Hakuchû no tôrima
- 1966
- 1h 39min
CALIFICACIÓN DE IMDb
7.1/10
1.2 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaTwo young women must come to terms with the fact that a man they're deeply linked to is a murdering rapist.Two young women must come to terms with the fact that a man they're deeply linked to is a murdering rapist.Two young women must come to terms with the fact that a man they're deeply linked to is a murdering rapist.
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe movie is made up of 1,508 takes. The average shot length is 4.5 seconds.
- ConexionesFeatured in The Man Who Left His Soul on Film (1984)
Opinión destacada
Violence at Noon (1966)
After Pleasures of the Flesh (1965), Violence at Noon (1966) is the second Nagisa Oshima film to based on a work of literature, this time on Tsutomu Tamura's novel which was in turn inspired by actual crimes that took place in a Japanese rural community. The movie adaptation is a strong stylistic departure from many of Oshima's previous (and subsequent) films.
The story itself is very bleak and distressing, but always captivating. It focuses on a few characters with questionable motivations and uncertain fates. Due to being linked with a murdering rapist, their lives take a turn for the worse, casually discussing suicide and pondering on their heavy situation, their philosophy of love seeking no rewards now being put to test. The story is non-linear and characterized by sudden leaps between flashbacks and current time. Despite this, the movie is miraculously easy to follow and never becomes confusing, even if we consider the break-neck editing style which sees over 2000 cuts throughout the duration of the film. It disorients the viewer, but at the same time keeps your attention.
The film is inspired by the French nouvelle vague, as made evident by the film's title card which pops up randomly several times during the intro like it's a Godard film. The music is great and the B&W cinematography is fantastic, always finding new ways to focus on the close-ups of Saeda Kawaguchi's gorgeous face and to justaxpose the characters' worried faces with the grayish environment. All in all, a fantastic movie.
The story itself is very bleak and distressing, but always captivating. It focuses on a few characters with questionable motivations and uncertain fates. Due to being linked with a murdering rapist, their lives take a turn for the worse, casually discussing suicide and pondering on their heavy situation, their philosophy of love seeking no rewards now being put to test. The story is non-linear and characterized by sudden leaps between flashbacks and current time. Despite this, the movie is miraculously easy to follow and never becomes confusing, even if we consider the break-neck editing style which sees over 2000 cuts throughout the duration of the film. It disorients the viewer, but at the same time keeps your attention.
The film is inspired by the French nouvelle vague, as made evident by the film's title card which pops up randomly several times during the intro like it's a Godard film. The music is great and the B&W cinematography is fantastic, always finding new ways to focus on the close-ups of Saeda Kawaguchi's gorgeous face and to justaxpose the characters' worried faces with the grayish environment. All in all, a fantastic movie.
útil•21
- mevmijaumau
- 24 dic 2015
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Violence at Noon
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was Hakuchû no tôrima (1966) officially released in India in English?
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