AVALIAÇÃO DA IMDb
7,2/10
13 mil
SUA AVALIAÇÃO
O filme improvisado de Cassavetes, com trilha sonora de jazz, explora amizades e relacionamentos inter-raciais na era Beat (1950) na cidade de Nova York.O filme improvisado de Cassavetes, com trilha sonora de jazz, explora amizades e relacionamentos inter-raciais na era Beat (1950) na cidade de Nova York.O filme improvisado de Cassavetes, com trilha sonora de jazz, explora amizades e relacionamentos inter-raciais na era Beat (1950) na cidade de Nova York.
- Indicado para 4 prêmios BAFTA
- 2 vitórias e 5 indicações no total
David Jones
- Davey
- (as Davey Jones)
Enredo
Você sabia?
- CuriosidadesJohn Cassavetes screened the movie in 1957 and 1958, but because of poor response he went back and re-shot about half of the film in 1959. The first version of the film was believed to be lost for almost 50 years. In the mid-1980s Prof. Ray Carney began his search for the film after talking to Cassavetes about the first version. Carney searched almost everywhere but was led to dead ends for 20 years. Finally, in 2002, he was contacted by a woman who said her father, a junk dealer, had a cardboard box with a film called "Shadows". It turned out to be the first version and not the second one. The print was in pristine condition.
- Erros de gravaçãoWhen Tony takes Lelia back to her apartment, Ben, Dennis, and Tom are sitting around the table playing poker and trying to arranges some dates. All three bear the marks of a fight that won't take place until near the end of the movie.
- Citações
Girl at Party: The trouble with you is, you suffer from self-induced hysteria at the word 'existentialism'. Are you aware of that?
- Cenas durante ou pós-créditos"Presented by Jean Shepherd's Night People"
- Versões alternativasCassavetes screened a finished version of Shadows in 1957 and 1958 that ran 78 minutes. Part of the original negative of this version was used for the 1959 version, which was completely reshot with new actors. In 2002, Prof. Ray Carney of Boston University discovered the only remaining 16mm copy of this earlier version.
- ConexõesFeatured in Cinéastes de notre temps: John Cassavetes (1969)
- Trilhas sonorasBeautiful
Written by Jack Ackerman, Hunt Stevens and Eleanor Winters
Avaliação em destaque
A Pioneering Approach
No need to repeat what little plot there is.
In 1959, movie-making was a closed shop. Between the studios, the craft unions, and the distributors, the only films outside Hollywood were home movies. Add a restrictive Production Code to that shop, and you get a commercial product that's typically slick, entertaining, but all too predictable.
I remember being on a mid-western campus at the time and hearing about Shadows. An independent production gave me ideas that fortunately or unfortunately never materialized. But for many others, the idea took root and, most importantly, helped shake loose the Hollywood monopoly.
No, Shadows is far from a masterpiece by any standard. It is, however, a gutsy, pioneering effort that achieves its own brand of sensibility—it's certainly not slick; then too, it's more interesting than entertaining, and not at all predictable. In short, what's on Cassavetes's screen is largely in contrast to what we expected from feature films of the time.
Instead of conventional story or plot, there are several very loose narrative threads. Instead of prepared script, set, and cast, there are non-professionals and improvisation, though how much, I gather, is debatable. And in place of expected resolutions at movie's end, life simply continues much as it did before.
As a result, there's no expected moral or lesson to events. They simply happen as they happen, but within that framework, new possibilities open up, while the screen comes to look more like everyday experience than an entertainment medium. I gather the aim is to reveal truths at a new level left undisclosed by traditional narrative structure. Something like the 'truth of the moment as it's lived'.
This is certainly no place to attempt a concept like that. However, I can see how movie tradition with its emphasis on structure and artifice would override the momentary and the non-preconceived in favor of the integrity of the whole. So, it looks like Cassavetes not only helped establish the indie, but also aimed at a new way of looking at movies in general.
Anyway, I don't know how well he succeeds with Shadows. However, I do have a lasting image of New York City, that is, of the shabbily gaunt Ben Carruthers hunched down in his leather jacket, perhaps as protection against an uncaring world as he drifts aimlessly down the city street. I'm just sorry that Shadows didn't make it to my long ago campus.
In 1959, movie-making was a closed shop. Between the studios, the craft unions, and the distributors, the only films outside Hollywood were home movies. Add a restrictive Production Code to that shop, and you get a commercial product that's typically slick, entertaining, but all too predictable.
I remember being on a mid-western campus at the time and hearing about Shadows. An independent production gave me ideas that fortunately or unfortunately never materialized. But for many others, the idea took root and, most importantly, helped shake loose the Hollywood monopoly.
No, Shadows is far from a masterpiece by any standard. It is, however, a gutsy, pioneering effort that achieves its own brand of sensibility—it's certainly not slick; then too, it's more interesting than entertaining, and not at all predictable. In short, what's on Cassavetes's screen is largely in contrast to what we expected from feature films of the time.
Instead of conventional story or plot, there are several very loose narrative threads. Instead of prepared script, set, and cast, there are non-professionals and improvisation, though how much, I gather, is debatable. And in place of expected resolutions at movie's end, life simply continues much as it did before.
As a result, there's no expected moral or lesson to events. They simply happen as they happen, but within that framework, new possibilities open up, while the screen comes to look more like everyday experience than an entertainment medium. I gather the aim is to reveal truths at a new level left undisclosed by traditional narrative structure. Something like the 'truth of the moment as it's lived'.
This is certainly no place to attempt a concept like that. However, I can see how movie tradition with its emphasis on structure and artifice would override the momentary and the non-preconceived in favor of the integrity of the whole. So, it looks like Cassavetes not only helped establish the indie, but also aimed at a new way of looking at movies in general.
Anyway, I don't know how well he succeeds with Shadows. However, I do have a lasting image of New York City, that is, of the shabbily gaunt Ben Carruthers hunched down in his leather jacket, perhaps as protection against an uncaring world as he drifts aimlessly down the city street. I'm just sorry that Shadows didn't make it to my long ago campus.
útil•101
- dougdoepke
- 10 de out. de 2010
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- How long is Shadows?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 40.000 (estimativa)
- Tempo de duração1 hora 21 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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