In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it?Written by
Michael Lawn <firstname.lastname@example.org>
When Major Jackson prepares to kill Django in the bar, Maria is missing from the flight of stairs that are seen over his shoulder. She reappears just before Jackson leaves. See more »
[pulls a blanket from Maria's bed]
I'm taking a blanket.
All that you've done for me.
[starts to leave]
I didn't do it for you.
Thank you, even if it wasn't for me.
I don't know... if I should have save you.
It's not for me to say. But for the first time, I felt like I was a real woman. Someone to protect, and... and to be loved, Django.
[drops the blanket and closes the door]
I'm glad I made you feel like a real woman - very glad. I mean that.
See more »
The USA DVD has both the original version, spoken in Italian, and a dubbed English version. See more »
Sergio Corbucci's "Django", as well as his "The Great Silence" are two massively underrated spaghetti-westerns that co-founded the genre, along with Sergio Leone's Dollars-trilogy. Okay, this no "Once Upon a Time in the West" when it comes to atmosphere or plotting, but it is a magnificently mounted action ride with an utterly cool lead hero and an enormous body count. "Django" remained banned in several countries for a long time because of its explicit, comic-book like violence, and you'll see that this wasn't without reason, as the bad guys get slaughtered by the dozen in a good old-fashioned gunslinger way. The movie opens terrifically, with a sleazy title song and vicious images of a lonely cowboy wandering through the Southern wastelands with a coffin in tow. The man is Django and his coffin contains whatever he requires to fulfill his difficult goal: single-handedly finishing the war between the racist Major Jackson and Mexican bandidos by annihilating them all. Corbucci implements a straightforward, no-nonsense filming style with some great visuals and very creative camera angles. There are some ingenious aspects (Django's act of vengeance with molested hands) as well as some delicious clichés moments (wrestling prostitutes, extended bar fight sequences...). This film may not be a very intellectual form of entertainment, but it sure is fun and produced with a certain degree of class.
Followed by a numberless amount of sequels, rip-offs and wannabes that are hardly worth purchasing. Stick to the original and have a blast!
43 of 54 people found this review helpful.
Was this review helpful to you?
| Report this