The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
A rich, young beauty, Louise Durant, follows the man she loves and hopes to marry to Zurich where he studies violin at the conservatory. A piano student at the conservatory falls madly in ... See full summary »
Fran walks into a piano bar for pizza. She comes back home with Joe, the piano player. Joe plans on winning $5,000 and leaving Las Vegas. Fran waits for something else. Meanwhile, he moves in with her.
Twenty-something Laura Reynolds is a free spirit who questions social conventions, laws and regulations. A struggling artist, she lives in a secluded beach-side cabin in Big Sur with her nine year old illegitimate son, Danny, on who she has instilled her values. Because of this questioning of convention, Laura has decided to home school Danny. Also because of this questioning of the law, Danny runs into some legal problems, and as such is court ordered to be sent to San Simeon, a Christian school in Monterey. This order is against Laura's wishes. The school's headmaster is Dr. Rev. Edward Hewitt, who tries to convince Laura that San Simeon is not the prison she probably believes it to be. Married for twenty-one years to his faithful wife Claire, Edward has become more a fund-raiser at all cost (for a new chapel) rather than an educator or priest. Despite their differences, Laura and Edward begin to fall for each other. Both but especially Edward have to reconcile their feelings for ...Written by
In a beach scene, Laura is shown sketching on a drawing pad. In shots facing her, she is always holding the pad up with her left hand. In shots facing Edward, the pad is propped up against some driftwood. At one point she is lying face down, with both elbows in the sand, her left hand on her head and sketching with her right. When the camera angle changes, she is suddenly partially raised up on one side, facing Edward. The drawing pad is flat on the sand with a rock in the middle of it. See more »
Jack Rogers is willing to make a substantial donation to the building fund - *if* his boy stays in school. So, quite naturally, Ward wants your answer.
Dr. Edward Hewitt:
Mm hmm. What would you do in my shoes?
Dr. Edward Hewitt:
Very well... if, um, Jack Rogers' contribution falls within the range of $2,000, that quality of mercy which runs through my blood like a fever whenever money is mentioned will be strained yet once more to give the Rogers boy another chance. His, uh, third, I believe.
I'll tell him.
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Dull, talky soap opera. The scenery and music are beautiful, though
This film was designed to take advantage of public curiosity about the recent marriage of Elizabeth Taylor and Richard Burton, who were kind of the Bragelina of the 1960's. Their star power were enough to make this picture a hit at the box office. Here, Taylor plays a free-spirited beatnik artist and single mother. She lives on the beach in a glamorous "shack" and makes a living as an artist while raising her son. Very touching. Her son, played by Morgan Mason, gets into trouble and winds up being sent to a religious boarding school. The school is run by the Reverend Richard Burton, along with his pretty and supportive but staid wife, Eva Marie Saint. Well, Burton is going through a mid-life crisis and it comes to fruition when he first meets Taylor and is taken by her heavy make-up and "look at my breasts" wardrobes. So he visits her home to help her keep tabs on her son's progress at school and meets some of her beatnik friends, including Charles Bronson, absurdly cast as a hippie sculptor. What happens then? Well, after taking forever to set up the story, Taylor and Burton fall in love and have an affair, to the surprise of no one. In the process, we are treated to the majestic Big Sur beaches and beautiful music, including the Oscar-winning theme song "The Shadow of Your Smile." In fact, the music and seascapes are more interesting than the story and characters, who just talk everything to death while the story drags on in predictable fashion. This would have been a better coffee table book than motion picture. My recommendation? Watch the opening credits and closing credits, which are by far the best parts of the movie.
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