ÉVALUATION IMDb
6,4/10
3,7 k
MA NOTE
Ajouter une intrigue dans votre langueAn acid-scarred composer has his dwarf helper bring an opera singer to his London sewer hide-out.An acid-scarred composer has his dwarf helper bring an opera singer to his London sewer hide-out.An acid-scarred composer has his dwarf helper bring an opera singer to his London sewer hide-out.
- Prix
- 1 nomination
Miriam Karlin
- Charwoman
- (as Miriam Carlin)
Histoire
Le saviez-vous
- AnecdotesThe "London Opera House" used here is actually the Wimbledon Theatre.
- GaffesA boom crane is visible in Christine's dressing room mirror briefly when the Phantom first speaks to her.
- Citations
Harry Hunter: What I don't understand is how Ambrose d'Arcy can write so much excellent music in the last few years when he has so little musical taste.
- Autres versionsThe UK cinema version was cut by the BBFC for an 'A' (PG) certificate and edited the eye-stabbing of the rat-catcher and shots of a hanging body, as well as extensive edits to scenes showing the creation and final unmasking of the Phantom. Later video and DVD releases were uncut.
- ConnexionsFeatured in Aweful Movies with Deadly Earnest: The Phantom of the Opera (1973)
- Bandes originalesJoan of Arc
by Edwin Astley
Commentaire en vedette
Atmospheric Opera Fun
The novel The Phantom of the Opera has been filmed at least ten times plus now. This entry by Hammer Studios is one of the better ones, bringing a liberal change in storytelling as well as some very atmospheric settings and camera work. Directed by Terence Fisher, this film, like Fisher's The Gorgon, is highly poetic. The phantom is a former music professor who has been pushed into his life of seclusion and physical deformity. He is a figure of sympathetic pity rather than horror. It is this point of view which makes this film very interesting as the phantom is not the monster but rather just a man who has been mistreated trying to cope and resurrect his life. Yep, he still lives in the sewers of Paris. The Hammer sets are wonderful all around, particularly the opera house and the winding underground sewers. Hammer also puts their stamp of luxuriant looking cinematography on. Herbert Lom plays the man behind the mask. Lom does a nice job in the film as do all the leads. Heather Sears is a striking heroine, and Edward Da Souza makes an affable leading man. The real star, apart from Fisher's direction, is Michael Gough. Boy, can this man play a mean individual. Gough's screen time is magic as he malevolently belittles everyone around him, steals things that are not his, and lewdly leers at anything in a skirt! The film also boasts some fine staged opera numbers and a beautiful soundtrack. Many scenes show Fisher's competence and ability to create lush moods whilst being able to provide good storytelling.
A fine Phantom edition.
A fine Phantom edition.
utile•182
- BaronBl00d
- 31 août 2001
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Phantom of the Opera
- Lieux de tournage
- New Wimbledon Theatre, The Broadway, Wimbledon, Londres, Angleterre, Royaume-Uni(Theatre Auditorium Interiors)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 180 000 £ (estimation)
- Durée1 heure 30 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Le fantôme de l'opéra (1962) officially released in India in English?
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