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La Dolce Vita (1960)

La dolce vita (original title)
Not Rated | | Comedy, Drama | 19 April 1961 (USA)
Trailer
0:31 | Trailer
A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story) | 5 more credits »
Reviews
Popularity
4,505 ( 746)
Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marcello Mastroianni ... Marcello Rubini
Anita Ekberg ... Sylvia
Anouk Aimée ... Maddalena (as Anouk Aimee)
Yvonne Furneaux ... Emma
Magali Noël ... Fanny (as Magali Noel)
Alain Cuny ... Steiner
Annibale Ninchi ... Il padre di Marcello
Walter Santesso ... Paparazzo
Valeria Ciangottini Valeria Ciangottini ... Paola
Riccardo Garrone ... Riccardo
Evelyn Stewart ... Debuttante dell'anno (as Ida Galli)
Audrey McDonald Audrey McDonald ... Jane
Polidor ... Pagliaccio
Alain Dijon Alain Dijon ... Frankie Stout
Mino Doro Mino Doro ... Amante di Nadia
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Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The Sweet Life See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Italy | France

Language:

Italian | English | French | German

Release Date:

19 April 1961 (USA) See more »

Also Known As:

La Dolce Vita See more »

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Box Office

Cumulative Worldwide Gross:

$28,254
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

Mono (Western Electric)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The only film that year to be Oscar nominated for Best Director, but not Best Picture. See more »

Goofs

In the castle, Marcello lights a match to view some ancestral paintings. A spotlight is used to enhance the light of this match, but does not follow the actor's movements very closely and gives the illusion away. See more »

Quotes

Steiner: We must get beyond passions, like a great work of art. In such miraculous harmony. We should love each other outside of time... detached.
See more »

Alternate Versions

In the original American release, distributed by American International Pictures, the titles open with the AIP logo and appear over a shot of the sky with clouds. In the current release on DVD - and as shown on TCM - the title sequence is over a black background. When originally released, censors in several countries trimmed certain scenes, including the orgy near the end of the film. See more »

Connections

Featured in Inside 'The Talented Mr. Ripley' (2000) See more »

Soundtracks

Patricia
Music by Dámaso Pérez Prado and lyrics by Bob Marcus
Performed by Dámaso Pérez Prado
See more »

Frequently Asked Questions

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User Reviews

life imitates art? art imitates life? a bit of both?
30 November 2004 | by Bobbyh-2See all my reviews

I just saw a new print of this wonderful film after not having seen it for maybe 20 years and it is still spellbinding. Fellini sums up an era and an attitude here, and succeeds in doing something that ought to be impossible: he makes a full and meaningful film about empty and meaningless lives. Mastroianni seems to have been to Fellini what DeNiro has been to Scorsese--a perfect embodiment of a personal vision. What a wonderful actor he was--brilliant in his youth and in his age. Many other performers are hardly less fine here, and the cinematography and composition are stunning throughout. There are so many indelible images from this film, images that have become iconic over the decades: Ekberg in the Fontana di Trevi, the statue of Christ flying over Rome, the astonishing, candlelit procession at the castle, to name a few. It seems plot less and yet it isn't plot less at all; Marcello's ultimately fruitless search for meaning, a search that he abandons in the end, as he stares across a slight and yet unbridgable abyss on the beach at a lovely young girl who seems to possess the knowledge and understanding that is denied to him. I'm astonished at the number of people who don't get this movie, who seem to think that Fellini expects us to admire the bizarre characters who people the film, or who think that a movie about worthless individuals must be a worthless movie, or who don't seem to understand that movies that are full of what become clichés usually do so because they capture an important vision. Fellini made several exceptional films: 81/2, La Strada, Amarcord, and The Nights of Cabiria come to mind, but La Dolce Vita may be, when all is said and done, his masterwork.


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