Accused barn burner and conman Ben Quick (Paul Newman) arrives in a small Mississippi town and quickly ingratiates himself with its richest family, the Varners.


Martin Ritt


William Faulkner (novel), Irving Ravetch (screenplay) | 1 more credit »
2 wins & 4 nominations. See more awards »





Complete credited cast:
Paul Newman ... Ben Quick
Joanne Woodward ... Clara Varner
Anthony Franciosa ... Jody Varner
Orson Welles ... Will Varner
Lee Remick ... Eula Varner
Angela Lansbury ... Minnie Littlejohn
Richard Anderson ... Alan Stewart
Sarah Marshall ... Agnes Stewart
Mabel Albertson ... Elizabeth Stewart
J. Pat O'Malley ... Ratliff
Bill Walker ... Lucius (as William Walker)


Sixty-one year old widower Will Varner (Orson Welles), in ill health, owns many businesses and property in Frenchman's Bend, Mississippi, including a plantation. To him, his children are a disappointment, who he sees as not being able to carry on the Varner name in the style to which he has built around it. Son Jody (Anthony Francoisa) has no ambition and does not work, spending much of his time fooling around with his seductive wife, Eula (Lee Remick). He finds twenty-three-year-old daughter Clara (Joanne Woodward) clever, but he feels she also wastes her time on more contemplative pursuits. While most of her contemporaries are married, Clara has been dating Alan Stewart (Richard Anderson), a genteel mama's boy, for six years. Will would not mind Alan so much if he too thought Alan had a bit of a forceful man in him, which he could demonstrate by actually asking Clara to marry him. Conversely, Jody laments that nothing he does is ever good enough for his father, while Clara plain ... Written by Huggo

Plot Summary | Add Synopsis


The red-hot lowdown on a southern family...that people talked about in whispers ! See more »




Not Rated | See all certifications »

Parents Guide:

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Did You Know?


A month after production wrapped, Paul Newman and Joanne Woodward got married in Las Vegas. See more »


When Will Varner drives through town in the ambulance, he covers some of the same distance and drives past the same parked car twice. See more »


Eula Varner: If I'm not mistaken, that's my master's voice.
See more »


Spoofed in Benny Hill Down Under (1977) See more »


The Long, Hot Summer
Performed by Jimmie Rodgers
Written by Sammy Cahn and Alex North
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User Reviews

Big Footprint
31 July 2015 | by pyrocitorSee all my reviews

The Long, Hot Summer – Big Footprint Not to be mistaken for Wet Hot American Summer (a markedly different romp…), The Long, Hot Summer seems to be a largely forgotten entry into the canon of sweltering 1950s melodramas, mostly historically noteworthy as the project which united Paul Newman and Joanne Woodward, and generally overshadowed by higher profile ballads of illicit love and family angst in the deep south. However, rather than being clouded by a haze of 'Big Daddy's odour of mendacity,' Martin Ritt's film easily has enough merit to stand on its own accord, blending a collection of William Faulkner shorts into a tale of love, lust, and lineage, just clamoring for the qualifier 'steamy'.

Although the plot is definitely familiar territory, and the script errs fairly strongly on the affected style customary to the post-Actors Studio era, the story resonates truthfully and remains engaging throughout, while the alluring undercurrent of barely-bridled sexuality keeps the proceedings energetic and urgent. Ritt's direction is taut but unfussy, allowing the inherent claustrophobia and tension of the film's small-town setting to speak for itself, and the sumptuous Technicolor cinematography is so crisp you can practically smell the marsh and sweat from the Mississippi bayou (and I'm not even just talking about Orson Welles). Although the climax feels like a somewhat forced attempt to escalate the stakes simmering throughout, with an overly hasty resolution to boot, the buildup is calm and confident enough to make the viewing experience worth its while without having to fight to engage its audience.

Naturally, like the majority of its contemporaries, the story ultimately exists as a vehicle to foreground the performances of the cast, who are what ultimately make the film worthwhile. Paul Newman, cementing his iconic identity as the shrewd, laconic, effortlessly cool drifter, crackles with charisma as accused arsonist Ben Quick, magnetic throughout even before his surprisingly racy shirtless scene. Joanne Woodward gives arguably the film's strongest performance as the controversially unmarried Clara Varner, practically vibrating in place from a lifetime of feeling discounted and under-appreciated. Rather than playing up her predicament, however, Woodward embodies Clara with a steely confidence, which is altogether more effective and appealing. In contrast, Orson Welles delivers the film's most legendarily outlandish performance as the resident belligerent patriarch. Notoriously mocking the Actors' Studio by mumbling almost incomprehensibly through his cartoonish southern drawl, the vociferous Welles is skilled enough to steal scenes in his sleep (which he may well have been during certain scenes), outrageously fun when hamming it up, with occasional pockets of surprising solemnity and depth, as if coming up for air from his customary grunting and snorting. Anthony Franciosa is also a sturdy presence, even if he does occasionally overindulge in Method hand-wringing and hysteria, while a cameo from the delightful Angela Lansbury as Welles' cheerily aggressive suitor adds a dash of comedic perfection.

While it may fall short of the acerbic intensity of similar fare such as Cat on a Hot Tin Roof, The Long, Hot Summer still serves a healthy slice of all the smouldering, robustly acted 1950s melodrama you could ask for. If only for the incandescent interplay between Newman and Woodward, with the added pleasure of cartoon-character Welles, the film is easily worth sinking into, on a dozy, hot summer evening or otherwise.


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Frequently Asked Questions

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Release Date:

18 May 1958 (West Germany) See more »

Also Known As:

The Long, Hot Summer See more »


Box Office


$1,500,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Jerry Wald Productions See more »
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Technical Specs


Sound Mix:

4-Track Stereo (35 mm magnetic prints)| Mono (35 mm optical prints) (Westrex Recording System)



Aspect Ratio:

2.35 : 1
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