The promotion announced that this film was released in "Hypnovision" which gives an idea of the story. A frustrated thriller writer wants accurate crimes for his next book so he hypnotises ...
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In 1947 England, a plastic surgeon must beat a hasty retreat to France when one of his patients has ghastly problems with her surgery. Once there, he operates on a circus owner's daughter, ... See full summary »
In the 13th century there existed a legion of evil knights known as the Templars, who quested for eternal life by drinking human blood and committing sacrifices. Executed for their unholy ... See full summary »
Amando de Ossorio
María Elena Arpón
Don Gallico is a master at designing magical illusions which are sold by his employer, Mr. Ormond, to famous magicians such as Rinaldi. He is also a master of disguise and realistic mask ... See full summary »
The promotion announced that this film was released in "Hypnovision" which gives an idea of the story. A frustrated thriller writer wants accurate crimes for his next book so he hypnotises his assistant to make him commit the required crimes.Written by
Steve Crook <email@example.com>
No woman can hold her tongue. They're a vicious, unreliable breed!
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The U.S. version of this film, released by American International, featured a special introductory segment titled "Hyno-Vista" that was spliced into the film at the end of the opening credits. This 12 minute segment featured Dr. Emile Franchel, a London born psychologist working in Los Angeles, giving a lecture and demonstration of the power of suggestion, perception and hypnosis (his specialty). See more »
"Horror of the Black Museum" is incredibly dated, unimportant and overly silly but it remains great fun to watch and watch it again. The opening sequence is delicious and definitely the best part of the entire movie. It involves the supposedly third strange and random murder in the London region and shows a poor woman getting her eyes gouged out by a pair of ingeniously spiked binoculars. A better opening to a colorful horror movie is hard to imagine and you're automatically preparing yourself to see a blackly comical and sadist horror gem. The quality-level of this intro naturally can't be held up throughout the entire movie but the script remains involving and surprising enough to keep you amused for a good 80 minutes. Scotland Yard hasn't got a clue where to begin their investigation and on top of that they're constantly annoyed by the vain columnist and pulp-novelist Ed Bancroft. The mysterious killer's identity isn't kept secret for long (I even assume it wasn't meant to be a secret) but his/her insane persona is imaginatively deepened. The "Black Museum" is a technical term to describe the police archive of bizarre and unusual murder weapons that were used in murder cases. The killer here has such a private collection himself which provides the film with a couple of utterly cool gimmicks, like the previously mentioned binoculars, an acid-bath and even a mini-guillotine! Michael Gough is seemly having a great time portraying the cripple cynic Bancroft. His performance is more than decent yet I agree with another reviewer here who already claimed that this role would be even more fit for Vincent Price. This film was the first entry of a Sadian horror trilogy, the others being the 1960 "Circus of Horrors" and "Peeping Tom". "Horror of the Black Museum" is the weakest of the three but still a terrifically odd and sensational genre highlight.
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