Maxwell Smart, a highly intellectual but bumbling spy working for the CONTROL agency, battles the evil forces of rival spy agency KAOS with the help of his competent partner Agent 99.
Maxwell Smart is a bumbling secret agent, assigned by his "Chief" to foil KAOS' latest plans for taking over the world. Invariably, Smart's bumbling detective style lands him in hot water. Lucky for him, his faithful assistant "99" is there to bail him out.Written by
Murray Chapman <muzzle@cs.uq.oz.au>
Edward Platt suffered from chronic back pain, which is the reason why he does not appear in a few episodes, and why, in some episodes, is only seen sitting down. See more »
Goofs
In the closing credit sequence, one of the double doors fails to merge completely when it closes. See more »
Quotes
Maxwell Smart:
[running gag, after being warned by the Chief that his next assignment will be the most dangerous yet]
... And loving it!
See more »
Crazy Credits
The opening credits are a sequence of Maxwell Smart going through a seemingly endless series of doors to reach CONTROL headquarters.
The closing credits are of Smart leaving CONTROL through the same doors, but he changes his mind about leaving and starts back toward the CONTROL entrance. The door nearest Smart closes and injures his nose. See more »
Its writers/creators included Mel Brooks and Buck Henry.
'Nuff said.
But, since IMDb won't let me get away with saying just that, I'll just have to write more.
How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.
They still are.
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Its writers/creators included Mel Brooks and Buck Henry.
'Nuff said.
But, since IMDb won't let me get away with saying just that, I'll just have to write more.
How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.
They still are.