A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let his wife Camille drive with Prokosch and he is late, she believes, he uses her as a sort of present for Prokosch to get get a better payment. So the relationship ends.Written by
Stephan Eichenberg <firstname.lastname@example.org>
It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself. See more »
Arguably Godard's Best Film, Undoubtedly One of the Best Works in Cinema
Here are what Contempt, by French director Jean-Luc Godard, made in 1963, is about--an examination on a relationship in jeopardy, which has been one of the most universal themes in cinema, and which is probably inspired by Michelangelo Antonioni's trilogy; a struggle in film-making as a side-theme, which may be Godard's self-reflective expression; the international star cast including Brigitte Bardot, Michel Piccoli, and Jack Palance, along with the cameo appearance of legendary German filmmaker Fritz Lang; well-choreographed long takes, which are sometimes several minutes in length, and which could be also influenced by Antonioni; inclusion of three montage sequences that comprise sliced flashback and flashforward clips, which create a remarkable contrast to the long takes; beautifully photographed sceneries, especially of the sea; and the memorable orchestral score with sentimental arpeggio by Georges Delerue.
Being both unique and universal, and being perfectly executed, Contempt is arguably Godard's best film, and undoubtedly one of the best works in cinema.
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