In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Indian wife, and a housewife abandons her husband in order to rejoin her Apache lover's tribe.
Marshal Wyatt Earp kills a couple of men of the Clanton gang in a fight. In revenge, Clanton's thugs kill the Marshal's brother. Thus, Wyatt starts to chase the killers together with his friend Doc Holliday.
Lieutenant McAllister is ordered to transport several ammunition wagons to another fort through Apache territory with only a small troop of rookie soldiers to guard them. Along for the ride is ex-scout Jess Remsberg who is trying to track down Ellen Grange, who, having recently been freed from Apache captivity, has mysteriously run off again to rejoin them. Remsberg frees Ellen again and leaves her with the embattled soldiers as he rides off to the fort, not only for help, but to find the man who killed and scalped his Indian wife.Written by
Doug Sederberg <firstname.lastname@example.org>
Bill Travers broke his leg during the filming. See more »
Approximately 8 minutes into the film, as Sidney Poitier is riding the bucking bronco, a still photographer dressed as a soldier can be seen perched on the canyon wall, taking photos. See more »
You mean you like living with a bunch of savages?
You don't understand.
Well, no, I don't understand. Lots of white women have been grabbed off by an Indian, and many a decent one of them would have killed herself before she let them turn her into an Indian squaw.
I'm not that decent, I guess!
Oh, don't shout. They'll hear ya.
You don't care what happens to me... but only what people think about you.
I do business with them people.
The same people who treat your wife like dirt. I was better off...
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The United Artists logo is sliced off the screen with a bloody Calvary Saber, slicing an "X" across the screen, revealing the opening scene. At the end, the same saber slices the live picture away, as (sort of) a fade out. See more »
The first & more watchable of 2 intense Westerns from Ralph Nelson, "Diablo" is one of the starkest examples of the tough, realistic Westerns that became popular in the late 1950s. Professional scout Remsberg (Garner) is out for vengeance on the "civilized" men who butchered his Comanche wife. His quest is interrupted when he's tasked to accompany an Army ammo convoy led by ambitious Lt. McAllister (Travers). Along for the ride are wrangler & ex-sergeant Toller (Poitier), shopkeeper's wife Ellen (Andersson), a former captive of the Apache who's regarded with disgust by her white neighbors, and her embittered husband (Weaver). They're intercepted by a large war party of the same Apaches who once held Ellen captive. As with films of this kind from "The Last Wagon" to "Ulzana's Raid," the male lead is a white man who understands the plight of the Indians, sympathizes with them but nevertheless works for the whites. There's nary a letup in the darkness & intensity. Ellen, the tortured, exploited victim of both sides, is no love interest, while the only humor in the film comes in occasional rueful exchanges among the tough guys. But there's plenty of action in scenes as well-done as any of the period & budget. What makes "Diablo" stand out is the clever, seamless depiction of the strategy as the ambushed convoy spars with the wily, ruthless Apache. It's far more engrossing than almost any war movie, including those with budgets many times larger. Andersson doesn't have much to work with but Garner & Poitier play their tough guys with just the right balance between expression & terseness. Weaver makes the most of his limited opportunity to develop the selfish husband who feels sorrier for himself than his wife over her horrifying torment. "Diablo" delivers action & adventure that never lags, along with a strong dose of historical-social awareness, but it's not the ticket for a light evening's entertainment. Director Nelson plays the colonel commanding the relief force.
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