8.0/10
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207 user 107 critic

In the Heat of the Night (1967)

Not Rated | | Crime, Drama, Mystery | 2 August 1967 (USA)
An African-American police detective is asked to investigate a murder in a racially hostile southern town.

Director:

Norman Jewison

Writers:

Stirling Silliphant (screenplay), John Ball (based on a novel by)
Reviews
Popularity
2,405 ( 874)
Won 5 Oscars. Another 17 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sidney Poitier ... Virgil Tibbs
Rod Steiger ... Gillespie
Warren Oates ... Sam Wood
Lee Grant ... Mrs. Colbert
Larry Gates ... Endicott
James Patterson ... Mr. Purdy
William Schallert ... Mayor Schubert
Beah Richards ... Mama Caleba
Peter Whitney ... Courtney
Kermit Murdock ... Henderson
Larry D. Mann ... Watkins
Matt Clark ... Packy
Arthur Malet ... Ulam
Fred Stewart ... Dr. Stuart
Quentin Dean ... Delores
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Storyline

Detective Virgil Tibbs is caught up in the racial tension of the US South when he is arrested after the murder of a prominent businessman. Tibbs was simply waiting for his next train at the station in Sparta, Mississippi and the confusion is soon resolved but when local police chief Gillespie learns that Tibbs is the Philadelphia PD's number one homicide expert, he reluctantly asks for his assistance. The murdered man, Mr. Colbert, had come to Sparta from the North to build a new factory and his wife and business associates immediately point the finger at Endicott, the most powerful man in the county and the one who had the most to lose if a major new employer comes to the area. Tibbs' life is clearly in danger but he perseveres in a highly charged and racially explosive environment until the killer is found. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

They call me Mister Tibbs See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

2 August 1967 (USA) See more »

Also Known As:

In the Heat of the Night See more »

Filming Locations:

Belleville, Illinois, USA See more »

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Box Office

Budget:

$2,000,000 (estimated)

Cumulative Worldwide Gross:

$27,669
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Sound)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

EMD E7A #103, the locomotive featured at the beginning and end of the film, was originally purchased by the Alton RR and acquired by GM&O in 1947 when it bought out Alton. The producers rented the train and crew for the movie. See more »

Goofs

When people are shown going onto the Mississippi River bridge, there is an Arkansas highway sign, something that would not have been seen on the Mississippi side of the river. See more »

Quotes

[first lines]
Ofcr. Sam Wood: Where you keeping the pie tonight?
Ralph Henshaw, diner counterman: I ate the last piece just before you came in.
See more »

Crazy Credits

No uppercase ("capital") letters are used in the opening and closing credits, including the film's title, cast and characters, crew and job titles, and company credits. See more »

Connections

Featured in Film Review: Film Review (1967) See more »

Soundtracks

In the Heat of the Night
Music by Quincy Jones (uncredited)
Lyrics by Alan Bergman (uncredited) and Marilyn Bergman (uncredited)
Sung by Ray Charles
See more »

Frequently Asked Questions

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User Reviews

 
Solid enough
17 April 2008 | by charchukSee all my reviews

It's solid enough for a Best Picture winner. The characterizations are deep and fleshed-out, and this is only enhanced by the two great lead performances (I would've given the Oscar to both of them), but I found myself wanting a bit more meat on the actual story. The whodunit mystery lacks real interest, and I wanted something more engaging and intriguing for these characters to do. I also found myself perplexed by the solution at the end - far too confusing a mystery to be an effective one. This may seem like a contradiction, but what I really wanted was a meaningful, layered story, not a twisted, confounding one.

It's got a great sense of style about it, helped by that great score and Jewison's often flashy direction. But, in the grand ol' year of 1967, it's got nothing on Bonnie and Clyde or even The Graduate. So, a solid enough BP winner, if not a deserving one.


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