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La Dolce Vita (1960)

La dolce vita (original title)
Not Rated | | Comedy, Drama | 19 April 1961 (USA)
Trailer
0:31 | Trailer

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A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story) | 5 more credits »
Reviews
Popularity
3,007 ( 921)
Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marcello Mastroianni ... Marcello Rubini
Anita Ekberg ... Sylvia
Anouk Aimée ... Maddalena (as Anouk Aimee)
Yvonne Furneaux ... Emma
Magali Noël ... Fanny (as Magali Noel)
Alain Cuny ... Steiner
Annibale Ninchi ... Il padre di Marcello
Walter Santesso Walter Santesso ... Paparazzo
Valeria Ciangottini Valeria Ciangottini ... Paola
Riccardo Garrone ... Riccardo
Evelyn Stewart ... Debuttante dell'anno (as Ida Galli)
Audrey McDonald Audrey McDonald ... Jane
Polidor ... Pagliaccio
Alain Dijon Alain Dijon ... Frankie Stout
Mino Doro Mino Doro ... Amante di Nadia
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Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The Roman Scandals - Bound to shock with its truth! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Italy | France

Language:

Italian | English | French | German

Release Date:

19 April 1961 (USA) See more »

Also Known As:

La Dolce Vita See more »

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Box Office

Gross USA:

$19,516,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

Mono (Western Electric)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Federico Fellini wanted Silvana Mangano for the role of Maddalena. She would later marry Dino De Laurentiis. See more »

Goofs

When the two children see the Madonna, the time of day is stated as 7:00. However, the very short shadows of the characters reveal that it is midday. See more »

Quotes

Marcello Rubini: [to Sylvia] You are everything... everything! You are the first woman on the first day of creation. You are mother, sister, lover, friend, angel, devil, earth, home.
See more »

Alternate Versions

In the original American release, distributed by American International Pictures, the titles open with the AIP logo and appear over a shot of the sky with clouds. In the current release on DVD - and as shown on TCM - the title sequence is over a black background. When originally released, censors in several countries trimmed certain scenes, including the orgy near the end of the film. See more »

Connections

Referenced in Green Acres: Oliver's Double (1970) See more »

Soundtracks

Toccata and Fugue in D Minor: Toccata and Fugue in D Minor, BWV 565
(uncredited)
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Alain Cuny
See more »

Frequently Asked Questions

See more »

User Reviews

 
Tolerance of Taste
15 February 2001 | by mhh3fSee all my reviews

To appreciate this film you need to appreciate film. I'm saddened that so many have commented negatively on it and cast dispersions upon those who enjoyed it. It is not Titanic, or Armageddon. It is a long film that attempts to show more than a hackneyed plot about some simple people. It is a beautiful exploration about life that does not preach or try to tell you what to think. I understand why many are frustrated with it. It seems to go nowhere at times, but thats the point. And most importantly the scenery on this trip to nowhere is beautiful.

So, if you are the type that does not like to watch films that are art, do not watch this. Watch Coyote Ugly. It will entertain you. Other films to avoid: Last Year at Marienbad, The Seventh Seal, The 400 Blows, etc. Go see something with a gun on the cover instead.

For those who like a challenge rather than simple escapism, this is a film that engages you.

Different films for different people. People seem very threatened when they don't like a film that is widely regarded as a classic. The reason is simple, it's not your kind of film. But don't assume its a film for no one. Makes sense right?


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