| Cast overview, first billed only: | |||
| Howard Keel | ... | Bill Masen | |
| Nicole Maurey | ... | Christine Durrant | |
| Janette Scott | ... | Karen Goodwin | |
| Kieron Moore | ... | Tom Goodwin | |
| Mervyn Johns | ... | Mr. Coker | |
| Ewan Roberts | ... | Dr. Soames | |
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Alison Leggatt | ... | Miss Coker |
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Geoffrey Matthews | ... | Luis de la Vega |
| Janina Faye | ... | Susan | |
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Gilgi Hauser | ... | Teresa de la Vega |
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John Tate | ... | Captain - SS Midland |
| Carole Ann Ford | ... | Bettina (as Carol Ann Ford) | |
| Arthur Gross | ... | Flight 356 Radioman | |
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Colette Wilde | ... | Nurse Jamieson (as Collette Wilde) |
| Ian Wilson | ... | Greenhouse Watchman | |
A shower of meteorites produces a glow that blinds anyone that looks at it. As it was such a beautiful sight, most people were watching, and as a consequence, 99% of the population go blind. In the original novel, this chaos results in the escape of some Triffids: experimental plants that are capable of moving themselves around and attacking people. In the film version, however, the Triffids are not experimental plants. Instead they are space aliens whose spores have arrived in an earlier meteor shower. Written by Murray Chapman <muzzle@cs.uq.oz.au>, edited by Triffid Fan
John Wyndham's novel "Day of the Triffids" becomes low-budget British-made monster movie without the proper finance to really sort out what promises to be a good mystery. The morning after a colorful meteor shower has lit up the evening skies over London, a high percentage of the population wakes up completely blinded; even worse, the landscape has been littered with a type of carnivorous flower seed--Triffidus Celestus--which makes The Venus Fly Trap look like child's play. A band of survivors with their sight still intact fight back against the man-eating plants, which apparently have the knowledge and the strength to break down barricades and crash through windows. Unfortunately, even with a handful of scientists featured in the scenario, we learn very little about the Triffids beyond their appetite for flesh and blood. Instead, we get macho heroics from sailor Howard Keel, and an antagonistic romance-on-the-rocks between an unhappy couple in their laboratory. Still, for fans of the genre, the framework of the plot is an intriguing one, and the sound and visual effects are both good. ** from ****