After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heals. Their solution - escape to Bolivia.
George Roy Hill
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Based on a true story, a group of allied escape artist-type prisoners-of-war (POWs) are all put in an 'escape proof' camp. Their leader decides to try to take out several hundred all at once. The first half of the film is played for comedy as the prisoners mostly outwit their jailers to dig the escape tunnel. The second half is high adventure as they use boats and trains and planes to get out of occupied Europe.Written by
John Vogel <email@example.com>
The German National Railroad Bureau cooperated with the production to provide trains and logistics for the railway escape sequences. Platforms were fitted on passenger cars to accommodate huge arc lamps to illuminate the train interiors. On one flat car, a large Chapman crane was set up to swing out over the passenger car and film the jump from the moving train performed by two stuntmen disguised as Garner's and Pleasence's characters. The bureau attached a special radio operator to the crew to alert the train engineer to any potential traffic on the main line. The shooting schedule was squeezed in between actual runs on the rails. The bureau gave the production certain times and lengths of tracks to work on until a passenger train was scheduled to come by; the film train then had to duck onto a siding until the other passed. See more »
When Ashley Pitt is in the tunnel, the topsoil is a sandy color and the tunnel soil is dark. In reality it was the other way around with the topsoil being gray and tunnel soil being yellow. See more »
Gentlemen, no doubt you've heard the immortal words of our new commandant: devote your energies to things other than escape, and sit out the war as comfortably as possible.
Well, that's exactly what we're going to do. We're going to devote our energies to sports and gardening, all the cultural pursuits as far as they're concerned. In fact, we're going to put the goons to sleep. Meanwhile, we dig. Now, even a superficial look at the compound shows us that Huts 104 and 5 are ...
[...] See more »
Some TV versions edit the scene in which Ives is shot and killed for trying to escape over the fence. See more »
"Wait a minute, you aren't seriously suggesting that if I get thru the wire and case everything out there, and don't get picked up, to turn myself in and get thrown in the cooler for a couple of months so you can get the information you need"
Smart, witty and directed with adroit hands by John Sturges, The Great Escape is standing the test of time as a joyous multi cast family favourite. Based on the real accounts of allied soldiers escaping en mass from a German POW camp back in 1942, the film is involving from start to finish, due in the main to the wonderful array of characters on show. We follow them from the moment they arrive at the camp right thru to the stunning climax, and it is with great joy I say that none of the cast lets the side down, they all do great work for the astute and undervalued Sturges. A number of great set pieces allied with Elmer Bernstein's fabulous score never lets the blood settle, and in amongst the cute slices of humour is palpable tension to make this simply one of the best films of it's type, in fact one of the best films ever.
Sturges and his writers, James Clavell & W.R. Burnett, adapt from the book written by Paul Brickhill, someone who speaks from experience having been one of the prisoners of super POW camp Stalag Luft III, which of course is what The Great Escape is born from. Sturges was fascinated by the story and after trying without fail for over a decade to get it onto the screen, he finally succeeded. The success three years earlier of his star ensemble Western, The Magnificent Seven, enabled Sturges to realise his vision, the result of which is still enthralling new generations with each passing year.
The cast is made up of notable thespians and iconic heroes. Steve McQueen (enticing the American audience in one feels), Richard Attenborough, Charles Bronson, James Donald, Donald Pleasance, James Coburn, James Garner, David McCallum, John Leyton and Gordon Jackson. Which of course is a pretty tidy roll call, but it shouldn't be understated the input of Hannes Messemer as the Camp Commandant, Colonel Von Luger. His scenes have a humanistic quality that shows a softer side of Germany to the one ruled by a certain despot (the finale here offering up the counter opposite of the war), the writers smartly, and rightly, not tarring a nation with the same old brush.
A wonderful involving movie that puts characteristic heart in bed with its action and suspense laden plot. 10/10
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