Un chanteur de rock se rend dans une petite ville de l'Ohio pour dire "adieu" à la télévision et embrasser sa plus grande fanatique avant qu'il ne soit repêché.Un chanteur de rock se rend dans une petite ville de l'Ohio pour dire "adieu" à la télévision et embrasser sa plus grande fanatique avant qu'il ne soit repêché.Un chanteur de rock se rend dans une petite ville de l'Ohio pour dire "adieu" à la télévision et embrasser sa plus grande fanatique avant qu'il ne soit repêché.
- Nommé pour 2 oscars
- 7 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe steps of the courthouse used for Birdie's welcome to Sweet Apple have appeared in countless movies over the decades. A major part of Universal's backlot, it was the location of Scout's and Jem's several visits in "To Kill a Mockingbird," as well as the famous courthouse clock in "Back to the Future". The town square it anchors was so popular that it was used by hundreds of film and television shows, including many that were not produced by Universal.
- GaffesAfter Rosie pulls the McAfee family out of the audience at Toast of the Town (1948), two different shots of the Russian conductor show the McAfees still sitting in the audience.
- Citations
Rose DeLeon: I must be the prized dope of all-time... thinking I could pry you away from your mama's ever-lovin' tentacles.
- Générique farfeluThere is no "The End" credit or cast list at the end of the film. Ann-Margret simply sings an on-screen reprise of the song "Bye Bye Birdie" at the end, and then says " 'Bye, now!".
- ConnexionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
- Bandes originalesBye Bye Birdie
Music by Charles Strouse
Lyrics by Lee Adams
Performed by Ann-Margret before the title credits, with Johnny Green and the Columbia Studio Orchestra and Chorus
Reprised by Ann-Margret in the finale
Commentaire en vedette
Not for kids
I really mean it. On the surface, it appears to be a funny, innocent, slap-happy musical. And it is - at least during the first half of the movie. Then it starts to wink at itself. I was ten when I first saw it, and though I enjoyed it a lot of it went way over my head. Watching it now, ten years later, I realize that BYE BYE BIRDIE is actually a smart, sophisticated satire that's not for kids.
The title character is Conrad Birdie, a vain, oily rock-'n'-roll star who's been drafted by the army. In fact, the movie focuses not so much on him as it does on the other characters - a songwriter and producer (Dick Van Dyke), his girlfriend (Janet Leigh), and a teenage girl named Kim (Ann-Margret). Forget Jesse Pearson, who plays Conrad; it's Van Dyke and Margret's movie all the way.
As I said, this film is actually a satire. There are so many in-jokes and jabs at the 1960s that watching it is almost like reading an issue of MAD or CRACKED magazine. In particular, the Cold War comes in for some heavy ribbing (this movie was made during 1962, the year of the Cuban Missile Crisis); the Soviets are made to look like pompous buffoons, with one guy even whacking himself in the head with his shoe (hint, hint). It's still pretty funny nearly four decades later, but I can imagine how much more of a punch it would have packed back during those foreboding times. In other scenes, the movie predates the style of John Waters by poking some fun at suburbia.
Lots of satire - and most of it decisively adult. You can bet that kids simply won't understand the scathingly sarcastic remarks delivered by Kim's Archie Bunkeresque father (Paul Lynde), or Kim's budding sexuality. And of course they're not going to be familiar with Ed Sullivan (himself). Still, there are lots of joyfully kinetic dance numbers and memorable songs (most notably "Going Steady," "Got a Lot of Livin' To Do," and the tune everybody remembers: "Put on a Happy Face"). Kids will want to fast-forward the VCR to the musical numbers, and also the funniest moment in the picture, which involves a glass of drugged milk and a ballet conductor.
An excellent, well-made, highly underestimated comedy, and infinitely superior to the made-for-TV version from 1995. So get a bowl of popcorn and check out this classic piece of popular culture. Just be prepared to explain a lot to the kiddies...
The title character is Conrad Birdie, a vain, oily rock-'n'-roll star who's been drafted by the army. In fact, the movie focuses not so much on him as it does on the other characters - a songwriter and producer (Dick Van Dyke), his girlfriend (Janet Leigh), and a teenage girl named Kim (Ann-Margret). Forget Jesse Pearson, who plays Conrad; it's Van Dyke and Margret's movie all the way.
As I said, this film is actually a satire. There are so many in-jokes and jabs at the 1960s that watching it is almost like reading an issue of MAD or CRACKED magazine. In particular, the Cold War comes in for some heavy ribbing (this movie was made during 1962, the year of the Cuban Missile Crisis); the Soviets are made to look like pompous buffoons, with one guy even whacking himself in the head with his shoe (hint, hint). It's still pretty funny nearly four decades later, but I can imagine how much more of a punch it would have packed back during those foreboding times. In other scenes, the movie predates the style of John Waters by poking some fun at suburbia.
Lots of satire - and most of it decisively adult. You can bet that kids simply won't understand the scathingly sarcastic remarks delivered by Kim's Archie Bunkeresque father (Paul Lynde), or Kim's budding sexuality. And of course they're not going to be familiar with Ed Sullivan (himself). Still, there are lots of joyfully kinetic dance numbers and memorable songs (most notably "Going Steady," "Got a Lot of Livin' To Do," and the tune everybody remembers: "Put on a Happy Face"). Kids will want to fast-forward the VCR to the musical numbers, and also the funniest moment in the picture, which involves a glass of drugged milk and a ballet conductor.
An excellent, well-made, highly underestimated comedy, and infinitely superior to the made-for-TV version from 1995. So get a bowl of popcorn and check out this classic piece of popular culture. Just be prepared to explain a lot to the kiddies...
utile•212
- Monkasi
- 20 janv. 2001
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- How long is Bye Bye Birdie?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Telefonda Aşk
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 13 129 412 $ US
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the Mexican Spanish language plot outline for Bye Bye Birdie (1963)?
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