A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heals. Their solution - escape to Bolivia.
George Roy Hill
Ben has recently graduated from college, with his parents now expecting great things from him. At his "Homecoming" party, Mrs. Robinson, the wife of his father's business partner, has Ben drive her home, which leads to an affair between the two. The affair eventually ends, but comes back to haunt him when he finds himself falling for Elaine, Mrs. Robinson's daughter.Written by
At the AFI tribute to Mike Nichols, Dustin Hoffman recounted that when he was first called to discuss auditioning for the role of Benjamin, he told Nichols that he thought he was being made fun of, considering how "wrong" he seemed for the character described in the source novel. "'It [the book] says he's five-foot-eleven or something, and he's a track star, and he's head of the debating club, and he's from Boston or something, he's a WASP, and I... it feels like this is a dirty trick, sir.' And in his inimitable way, he says, 'You mean, you're Jewish'. And I said, 'Yes'. 'And that's why you don't think you're right.' I said, 'Yes'. And he said, 'Well maybe he's Jewish inside'. And I then got the part, after a screen test." See more »
When Ben is in the hotel bar waiting for Mrs. Robinson he takes a sip of his drink and the glass has ice in it, when he sets the glass down and there is a reflection of Mrs. Robinson on the glass table there is no ice in the glass. See more »
Ladies and gentlemen, we are about to begin our descent into Los Angeles. The sound you just heard is the landing gear locking into place. Los Angeles weather is clear; temperature is 72. We expect to make our 4 hour and 18 minute flight on schedule. We have enjoyed having you on board, and look forward to seeing you again in the near future.
See more »
I saw this film for the first time in September 1968, after working for just one year as a professional cinematographer. I rapidly saw it five more times, in order to observe technical details of the photography of the film, but every time I completely forgot to look at those details, since I became so absorbed by the film every time. Now, after more than 35 years as a cinematographer and film teacher, I still marvel at Mike Nichols' and Robert Surtees' work every time I see the film. Almost everything you can do with a camera can be seen in this film, and everything is perfectly right for the story. The Graduate is groundbreaking in more areas than the photography. The casting, writing, acting, picture and sound editing are all exceptionally good, and have influenced film-making ever since. I was very happy when I saw that The Graduate reached the 7th position in the American Film Institute's voting of the best American films in history.
57 of 75 people found this review helpful.
Was this review helpful to you?
| Report this