A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.
- Nominated for 3 Oscars
- 9 wins & 7 nominations total
Stanley Adams
- Lieutenant Harding
- (uncredited)
John Alban
- Auction Guest
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'North by Northwest' is acclaimed for its suspenseful, comedic, and romantic elements, highlighting Alfred Hitchcock's directorial prowess. Cary Grant and Eva Marie Saint deliver standout performances, while the screenplay's wit and twists captivate audiences. Iconic scenes, Bernard Herrmann's score, and Robert Burks' cinematography are lauded. Despite minor critiques on plot and character depth, it remains a timeless classic.
Featured reviews
North by Northwest will need no introduction to most movie-goers. It's a classic, greatly admired by audiences and critics alike. The story about a befuddled ad-executive fleeing from spies and the police (the spies want him dead because he knows of their plot, the police want him captured because they think he's behind a murder) is done at a breakneck pace and deals with Hitchcock's most frequently used theme: an innocent man on the run.
Cary Grant is urbane and smooth as the hero. James Mason oozes silky menace as the principal villain (Martin Landau also plays a villain, giving his character a seriously nasty toughness). Eva Marie Saint is simply fabulous as the woman whose loyalties seems torn between good and bad.
The set pieces are rightly considered to be moments of cinematic genius. Grant's escape from a crop-duster; the fight atop Mount Rushmore; the auction house bluff; the drunken car journey; the murder at the UN building.... each scene is brilliantly devised by script writer Ernest Lehmann and just as brilliantly filmed by director Hitchcock. Everyone should see this movie... it's a masterpiece.
Cary Grant is urbane and smooth as the hero. James Mason oozes silky menace as the principal villain (Martin Landau also plays a villain, giving his character a seriously nasty toughness). Eva Marie Saint is simply fabulous as the woman whose loyalties seems torn between good and bad.
The set pieces are rightly considered to be moments of cinematic genius. Grant's escape from a crop-duster; the fight atop Mount Rushmore; the auction house bluff; the drunken car journey; the murder at the UN building.... each scene is brilliantly devised by script writer Ernest Lehmann and just as brilliantly filmed by director Hitchcock. Everyone should see this movie... it's a masterpiece.
My favourite director, Alfred Hitchcock has directed many classics like Psycho, Rear Window and Vertigo, and I will say that this deserves to be up there among his best. I absolutely loved it! The best aspect of this movie is the always charming Cary Grant in a brooding and entertaining performance as Roger Thornhill, a man wanted for the murder of a diplomat. Solidly supporting him all the way are the lovely Eva Marie Saint as Eve Kendell and oily James Mason as the villainous Vandamme. They are further advantaged by some excellent camera-work and a wonderfully atmospheric music score. The script is focused and suspenseful, and Hitchcock's direction ensures the film rarely slips, even if some of the complicated plot does fly over people's heads. The climax though is simply the icing on the cake. Overall, a hugely enjoyable film, which I will give a 9.5/10. Bethany Cox
I saw this film for the first time when I was a freshman in college as part of an english class I took entitled "writing and the movies". Little did I realize that I would be seeing a film that would stay with me to this day and in essence become one of my all time favorites. Then, a few years ago, I caught it on the big screen at the Fine Arts theater in downtown Chicago. I remember that it was a rainy, cold October day. Perfect weather for a Hitchcock film I thought to myself.
For me, half of the fun of North by Northwest is its incredible story. This film has something for everyone within it: a little comedy, a little romance, great snappy dialogue and more action than any Bruce Willis Die Hard film combined. Hitchcock was a master at this and in North by Northwest he lets his genius shine through totally. It seems to me that whenever I watch it, everyone who made this film from Cary Grant on down had nothing but sheer fun making it. Perhaps my two favorite scenes are the infamous "crop-duster" sequence and the last twenty minutes or so at Mount Rushmore.
I must give special mention to Ernest Lehman who yet again managed to write a screenplay that totally knocks your socks off. How he came up with the idea, I've not a clue, but what an idea it is. The screenplay itself was nominated for an Academy Award that year, but lost to Pillow Talk. North by Northwest was also nominated for Best Set Decoration and Best Film Editing, but lost to Ben-Hur in both categories.
All in all, what a film. If you haven't seein it, do so ASAP. North by Northwest just reinforces my belief that Alfred Hitchcock was one of the greatest directors of all time. Period.
My rating: 4 stars
For me, half of the fun of North by Northwest is its incredible story. This film has something for everyone within it: a little comedy, a little romance, great snappy dialogue and more action than any Bruce Willis Die Hard film combined. Hitchcock was a master at this and in North by Northwest he lets his genius shine through totally. It seems to me that whenever I watch it, everyone who made this film from Cary Grant on down had nothing but sheer fun making it. Perhaps my two favorite scenes are the infamous "crop-duster" sequence and the last twenty minutes or so at Mount Rushmore.
I must give special mention to Ernest Lehman who yet again managed to write a screenplay that totally knocks your socks off. How he came up with the idea, I've not a clue, but what an idea it is. The screenplay itself was nominated for an Academy Award that year, but lost to Pillow Talk. North by Northwest was also nominated for Best Set Decoration and Best Film Editing, but lost to Ben-Hur in both categories.
All in all, what a film. If you haven't seein it, do so ASAP. North by Northwest just reinforces my belief that Alfred Hitchcock was one of the greatest directors of all time. Period.
My rating: 4 stars
Hitchcock at his sharpest. Art and commerce in a delicious salad with all the right ingredients. A brisk screenplay by Ernest Lehman a Cary Grant that is just pure delight, Eva Marie Saint fresh out of her Oscar from "On the Waterfront" is an icy blonde with a brain. James Mason, the ultimate foreign sinister not to mention Jessie Royce Landis and Hitchcock brings Bernard Herrmann to wrap it all up in one of the most infectious scores imaginable. A real treat.
With everything you expect from Hitchcock and more, "North By Northwest" is terrific entertainment from the master. There are interesting characters, an exciting story with intrigue and suspense, lots of fine photography, and some of Hitchcock's best-known set pieces. It's capped off by a fine Bernard Herrmann score that is almost as good as the one he wrote later for "Psycho".
Cary Grant may be the ideal Hitchcock actor, and he is a big part of making this such great fun. As one of the man-on-the-run characters that Hitchcock loved to make movies about, Grant is entertaining and believable, maintaining good humor even as he tries to work his way out of a series of desperate situations. The other stars, James Mason and Eva Marie Saint, also are very good, and the supporting roles are all filled by good character actors.
The story is one of Hitchcock's most exciting. It's slightly longer than usual, and it occasionally stretches credibility, but it all goes by quickly because there is always something interesting going on, and there is also plenty to look at. Whether using the famous landmarks or using more everyday settings, there is always lots of good detail, and the settings complement the story nicely. At times the plot becomes somewhat fanciful, but probably deliberately so, for it only emphasizes Hitchcock's mastery of technique that he can have his characters do almost anything and make you believe it at the time.
With everything that characterizes Hitchcock at his very best, this fully deserves its reputation as one of the finest films by him or any other director. You can watch it several times and still find it just as entertaining.
Cary Grant may be the ideal Hitchcock actor, and he is a big part of making this such great fun. As one of the man-on-the-run characters that Hitchcock loved to make movies about, Grant is entertaining and believable, maintaining good humor even as he tries to work his way out of a series of desperate situations. The other stars, James Mason and Eva Marie Saint, also are very good, and the supporting roles are all filled by good character actors.
The story is one of Hitchcock's most exciting. It's slightly longer than usual, and it occasionally stretches credibility, but it all goes by quickly because there is always something interesting going on, and there is also plenty to look at. Whether using the famous landmarks or using more everyday settings, there is always lots of good detail, and the settings complement the story nicely. At times the plot becomes somewhat fanciful, but probably deliberately so, for it only emphasizes Hitchcock's mastery of technique that he can have his characters do almost anything and make you believe it at the time.
With everything that characterizes Hitchcock at his very best, this fully deserves its reputation as one of the finest films by him or any other director. You can watch it several times and still find it just as entertaining.
Storyline
Did you know
- TriviaWhile filming Vertigo (1958), Sir Alfred Hitchcock described some of the plot of this project to frequent Hitchcock leading man and "Vertigo" star James Stewart, who naturally assumed that Hitchcock meant to cast him in the Roger Thornhill role, and was eager to play it. Actually, Hitchcock wanted Cary Grant to play the role. By the time Hitchcock realized the misunderstanding, Stewart was so anxious to play Thornhill that rejecting him would have caused a great deal of disappointment. So Hitchcock delayed production on this movie until Stewart was already safely committed to filming Otto Preminger's "Anatomy of a Murder (1959)" before "officially" offering him the role in this movie. Stewart had no choice but to turn down the offer, allowing Hitchcock to cast Grant, the actor he had wanted all along.
- GoofsDuring the scene in the diner at Mount Rushmore, a boy in the background anticipates the surprise gun shot fired by Eve by putting his fingers in his ears.
- Quotes
[Thornhill is wearing sunglasses to hide his identity]
Ticket Seller: Something wrong with your eyes?
Roger Thornhill: Yes, they're sensitive to questions.
- Crazy creditsRight after his credit as director during the opening credits, Alfred Hitchcock is running toward the door of the city bus just as it slams shut on him!
- Alternate versionsThe print originally had an acknowledgement for the cooperation of the Department of the Interior and the National Park Service. But they requested it be removed after MGM violated the agreement that no violence would take place near the Mt. Rushmore monument. Some prints, however, were released with the acknowledgement still in.
- ConnectionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- SoundtracksIt's a Most Unusual Day
(1948)
(uncredited)
Music by Jimmy McHugh
Lyrics by Harold Adamson
Played as background music at the Plaza Hotel
Details
- Release date
- Country of origin
- Languages
- Also known as
- Intriga internacional
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,101,000 (estimated)
- Gross US & Canada
- $66,728
- Gross worldwide
- $197,920
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.50 : 1(VistaVision, original & negative ratio)
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