Pompous phonetics professor Henry Higgins is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of high society. His subject turns out to be the lovely Eliza Doolittle, who agrees to speech lessons to improve her job prospects. Higgins and Eliza clash, then form an unlikely bond -- one that is threatened by an aristocratic suitor.Written by
Because of the way Rex Harrison talked his way through the musical numbers, they were unable to prerecord them and have him lip-sync, so a wireless microphone (one of the first ever developed) was rigged up and hidden under his tie. However, this meant that his mouth and words were completely in sync and everyone else's looked off, since they were lip-syncing (when everyone is lip-syncing, it's not that noticeable). The studio thought that this was too obvious so they altered Harrison's soundtrack, lengthening and shortening notes in various places so that his synchronicity is slightly off like all the other actors. See more »
During the song "Why Can't The English?" Higgins sings 'Arabians learn Arabian with the speed of summer lightning'. Actually, Arabians learn Arabic. See more »
[sounds from crowd, occasionally a word or phrase, indistinct and mostly not associated with a character]
Don't just stand there, Freddy, go and find a cab.
All right, I'll get it, I'll get it.
See more »
In the posters, playbills and the original cast album for the stage version of "My Fair Lady", the credits always read "based on Bernard Shaw's 'Pygmalion' ", letting the audience know what play "My Fair Lady" was actually adapted from. The movie credits simply read "from a play by Bernard Shaw". See more »
I first saw this film when I was eight years old, after receiving it as a first communion present from my mother. For months I watched the movie on an almost daily basis, and it was quickly a favorite. I thought it was absolute perfection.
Now that I am a bit older.. I notice that is does have quite a few flaws. It doesn't really capture the essence of Shaw's Pygmalion, but I don't think that should really take away from the movie; they should be treated as separate entities. Some of the sets are a little, well, cramped, but consider what they had to work with, they did a pretty good job.
And then there is the dubbing issue. I recently special on MFL on AMC, and they showed "Wouldn't It Be Loverly" and "Show Me" with Audrey's voice, and though Audrey may not have the perfect melodic voice of Marni Nixon, her voice was much more "Eliza". I really do think they should have just used her voice. If you watch "Funny Face", you get a good feel for voice, which I think is beautiful in a unconventional way.
Then, there is the question of whether Julie Andrews should have played Eliza in the film version of MFL. I've gone back and forth on this issue. Now, Audrey Hepburn is my favorite actress of all time, and Julie Andrews is a close runner-up, so it really is hard to "choose". Of course Julie's voice is much better than even Marni Nixon's... but like I said before, I don't think a perfect singing voice really would suit Eliza. And as for which would play a better Eliza overall.. I really don't know. I wasn't alive to see MFL on Broadway, so I really can't compare the two. What I do know is that Audrey gave an amazing performance. Anyway, as someone else said, if Julie had played Eliza, who would have played Mary Poppins? ;)
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