I tre del Colorado (1965) Poster

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6/10
Colorful Paella/Spaghetti western about confrontation between trappers and Canadian Mounted Police
ma-cortes22 June 2015
Tortilla Western starred by genre usual , Jorge Martin , being decently directed by horror expert , Amando De Ossorio , and dealing with taking on between British people and native Canadians . Canada , late XIX century , Victor DeFrois (Jorge , or George Martin) , a young frontiersman decides to go to Canadian fort to find out the strange detention his brother . There , to be aware his sibling is condemned to death and executed by a firing squad . Then Victor takes the justice on his own hands and he wishes to fight the abusive conditions of the pelts trade that imposes the Hudson's Bay Company run by James Sullivan . Later on , Victor seeks vendetta and joins up with a rabble of Canadian rebels led Leo Limoux (Franco Fantasia) . Leo is wanted by authorities and has a poster saying : Leo Limoux , Wanted : dead or alive ; reward : 1000 dollars . Leo orders to kidnap James Sullivan (Santiago Rivero) , chief of Hudson's Bay Company . When the bunch goes home , they meet a girl , she results to be the powerful boss's daughter , Ann Sullivan (Giulia Rubini) and she , then , is abducted . Ann is carried to an isolated cabin where she is surveyed by Victor and both of whom fall in love . After that , Victor saves the damsel in distress when is besieged by two mean prospectors . As the couple being chased by Sullivan and Canadian Mounted Police commanded by a tough captain (Mirko Ellis) . But Victor has a few tricks up his sleeve .

This is an entertaining story in Paella Western sub-genre style , thus the picture includes the Canadian theme similarly to ¨Unconquered¨ by Cecil B De Mille , ¨The Canadians¨ by Burt Kennedy and ¨The trap¨ by Sidney Hayers . As the movie follows more the American models than Spaghetti Western wake . Other Spanish films about Canadian Mounted Police are ¨Mestizo¨ by Julio Buchs and ¨La Carga De La Policía Montada¨ (1964) by Ramon Torrado . This exciting picture contains noisy action , chases , cat-fights , a breathtaking struggle by the river , spectacular landscapes and many other things . Acceptable and passable tortilla Western in which the starring , Jorge Martin , resolves a conflict between trappers and Canadian Mounted Police , and falls in love for wealthy owner's daughter , Giulia Rubini , and a Saloon girl , Diana Lorys . Well crafted and passable Western realized in traditional style with ordinary screenplay written by the same director , Amando De Ossorio . As it results to be a family film , with no much violence , though there are many deaths . This is a Spanish production with action , usual Western characters , go riding , crossfire and lots of shots . It's a middle-budget film with professional actors , technicians , production values and pleasing results . There is action in the movie , intrigue , twists , riding pursuits , and guaranteeing some shoot'em ups or stunts . The movie packs an impressive final charge of the Mounted Police regiment against trappers , though regularly paced , including hundreds of extras . It's an exciting western with thrilling pursuits between the starring Jorge Martin along with his girlfriend and enemies . Nice acting by Jorge , ¨George¨ , Martin as a rebel frontiersman who seeks vengeance . The film is well starred by Spaghetti star as the Spanish George Martin who worked much for Alfonso Balcazar's factory such as ¨Clint the strange¨, ¨The return the Clint¨, ¨Oeste Nevada Joe¨, Thompson 1880¨ , ¨Taste of killing¨, ¨A pistol for Ringo and ¨The return of Ringo¨ . In the picture appears numerous familiar faces from Chorizo/Spaghetti Western such as Rafael Hernández , Raf Baldassarre ,Mirko Ellis , Santiago Rivero , Pamela Tudor , Franco Fantasia , Diana Lorys, Luis Marín , Jose Sancho and Simon Arriaga . Gorgeous cinematography by Fulvio Testi , showing spectacularly snowy mountains , white as well as iced outdoors , all of them marvelously photographed . Being filmed on location in Navacerrada mountains , La Pedriza , Manzanares Del Real , Madrid surroundings , locations along with Almeria were shot lots of Spaghetti/Chorizo Western during the sixties and seventies . Enjoyable and evocative musical score by Carlo Savina , including catching song at the beginning by Daniel White , Jesus Franco's usual . Rating : 6/10 , decent Chorizo Western .

The motion picture was professionally directed by Amando De Ossorio . Amando began in films as a writer and assistant director and continued his career by making short films and industrial documentaries . He was one of the main directors of the Spanish horror boom in the 70s , specially for his quartet of films about the living dead Templars which started with his first great success and immensely popular ¨Tombs of the Blind dead¨ which to be continued by a trilogy : ¨Return of evil dead¨ , ¨Ship of Zombies¨ or ¨Blind dead 2¨ and ¨Blind dead 3¨ or ¨sThe night of the sea gulls¨ . Amando owns his own studio and created and/or designed many of the simple special effects sequences you see in any of his many imaginative undertakings . He displayed a varied career and specialized on all kinds of genres such as Western in "Rebels in Canada" and "Grave of the Gunfighter" ; Historical as he wrote ¨Los Cantabros¨ ; Monster movie as ¨Serpent of sea¨ and , of course , Terror as ¨Malenka¨ , The possessed¨ and ¨night of witches¨ . Ossorio also studied painting and photography , moreover, he also made his living as a painter of creepy images of the Knights Templar in his later years.
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4/10
Surprisingly Ordinary Euro Western From The Blind Dead Director
Steve_Nyland2 January 2006
Warning: Spoilers
I finally got a chance to see this Euro Western from Amando de Ossorio (THE BLIND DEAD) as a German home video release from the later 1980's called GNADENLOSE KILLER, and was very surprised to find it to be a rather pedestrian horse opera. George Martin stars as a beefy frontiersman who joins up with a rabble of hunter/prospector types operating along the US/Canadian border and running afoul of the Royal Mounties for some reason that escaped my high school textbook German. Things come to a head when they kidnap the only blond haired woman within a thousand miles as a bartering tool, who it turns out is all too happy to be removed from the clutches of the local land baron that paid good money to have a trophy wife sent up north to him.

Or something along those lines: What is interesting about seeing the film with only German audio and not understanding 90% of what is being said is that the film is reduced to it's simplest components and emerges as nothing more than competently made ready for TV B-western fare, without the kind of swaggering artsy flair usually associated with European made westerns. There are shootouts, duels, damsels in distress, a hot catfight between the film's ravishingly beautiful dark haired women, before finally settling into a bizarre cavalry fight between the Mounties and the frontiersmen, and it was here that I started to sense some of Ossorio's themes that would later emerge in his Blind Dead films.

Which was the reason I sought it out: Since Ossorio wrote the story & screenplay you'd think that early parallels to his horror movies would abound, and they do. We have the two "societies" or social organizations operating in conflict with each other, a public execution setting the stage for later conflict, a scene of fiendish torture against one of his lovely women actors, soldiers on horseback charging into battle with their sabers, a deadly female halfbreed warrior violently devoted to the white man she lusts for -- elements later seen in all of Ossorio's horror outings.

George Martin makes an appealing if somewhat ordinary he-man sort of lead, and more enjoyment is found watching the contributions of cult movie icons Franco Fantasia and Raf Baldessare as two of the frontiersmen. The costuming and equipment carried by the players is also amusingly odd: Nobody seems to be wearing any clothes more than a week old, and modern day police special pistols are used alongside of prop-ish looking firearms with little or no concern about authenticity. Characters use knives that are brand new, reflectively shiny and don't appear to be sharpened. The main point of the costuming and props seems to be to set the two societies apart: The Mounties wear funny Mountie hats, the frontiersmen wear fur hats fashioned from raccoons and leather vests.

Even more interesting is the location work, probably filming in the mountains of northern Spain as a substitute for Canada, and fans of the 1974 Peter Fonda movie OPEN SEASON will recognize the lake that much of the action is set around as being the location used for that movie's exteriors as well. The cabins & Mountie forts all look brand new, like they were built about a week before filming began, and the whole movie has a sort of phony glossy look to it that reminds me of old episodes of DAVY CROCKETT or even F-TROOP. Just with a body count around 100 dead on screen: The concluding fifteen minutes are surprisingly violent, but not in a way that seems necessary. More like he was told to add a cavalry battle with massive loss of life on both sides -- at one point he seems to run out of supporting characters to kill off, and the two lovers walk away alone rather than celebrating their victory because all their friends are dead.

Which isn't to say it's a bad movie, just not as imaginative as what Ossorio would later begin with MALENKA in 1968. He doubtlessly made this movie under a contract that included TOMB OF THE PISTOLERO from 1965, also with George Martin and Franco Fantasia. I'd love to see an English translation of the film & know exactly what is happening but don't hold out much hope. It's an incredibly obscure movie that has probably never gotten more than Cowboy Matinée showings on cable in it's English language form, if even then. But it would be right at home alongside such fare, sort of cunningly disguised as a cheapo 83 minute Western with lots of gunplay, dopey frontier romance and a musical interlude to get things going. Standard stuff, and that's just not what you'd expect from Amando de Ossorio at all, which is probably what makes it so interesting. I had no idea he was capable of making a movie that looked so ordinary.

4/10
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3/10
UP NORTH VIA ITALY
kirbylee70-599-5261799 March 2020
Warning: Spoilers
The spaghetti western is a wonderful retelling of the American west through the eyes of Italians who grew up watching classic Hollywood films in the western genre and reading dime store western novels. They interpreted these tales into a genre of their own creating some of the greatest westerns ever made. So imagine my surprise to learn that they also decided to turn their direction north to Canada with a western from that area as well. Suffice to say there is a reason they didn't do this more than once, at least that I know of.

The story is incredibly basic. The Hudson River Company is ripping off the trappers giving them less money than they deserve for the pelts that they collect. Seeking independence from the company and the country it represents the trappers become bandits, stealing the pelts back while being tracked by the mounted police working for the company. Our hero tries his best to stay uninvolved in the matters at hand until his brother is falsely accused and hung. He joins the bandits and is later assigned the task of guarding their captive, the daughter of the company representative. That's about it. Wrap a few gun battles, fist fights and jealous girlfriends and you have most of the movie.

Let me say up front that I applaud MVD Classics for at least saving this movie from obscurity. I'm a true believer that any and all things set to celluloid deserve to be saved. Somewhere out there is someone who saw this film when it was released and loved it from start to finish. Not many perhaps but there is someone. Their title for the release is HUDSON RIVER MASSACRE.

That being said this movie wasn't that good. Not only was the film itself lacking in quality when it came to things like film stock and storage, the story is weak and feels like a combination of clichés around which a story has been placed. The acting is far from credible and the direction is so commonplace as to be completely unnoticed.

More time is spent standing around talking about the actions being planned than the actions themselves. When the action does take place it's done with unconvincing choreography and multiple gunshots that almost always fail to land anywhere near the intended victims. The love story here takes place without progression and characters abandon their core beliefs to suddenly fall in love.

All in all I'd find it hard to recommend this movie to any but the die-hard Italian movie fans or western lovers that will watch anything that involves buckskins and horses. For most this is one you'll want to avoid.
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8/10
Ossorio's underrated western! Intriguing plot, fun fight scenes, and beautiful scenery.
Videoverdose17 February 2022
Ossorio's well-crafted and exciting spaghetti-paella western is set in the colorful Canadian wilderness amidst a violent beef between Native trappers and Canadian mountain cops. Eurocult cinema veteran George Martin stars as a tough trapper on a revenge mission after the authorities murder his brother. Beautiful landscapes, great cast, lots of shootouts, fun fight scenes (including a knife fight between two gorgeous women in a cabin), thrilling horseback pursuits, and an impressively staged final battle between trappers and police with tons of extras and cool stunts. No sleaze or brutal violence, though the body count is quite high, but still highly entertaining and worthy of repeat watches. Earlier this year, MVD released this on blu in the US with an excellent looking transfer. This definitely makes me want to check out Ossorio's other western, Tomb of the Pistolero (1964).
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