An epic tale of mankind's self-annihilation in the wake of a cosmic event leading to global blindness. His legacy in genetic engineering changed the hierarchy of nature, toppling mankind's place atop the world's food chain.
A shower of meteorites produces a glow that blinds anyone that looks at it. As it was such a beautiful sight, most people were watching, and as a consequence, 99% of the population go blind. In the original novel, this chaos results in the escape of some Triffids: experimental plants that are capable of moving themselves around and attacking people. In the film version, however, the Triffids are not experimental plants. Instead they are space aliens whose spores have arrived in an earlier meteor shower.Written by
Murray Chapman <firstname.lastname@example.org>, edited by Triffid Fan
In the scene where Bill Masen and Mr. Coker are standing outside the house in France, they see an aircraft flying overhead that sounds like it has a sputtering engine. The aircraft shown flying is a silver De Havilland Canada DHC-1 Chipmunk, a primary trainer monoplane. When the two hear the aircraft crash they go to the crash site and find the dismantled remains of a De Havilland DH82A Tiger Moth Reg. G-AJOA a primary trainer bi-plane with its top wing removed. Tiger Moth G- AJOA still exists but has not flown since 2003. See more »
When Bill counts the chimes of Big Ben (the iconic bell in the clock tower of the Palace of Westminster), he is in Moorfields Eye Hospital. This hospital is 2.5 miles from Big Ben and the chimes cannot be heard at that distance. See more »
[narrating voice over]
In nature's scheme of things, there are certain plants which are carnivorous, or eating plants. The Venus Fly Trap is one of the best known of these plants. A fly drawn to the plant by its sweet syrup, brushes against triggered bristles. Just how these plants digest their pray has yet to be explained. There is much still to learn about these fascinating eating plants. This is a newcomer: Triffidus Celestus, brought to earth on the meteorite during the Day of ...
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On some video versions, Bernard Gordon's name has been inserted into the writing credits. See more »
Day of the Triffids is a delightful sci-fi horror movie from the sixties, and it will be a sure-fire hit with fans of this sort of cinema. The film stands halfway between a serious disaster movie (although it's definitely one that is much more ingenious than most actual disaster movies) and a silly B-movie complete with absolutely ridiculous monsters. Some viewers will most probably be deterred by the second side of the movie - but not me! I found the ridiculous monsters to be an absolute treat, and although the film is certainly messy; on the whole I think it came together rather well. Certainly no worse than you'd expect from this sort of movie. The film follows the story of a meteorite shower that beings down a new species of plant - the man-eating triffid! And, not only that, but the glare of the shower has blinded almost the entire population of the world; which is bound to lead only to trouble. Right from the word go, you know that you're in for a cool piece of kitsch as the voice-over introduces the new species of plant and the film keeps this atmosphere going throughout.
While many viewers will be put off by the silly special effects, the only thing that annoyed me about this is the pacing of the plot. The first fifty minutes at least are highly inventive and very involving so the running time just slips by as you lose yourself in the camp classic that you're watching. However, as we approach the hour mark, the plot slows down to walking pace, and although the inventiveness is still there; it never reaches the highs of the first half of the movie, which featured excellent flashes of brilliance as we see panic on an aeroplane as the pilot is blinded, trains crashing and the hapless, now blind, population of the UK trying to make their way through London station. Howard Keel makes a fine leading man, especially for a film like this. He has an almost cheesy aura surrounding him, and this helps the unintentional humour side of the movie when it's mixed with the rather awful and very corny script that the film works on. On the whole, while this movie won't do anything for fans of artistic and serious cinema, if you like to have fun with your film viewings; this one is recommended.
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