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Mary Poppins (1964)

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In turn of the century London, a magical nanny employs music and adventure to help two neglected children become closer to their father.

Director:

Robert Stevenson

Writers:

Bill Walsh (screenplay), Don DaGradi (screenplay) (as Don Da Gradi) | 1 more credit »
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Popularity
89 ( 13)
Won 5 Oscars. Another 15 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julie Andrews ... Mary Poppins
Dick Van Dyke ... Bert / Mr. Dawes Senior (as Navckid Keyd)
David Tomlinson ... Mr. George W. Banks
Glynis Johns ... Mrs. Winnifred Banks
Hermione Baddeley ... Ellen - Maid
Reta Shaw ... Mrs. Brill - Cook
Karen Dotrice ... Jane Banks
Matthew Garber ... Michael Banks
Elsa Lanchester ... Katie Nanna
Arthur Treacher ... The Constable
Reginald Owen ... Admiral Boom
Ed Wynn ... Uncle Albert
Jane Darwell ... The Bird Woman
Arthur Malet ... Mr. Dawes Junior
James Logan James Logan ... Bank Doorman
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Storyline

When Jane and Michael, the children of the wealthy and uptight Banks family, are faced with the prospect of a new nanny, they are pleasantly surprised by the arrival of the magical Mary Poppins. Embarking on a series of fantastical adventures with Mary and her Cockney performer friend, Bert, the siblings try to pass on some of their nanny's sunny attitude to their preoccupied parents. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

See It Again and Again with that Supercalifragilistic Music! [re-release Australia 1976] See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

3 December 1964 (Argentina) See more »

Also Known As:

Mary Poppins See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$102,272,727

Cumulative Worldwide Gross:

$115,272,727
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Ordinarily a stickler for keeping to the script, director Robert Stevenson allowed Ed Wynn free rein to improvise. See more »

Goofs

When Mrs. Banks bends to embrace the children (when the Constable brings the children back from the park), her head is turned to her left rather than looking at her children, obviously anticipating Mr. Banks' line which cuts off her embrace. See more »

Quotes

[first lines]
Bert: All right, ladies an' gents! Comical poem! Suitable for the occasion, extemporized and thought up before your very eyes! All right, 'ere we go!
[sings]
Bert: Room 'ere for everyone. Gather around.
[speaks]
Bert: The constable - responstable! Now 'ow does that sound?
[no response]
Bert: Hm.
[dashes over to Miss Lark, sings]
Bert: 'Ello, Miss Lark, I've got one for you.
[...]
See more »

Crazy Credits

The opening credits stop for a brief moment to show Mary Poppins seated on a cloud and applying makeup to her face, then the camera pans away and the credits resume. See more »

Alternate Versions

Also shown in sing-a-long version. See more »

Connections

Referenced in ITV Lunchtime News: Episode dated 30 November 2018 (2018) See more »

Soundtracks

Mary Poppins Overture
(uncredited)
Music and Lyrics by Richard M. Sherman and Robert B. Sherman
Performed by Irwin Kostal
See more »

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User Reviews

An auspicious film debut for Julie Andrews
8 December 1998 | by dweckSee all my reviews

Julie's film debut began the world's love affair with her--and what a marvelous vehicle for doing so. Julie appears here in fine voice and is radiantly beautiful.

The performance is more than deserving of the Oscar, especially considering that she had to act to blue screens and objects/characters from within her imagination. No easy task, certainly.

I also love the way Julie, as Mary, refuses to acknowledge the free-for-all that is going on around her. She simply pushes her hair primly back in place and presses on, despite the dancing chimney sweeps and giggling uncles that surround her. "I never explain anything," she blithely comments.

The score is one of my favorites in all the Disney canon. The Sherman brothers outdid themselves with "Stay Awake," one of the most under-appreciated lullabys ever written, and the hauntingly winsome "Feed the Birds."

The Disney animators have created a visual feast as bottomless and surprising as Mary Poppins' carpetbag. The Peter Ellenshaw matte shots are breathtaking. My favorite visual moments? Bert and Mary's live-action reflections in a pond are eddied by a family of cartoon geese. I also love when Bert, Mary, and the children ascend a staircase constructed only of chimney smoke. Brilliant!

There are a few drawbacks: The film's a little over-long, especially in the final third where Mary's but an afterthought in all the plot resolution. In addition, Van Dyke was an excellent choice for his singing and dancing (and popularity), but his cockney accent does grate after a while.

But all in all, this is a tour de force for all involved!


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