESOME movie
9 April 2005 | by popsicle_465See all my reviews

Julie Andrews really shines in this twisted-up romance. She stars as the young, pretty Millie Dillmount, who came to New York, intent on becoming a "modern" and marrying her boss, as was the 'cool' thing to do. She at last finds the 'perfect' boss, a handsome young man named Trevor Graydon. Despite her attempts to suggest her love to him subtly, he doesn't seem to be taking the hint. Along comes Jimmy, too, an irrepressible, lovable paper-clip salesman, who's got his heart set on Millie. Millie tries to stay away from Jimmy and get Mr. Graydon to notice her, going to drastic measures to do so, and all the time while Millie is chasing Mr. Graydon, Jimmy is chasing Millie, and on top of that, Miss Dorothy, Millie's best friend, appears to be chasing both men. In the end, wild and crazy "jazz baby" Muzzy is needed to clear the air and match up lovers once and for all. With an upbeat air and a peppery score, along with Millie's realistic problems and the strange behavior of the housemother, this is definitely a ten on my list.


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