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Title: Django (1966)
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| Complete credited cast: | |||
| Franco Nero | ... | Django | |
| José Bódalo | ... | Gen. Hugo Rodriguez (as José Bodalo) | |
| Loredana Nusciak | ... | Maria | |
| Ángel Álvarez | ... | Nathaniel the Bartender (as Angel Alvarez) | |
| Gino Pernice | ... | Brother Jonathan (as Jimmy Douglas) | |
 |
Simón Arriaga | ... | Miguel (as Simon Arriaga) |
|
|
Giovanni Ivan Scratuglia | ... | Klan Member (as Ivan Scratuglia) |
| Remo De Angelis | ... | Ricardo (as Erik Schippers) | |
|
|
Rafael Albaicín | ... | Member of Hugo's Gang (as Raphael Albaicin) |
| José Canalejas | ... | Member of Hugo's Gang (as José Canalecas) | |
| Eduardo Fajardo | ... | Major Jackson | |
Squelching across a God-forsaken ghost town near the US/Mexican border, always dragging a heavy coffin, blue-eyed Django, a drifting, mud-spattered, former Union soldier, saves runaway María from certain death. But, the wooden container with the mysterious content has already caught the attention of the racist ex-Confederate officer, Major Jackson, and his gang of white supremacists, and before long, things get nasty. Now, the guns have the final say, and as if that weren't enough, Jackson's sworn enemy, General Hugo Rodríguez, and his feared revolutionaries, enter the picture, wanting to have a piece of the action. Can Django, the taciturn stranger with the lighting-fast right hand, take on two armies of murderous henchmen, and live to tell the tale? Written by Nick Riganas
There is a lot of noise and attention surrounding this movie, including how violent and macabre it is...well, it definitely lives up to the hype. Spaghetti Western fans rank this film right up there with Leone's trilogy, and I can see why. It should be noted, however, that while this movie was violent by 1960s standards, it's pretty standard fare for today, so don't go into this expecting to be shocked. Also, the production values are low, they look even lower than the Leone movies, so don't go expecting pricy Hollywood sets and props. Finally, the English dubbing is just atrocious. So why is this movie still considered special? Simply consider it for its place in time, and remember that this was a couple years before the Wild Bunch and Bonnie and Clyde, and no doubt influenced those films to some degree. If you can take your action movies with a grain of salt and give this one a chance, you'll be surprised!
Django is the mysterious Civil War veteran, all decked out in a black trenchcoat who arrives at a Tex/Mex bordertown horseless, and dragging only a mysterious coffin through the mud. The town is alternately controlled by two warring gangs, one run by Major Jackson, a former Confederate soldier now commanding a cult of red-hooded Klan-like fanatics! Their goal seems to be to wipe out as many Mexicans as possible and grab all the money and gold they can. Their enemies, the Mexican gang, may not necessarily be racists but they are surely evil. Django, the dark stranger, walks right into the middle of this feud and the bullets start flying fast and furious!
Which side will he choose? Why does he refuse to shoot the evil Major Jackson the first time he has the chance? Why does he think he can take on a gang of 50 of Jackson's men single-handedly? And just what is inside that coffin of his???