AVALIAÇÃO DA IMDb
7,2/10
5,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.
- Indicado a 5 Oscars
- 1 vitória e 11 indicações no total
E. Nick Alexander
- Guido Rossini
- (as Nick Alexander)
Loraine Abate
- Maria
- (não creditado)
Jean Alexander
- Charlene
- (não creditado)
Enredo
Você sabia?
- CuriosidadesNatalie Wood said that working on this film was "the most rewarding experience I had in all films, all the way around."
- Erros de gravaçãoWhen Rocky is lying down on Barbie's bed after she has left to sit at the kitchen table, only the second and third buttons on Rocky's shirt are done up, his shirt not tucked into his pants. In the next shot when he is about to get up, the second, third and fourth buttons on the shirt are done up, the shirt still not tucked into his pants. In the next shot as Rocky is now off the bed, all but the top button on his shirt are done up, the front of his shirt now tucked into his pants.
- Citações
Barbie: You know me in the cold weather - how I love to be in love. We are in love, aren't we? Really in love.
Rocky Papasano: Yeah - you with yourself, and me with myself.
- Cenas durante ou pós-créditosAs if to recognize the importance of the script, Arnold Schulman's credit appears right after the main title. This was a rarity in an era when screenplay credits traditionally appeared third to last, before the producer and director cards.
- ConexõesFeatured in Steve McQueen: Man on the Edge (1989)
Avaliação em destaque
Natalie and Steve Never Better
This film has always struck me as Natalie Wood and Steve
McQueen's best work in movies. Both would go on to successes
and failures, but neither would seem as natural and as unaffected
on screen again.
The story of a good working-class Italian girl in New York who gets
pregnant by a man she hardly knows, is very strong stuff for 1963.
So is their decision to have an abortion. Roe vs. Wade was nearly
a decade in the future. Mulligan shows a very gritty, dirty, New York
which has emerged from the 50s as a crumbling relic of a city,
nowhere as clean and shiny as it is today. McQueen is a callow
young musician, not looking to settle down with anyone, let alone a
single pregnant girl, even if he is at fault.
The trip to a bad neighborhood to get the abortion is chilling, and
Wood's absolute terror is genuine here. McQueen being
reluctantly honorable is very sexy here. The rest of the film with her
facing down her overly protective Neanderthal brothers and getting
her own apartment, follows the young lovers as they try to do the
right thing. Steve's poster--"Better wed than Dead," is a sweet
coda.
I loved this movie. It struck this teenager at the time, as a very
sophisticated film. Natalie Wood is incandescently beautiful in
black and white and still the loner, McQueen's intensity is a bit
more subtle than usual. Good supporting cast. This was an era
where the final black and white movies were being made--TO KILL
A MOCKING BIRD, BIRD MAN OF ALCATRAZ, THE AMERICANIZATION OF EMILY, PSYCHO were the last gasp of this
medium.
Long overdue for DVD release.
McQueen's best work in movies. Both would go on to successes
and failures, but neither would seem as natural and as unaffected
on screen again.
The story of a good working-class Italian girl in New York who gets
pregnant by a man she hardly knows, is very strong stuff for 1963.
So is their decision to have an abortion. Roe vs. Wade was nearly
a decade in the future. Mulligan shows a very gritty, dirty, New York
which has emerged from the 50s as a crumbling relic of a city,
nowhere as clean and shiny as it is today. McQueen is a callow
young musician, not looking to settle down with anyone, let alone a
single pregnant girl, even if he is at fault.
The trip to a bad neighborhood to get the abortion is chilling, and
Wood's absolute terror is genuine here. McQueen being
reluctantly honorable is very sexy here. The rest of the film with her
facing down her overly protective Neanderthal brothers and getting
her own apartment, follows the young lovers as they try to do the
right thing. Steve's poster--"Better wed than Dead," is a sweet
coda.
I loved this movie. It struck this teenager at the time, as a very
sophisticated film. Natalie Wood is incandescently beautiful in
black and white and still the loner, McQueen's intensity is a bit
more subtle than usual. Good supporting cast. This was an era
where the final black and white movies were being made--TO KILL
A MOCKING BIRD, BIRD MAN OF ALCATRAZ, THE AMERICANIZATION OF EMILY, PSYCHO were the last gasp of this
medium.
Long overdue for DVD release.
útil•513
- gregorybnyc
- 13 de mai. de 2004
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- O Preço do Prazer
- Locações de filme
- 131 East 10th Street, Manhattan, Nova Iorque, Nova Iorque, EUA(Rocky and Angie run through St. Mark's Church in-the-Bowery trying to escape her brothers)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.500.000 (estimativa)
- Tempo de duração1 hora 42 minutos
- Cor
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was O Preço de um Prazer (1963) officially released in India in English?
Responda