Loved it for about the first 30 minutes. The naiveté, the unabashed fulsomeness. The twee scenery, the coy looks. Even the charmingly tinny-to western ears - voices. Wonderful. But after another 20 minutes the singing sounded like screeching, the characters woes became drag-some, the protracted, but uncomplicated plot developments unbearably tedious. And all this went on for two hours. Ang Lee must have been crying for his delayed after -film dinner. I know I was, as was my companion and,it seemed, most of the sparse audience at the Walter Reade. I'm being told this comment is too short for submission but I've said what I want to say.
5 Reviews
Classic Chinese operetta based on "The Butterfly Lovers"
BrianDanaCamp17 September 2002
THE LOVE ETERNE (aka LIANG SHAN-PO AND CHU YING-TAI) is a 1963 Hong Kong operetta based on the oft-filmed classic story, "Liang Shan-Po And Chu Ying-Tai," aka "The Butterfly Lovers." It offers sumptuous color filming on lavish Shaw Bros. studio sets and tells its love story in a combination of dialogue and song, focusing on a pair of students at a university in Hangchow, one, Chu Ying-Tai, a female disguised as a man in order to gain entry into the school and the other an older fellow student, Liang Shan-Po.
Ying-Tai falls in love with Shan-Po and, when she has to leave school after three years, tries to drop hints in song that she's really a female as the clueless boy accompanies her part of the way on her memorable trip home. Eventually, he gets the picture but by then her family has already promised her to someone else, setting the stage for a tear-jerking finale. This is the film that Ang Lee, director of CROUCHING TIGER, HIDDEN DRAGON, chose to watch with reporter Rick Lyman when he was the subject of an installment of the "Watching Movies" series in The New York Times (March 9, 2001).
The stars of the 127-minute film are Le Di (touted in the DVD cast notes as Hong Kong cinema's "one and only 'Classical Beauty'") in the role of Chu Ying-Tai and Ivy Ling Po (aka Ling Bo), one of Shaw Brothers' top female stars of the time, in the male role of Shan-Po. They're both quite captivating, whether in the straight dramatic and comic interactions of the spoken dialogue or the operetta-style singing to each other in the more intimate scenes. The camera is usually focused on the two lead performers so the success of the film depends greatly on their expertise in conveying believably the strong emotions of the intense love story, particularly in the latter stage of the film where Ying-Tai's family has effectively blocked the young pair's budding romance. Ling Po's turn as a heartbroken young man in the throes of an emotional breakdown is quite wrenching and most convincing.
Ivy Ling Po often played young men in Chinese Opera-based Shaw Bros. films of the era, most notably THE GRAND SUBSTITUTION (1965), a tale of court politics and family loyalty in Old China. The actress can also be seen as a female swordswoman in TWIN SWORDS (1965), starring Jimmy Wang Yu. Both films are also reviewed on this site.
The songs in LOVE ETERNE are quite pleasing and the orchestrations, making use of traditional instruments, quite evocative of Chinese Opera. The score does not use the famed "Butterfly Lovers" violin concerto, which figures prominently in a later film version of the same story, THE LOVERS (1994), directed by Tsui Hark and starring Nicky Wu (a male actor) as Liang Shan Po and Charlie Young (an actress) as Chu Ying-Tai. The characters don't sing in Hark's film, leaving the scriptwriters more time to pack the film with plot and incident and make it much more intense. They tell the same story but they're two different kinds of films, with the older one drawing more explicitly on Chinese theatrical traditions while the newer film is a little punchier and designed to spruce up the tale for modern youth appeal.
The Taiwanese DVD available for review was made from a print with very good color values but transferred with too much cropping--on all four sides. The cropping at the bottom of the frame is designed to cover up the original burned-in Chinese subtitles and provide a space to put the new, removable subtitles. That said, it should be pointed out that much of the camera-work consists of closeups of the two leads rather than the widescreen action compositions featured in so many Shaw Bros. films that suffer from cropping when transferred to tape. Also, unlike those tape transfers, the subtitles in LOVE ETERNE are all clear and wholly visible. As a result, this DVD offers one of the better transfers of an early HK film available in the U.S., although a new subtitled widescreen transfer would be most desirable.
The English title given on the DVD case is THE SHAN-PO AND CHU YING-TAI.
ADDENDUM (April 6, 2010): Since doing this review, the film has come out, under the title LOVE ETERNE, in a restored, remastered Region 3 DVD from Celestial Pictures as part of its massive Shaw Bros. restoration campaign. Watching the new DVD was like seeing it for the first time. It's a beautiful film and Ivy Ling Po's performance is breathtaking. Also since the original review, a Taiwanese animated version of the tale has come out on DVD, under the title THE BUTTERFLY LOVERS (2003). It has its good points, but is too Disney-influenced and kiddie-oriented for my tastes.
Ying-Tai falls in love with Shan-Po and, when she has to leave school after three years, tries to drop hints in song that she's really a female as the clueless boy accompanies her part of the way on her memorable trip home. Eventually, he gets the picture but by then her family has already promised her to someone else, setting the stage for a tear-jerking finale. This is the film that Ang Lee, director of CROUCHING TIGER, HIDDEN DRAGON, chose to watch with reporter Rick Lyman when he was the subject of an installment of the "Watching Movies" series in The New York Times (March 9, 2001).
The stars of the 127-minute film are Le Di (touted in the DVD cast notes as Hong Kong cinema's "one and only 'Classical Beauty'") in the role of Chu Ying-Tai and Ivy Ling Po (aka Ling Bo), one of Shaw Brothers' top female stars of the time, in the male role of Shan-Po. They're both quite captivating, whether in the straight dramatic and comic interactions of the spoken dialogue or the operetta-style singing to each other in the more intimate scenes. The camera is usually focused on the two lead performers so the success of the film depends greatly on their expertise in conveying believably the strong emotions of the intense love story, particularly in the latter stage of the film where Ying-Tai's family has effectively blocked the young pair's budding romance. Ling Po's turn as a heartbroken young man in the throes of an emotional breakdown is quite wrenching and most convincing.
Ivy Ling Po often played young men in Chinese Opera-based Shaw Bros. films of the era, most notably THE GRAND SUBSTITUTION (1965), a tale of court politics and family loyalty in Old China. The actress can also be seen as a female swordswoman in TWIN SWORDS (1965), starring Jimmy Wang Yu. Both films are also reviewed on this site.
The songs in LOVE ETERNE are quite pleasing and the orchestrations, making use of traditional instruments, quite evocative of Chinese Opera. The score does not use the famed "Butterfly Lovers" violin concerto, which figures prominently in a later film version of the same story, THE LOVERS (1994), directed by Tsui Hark and starring Nicky Wu (a male actor) as Liang Shan Po and Charlie Young (an actress) as Chu Ying-Tai. The characters don't sing in Hark's film, leaving the scriptwriters more time to pack the film with plot and incident and make it much more intense. They tell the same story but they're two different kinds of films, with the older one drawing more explicitly on Chinese theatrical traditions while the newer film is a little punchier and designed to spruce up the tale for modern youth appeal.
The Taiwanese DVD available for review was made from a print with very good color values but transferred with too much cropping--on all four sides. The cropping at the bottom of the frame is designed to cover up the original burned-in Chinese subtitles and provide a space to put the new, removable subtitles. That said, it should be pointed out that much of the camera-work consists of closeups of the two leads rather than the widescreen action compositions featured in so many Shaw Bros. films that suffer from cropping when transferred to tape. Also, unlike those tape transfers, the subtitles in LOVE ETERNE are all clear and wholly visible. As a result, this DVD offers one of the better transfers of an early HK film available in the U.S., although a new subtitled widescreen transfer would be most desirable.
The English title given on the DVD case is THE SHAN-PO AND CHU YING-TAI.
ADDENDUM (April 6, 2010): Since doing this review, the film has come out, under the title LOVE ETERNE, in a restored, remastered Region 3 DVD from Celestial Pictures as part of its massive Shaw Bros. restoration campaign. Watching the new DVD was like seeing it for the first time. It's a beautiful film and Ivy Ling Po's performance is breathtaking. Also since the original review, a Taiwanese animated version of the tale has come out on DVD, under the title THE BUTTERFLY LOVERS (2003). It has its good points, but is too Disney-influenced and kiddie-oriented for my tastes.
An Absorbing Folk Tale
crossbow01069 August 2008
The beautiful Betty Loh Ti (and also tragic. Like others who were in that era, she was a young suicide) plays Zhu Ying Tai, a 17 year old girl who longs to get an education. In order to do this, she has to disguise herself as a boy. This film is a musical, with her sweet voice singing the plot as it goes along. She meets Shan-Bo, who is a boy who, unbelievably to me, doesn't know she is female (that part of it is minimally disconcerting, at best). Based on a Chinese folk tale (which should give you a hint to what could be), this is an absorbing drama, with a lavish group of sets, as well as two very appealing leads. There are class differences in this film, with Ying Tai being rich, while Shan Bo isn't. There were a number of these adaptations of folk tales at the time (The Kingdom And The Beauty, starring the beautiful and also tragic Linda Lin Dai immediately springs to mind) and this one is very good. If you like musicals with pageantry, here it is. Watch it on a big screen television, its better. I watched it from a VCD and the beauty of the film still grabs you. Rest in peace, Betty Loh Ti.
Butterfly token.
morrison-dylan-fan16 July 2018
Warning: Spoilers
After talking to a friend about what Jackie Chan flicks he has recently seen,I decided to check his IMDb page. Going right the way back to his earliest credits,I was excited to find that the first appearance of Chan's I could track down was as a uncredited extra in this Shaw Brothers operetta,which led to me finding out how eternal love can be.
View on the film:
Tragically killing herself at just 30 years old,Betty Loh Ti, (whose family fled to Hong Kong after the Communist takeover in China) gives an exquisite performance as Zhu Ying-tai,whose dream of entering higher education is captured with wide-eyed wonder by Ti, knotted with a sweet nervousness over her identity being discovered. Becoming entwined with Shan-bo,Ti holds the petals of their love with a passionate sincerity and a deep anguish over missing Shan-bo's embrace. Whilst the characters inability to see Ying-tai is not a boy is strange, Ivy Ling Po presents the full vision of Shan-bo's love for Ti,with a delicacy shown by Po as they fall in love for each other,which turns to sorrow from a longing to see Ti again.
Done on the Shaw Brothers back-lot, (keep that budget down!)writer/ director Han Hsiang Li & cinematographer Tadashi Nishimoto soar with a vast vision that covers the film in shimmering primary colours that dazzle in the elegant Musical numbers. Displaying an impressive sensitivity towards the lesbian romance, Li uses graceful wide-shots to gaze at the blossoming romance. Adapting a well-known traditional story, the screenplay by Han Hsiang Li beautifully uses the operetta numbers to cast an epic operatic atmosphere over the tugged heartstrings. Dipping the tale into Melodrama, Li hits a poetic note with the thoughtful dialogue capturing bo's and Ti's eternal love turning them into beautiful butterflies.
View on the film:
Tragically killing herself at just 30 years old,Betty Loh Ti, (whose family fled to Hong Kong after the Communist takeover in China) gives an exquisite performance as Zhu Ying-tai,whose dream of entering higher education is captured with wide-eyed wonder by Ti, knotted with a sweet nervousness over her identity being discovered. Becoming entwined with Shan-bo,Ti holds the petals of their love with a passionate sincerity and a deep anguish over missing Shan-bo's embrace. Whilst the characters inability to see Ying-tai is not a boy is strange, Ivy Ling Po presents the full vision of Shan-bo's love for Ti,with a delicacy shown by Po as they fall in love for each other,which turns to sorrow from a longing to see Ti again.
Done on the Shaw Brothers back-lot, (keep that budget down!)writer/ director Han Hsiang Li & cinematographer Tadashi Nishimoto soar with a vast vision that covers the film in shimmering primary colours that dazzle in the elegant Musical numbers. Displaying an impressive sensitivity towards the lesbian romance, Li uses graceful wide-shots to gaze at the blossoming romance. Adapting a well-known traditional story, the screenplay by Han Hsiang Li beautifully uses the operetta numbers to cast an epic operatic atmosphere over the tugged heartstrings. Dipping the tale into Melodrama, Li hits a poetic note with the thoughtful dialogue capturing bo's and Ti's eternal love turning them into beautiful butterflies.
Simply The Best Chinese Classic
moviesbest6 August 2005
A very simple tale but great direction by Li and great acting by the 2 leads, simply the 3's best movie. All the songs are the best of this genre too.Legendary Classic Beauty Betty Loh Ti(her fame then was only next to "evergreen" Li Lihua and 4 times Asian movie queen Lin Dai) proved to be a great actress again, considering her role is more difficult(she need to play both sexes) and the singing is not her own voice and she has to "act" the songs too. The opening part where she imposed as a male to fool his dad, the rest of the scenes which she imposed as a male against his male classmate and secretly in love with him, till she appears as a female to face him are all great acting, seldom seen anywhere else.Her acting is natural and seeing it 40 over years later now, you don't feel outdated like some of the acting by others in the early days. Observe her body language too while as a female and male, is so natural you just don't feel she is acting. Those who enjoyed her should also watch her 2 other great movies, available in DVD now,"Enchanting Shadow"(remade by Tsui Hark, Chinese Ghose Story) and "Dream of the Red Chamber". Tsui Hark also remade this into "Butterfly Lovers". Ivy Ling Po who acted as the male did a good job(her own singing voice) too although she overacted in some scenes. She became an instant hit and continued to acted many male roles in such genre but none of her films to follow come close to this. WARNING; Foreigners who are not used to such films may find it hard to accept as more than 95% of the dialogs are done in songs. This movie created a craze in all Chinese areas and broke all box-office records. Reported that someone in Taiwan saw it 40 over times during the original release !! A great pity so few people in IMDb saw it. Note: This movie is voted among the Top Ten of HK films, wonder why not mentioned in this site.
See also
Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews
