Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Director:
Jean-Luc Godard
Stars:
Jean-Paul Belmondo,
Anna Karina,
Graziella Galvani
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Director:
Jean-Luc Godard
Stars:
Jean-Paul Belmondo,
Jean Seberg,
Daniel Boulanger
A French striptease artist is desperate to become a mother. When her reluctant boyfriend suggests that his best friend impregnate her, feelings become complicated when she accepts.
Director:
Jean-Luc Godard
Stars:
Anna Karina,
Jean-Claude Brialy,
Jean-Paul Belmondo
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
Director:
Jean-Luc Godard
Stars:
Anne Wiazemsky,
Jean-Pierre Léaud,
Juliet Berto
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let his wife Camille drive with Prokosch and he is late, she believes, he uses her as a sort of present for Prokosch to get get a better payment. So the relationship ends.Written by
Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
Bardot at her bold, bare and brazen best! Reveling in Rome, cavorting in Capri...jolting even the jaded international jet-set in her pursuit of love! [UK Theatrical] See more »
Contrary to the myth that Jean-Luc Godard makes films without a screenplay, there was a script for Contempt (1963) and it ran to 132 pages. See more »
Goofs
It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself. See more »
In 1963 Jean-Luc Godard directs this dramatic movie, which is one of the his most "mainstream" works.
At this time Godard is still able to tell stories, without loosing himself in intellectual games and political messages -the films he makes from 1966 are more and more hermetic. From 1968-69 they're incomprehensibles...
In "Contempt" a screenwriter is going to realize with Fritz Lang an adaptation of "Ulysses". There are tensions with the American producer, on the other hand there are tensions with his wife -who feels alone and treated more like an object by him. She despises him for that and for his being so coward. She thinks to find a revenge in flirting with the producer...
This films talks about coldness in human relationships and failures in communications. Colours, Italian atmospheres and Mediterranean locations increase this world of silence and frustration.
We can remember "Contempt" for many reasons: first the presence of a young Michel Piccoli and of a wonderful Brigitte Bardot (although she was delicious in every movie she made, here she's special -more sad, frailer ... a real actress). We can't help to appreciate, by the way, her body... this wonderful naked body (we're only in '63!!!). We can also remember the presence of a giant like Fritz Lang, who acts himself. And we can't forget this is a film about movie's world, a film which talks about films... That shows love Godard has for this art.
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In 1963 Jean-Luc Godard directs this dramatic movie, which is one of the his most "mainstream" works.
At this time Godard is still able to tell stories, without loosing himself in intellectual games and political messages -the films he makes from 1966 are more and more hermetic. From 1968-69 they're incomprehensibles...
In "Contempt" a screenwriter is going to realize with Fritz Lang an adaptation of "Ulysses". There are tensions with the American producer, on the other hand there are tensions with his wife -who feels alone and treated more like an object by him. She despises him for that and for his being so coward. She thinks to find a revenge in flirting with the producer...
This films talks about coldness in human relationships and failures in communications. Colours, Italian atmospheres and Mediterranean locations increase this world of silence and frustration.
We can remember "Contempt" for many reasons: first the presence of a young Michel Piccoli and of a wonderful Brigitte Bardot (although she was delicious in every movie she made, here she's special -more sad, frailer ... a real actress). We can't help to appreciate, by the way, her body... this wonderful naked body (we're only in '63!!!). We can also remember the presence of a giant like Fritz Lang, who acts himself. And we can't forget this is a film about movie's world, a film which talks about films... That shows love Godard has for this art.