A successful attempt at an even-handed portrayal of the White Star Line's (later part of Cunard) luxury liner R.M.S. Titanic's sinking from the standpoint of 2nd Officer Charles Herbert Lightoller, himself the most senior of the ill-fated ship's Deck Officers to survive the disaster. (Lightoller later went on to distinguish himself as a line British Naval Officer during the First World War and served as a Senior Naval Staff Officer (convoys) during WWII. Between wars he owned and operated a successful family business producing pleasure craft.) His own survival of the sinking, along with several others, is shown atop one of the liner's two "collapsible" lifeboats which was capsized in floating off the liner as it sank. The picture depicts then known facts (c1958) as reported after the sinking; such as the woeful lack of adequate lifeboats, the ship's band playing true to the very end, White Star's co-owner Bruce Ismay's somewhat less than chivalrous departure from the sinking vessel -...Written by
The role of the young Lucas child was played by Stephen Lowe, the five year-old son of Arthur Lowe who would become one of British television's most memorable comedians for his role in Dad's Army (1968). See more »
Captain Smith and a member of crew are seen using binoculars but in reality the ship's binoculars were accidentally locked up in a cabinet which was one of the reasons the ship hit an iceberg. See more »
The US Criterion Collection DVD is slightly edited. After the Titanic has sunk and Second Officer Lightoller (Kenneth More) is on top of the upturned collapsible lifeboat, a steward swims up to him with a child. Lightoller takes the child, but in the DVD, you don't see him find out that the child is already dead, and then he gently places him in the water. See more »
I've seen several film versions of the Titanic tragedy (I'm something of a buff--I'm distantly related to Mr. & Mrs. Edwin Kimball, who were 1st class passengers!) "A Night to Remember" is still the best, no contest. The effects are 1958 state-of-the-art, the script was meticulously researched, and the people are actually written and played as 1912 people (James Cameron's cast were a bit too much 1990's to be convincing). Even those characters who are slightly fictionalized (the "lady" who represents--without mentioning--Lady Cosmo Duff-Gordon, and "my dear son" and his family, for examples) behave as their real life counterparts would have in 1912, giving the film a documentary feel without failing to give the viewer people to identify with and care about. This is classic film-making at its finest!
83 of 94 people found this review helpful.
Was this review helpful to you?
| Report this