The Curse of the Werewolf (1961)

In 18th Century Spain, an adopted boy becomes a werewolf and terrorizes the inhabitants of his town.

Director:

Terence Fisher

Writers:

Anthony Hinds (screenplay) (as John Elder), Guy Endore (novel)

Stars:

Clifford Evans, Oliver Reed, Yvonne Romain

1 nomination.

Cast

Cast overview, first billed only:
Clifford Evans	...	Alfredo
Oliver Reed	...	Leon
Yvonne Romain	...	Servant Girl
Catherine Feller	...	Cristina
Anthony Dawson	...	The Marques Siniestro
Josephine Llewellyn	...	The Marquesa
Richard Wordsworth	...	The Beggar
Hira Talfrey	...	Teresa
Justin Walters	...	Young Leon
John Gabriel	...	The Priest
Warren Mitchell	...	Pepe Valiente
Anne Blake	...	Rosa Valiente
George Woodbridge	...	Dominique
Michael Ripper	...	Old Soak
Ewen Solon	...	Don Fernando

Storyline

In the Eighteenth Century, in Spain, a beggar comes to the castle of a cruel marquee on his wedding day to beg for food, and the marque locks him in his dungeon, where he is forgotten. The mute daughter of the gaoler feeds him along the years. When she grows-up, the widower marquee unsuccessfully tries to shag her and locks the servant in the dungeons with the beggar that rapes her. When she is released, she kills the marquee and flees to the forest. She is found living like an animal in the woods by Don Alfredo and he brings her home. Soon his servant Teresa finds that she is pregnant. When she gives birth to a boy on Christmas, she dies and the boy Leon is raised by Don Alfredo and Teresa. A few years later they learn the curse that the boy carries with him, and the local priest advises that he must be raised with love. What will happen to Leon?

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Plot Keywords:

aristocrat | dungeon | christmas | angry mob | 18th century | 

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Taglines:

He had but one body - yet lived with two souls!

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Genres:

Horror

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Certificate:

Approved

Details

Country:

UK

Language:

English

Release Date:

7 June 1961 (USA)

Also Known As:

The Curse of the Werewolf

Filming Locations:

Black Park, Iver Heath, Buckinghamshire, England, UK

Company Credits

Production Co:

Hammer Films

Technical Specs

Runtime:

93 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In an interview, Richard Wordsworth stated that in the original screenplay his beggar character was a werewolf. Hammer told him that the censor had problems with the notion of a werewolf/rapist, so out it went.

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Goofs

The first 20 minutes of the movie are narrated by Don Alfredo. But since he did not witness the events depicted, there is no way he could have known what transpired.

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Quotes

Leon: Cristina, do you love me? Will you marry me Cristina? You say you love me, will you marry me?

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Alternate Versions

Original video releases blot out the Technicolor credit line with a black bar. The credit is visible on the DVD version.

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Connections

Referenced in Mary Shelley's Frankenhole: Ronny Ron Ronald (2010)

User Reviews

Wonderful Werewolf Film

It's Spain and a beggar walks through a deserted town forced into public festivities at the marriage of a miserly, degrading Marqis. He goes to the palace in search of food, and instead is given life imprisonment. This is the opening of one of Hammer's best monster films, and easily one of the best lycanthrope films ever made. The beggar through a raping of a servant girl spawns a baby werewolf. The film is about this boy and then man living with his affliction and finally succumbing to its eventual fate. Terrence Fisher has done a superb job with his direction, creating atmospheric sets, wonderful, rich costuming, an impressive musical score highlighting key dramatic moments, and most notably creating a story of a beast in man with compassion, understanding, and depth. The acting all around is excellent(once you get past the notion of Britishers playing Spainards), and Oliver Reed stands out as the young protagonist literally being torn apart inside. The make-up for the beast, while not as grand as Universals, is top-notch and harrowing to the eye. The film is a sight to see and it again affirms that many of the monsters of the movies are tragic heros not in control of what they do.