China Doll (1958) User Reviews

Unexpected tearjerker

[HotToastyRag · 7/10 · 17 January 2022]

Banking on the success of the previous year's Sayonara, there were a few movies that continued with the theme of soldier who falls for an Asian woman in 1958. In this one, Victor Mature plays an experienced pilot in charge of training a bunch of green soldiers. He lets off steam from his stressful workday by getting drunk at a bar, and as he's staggering home, he's approached by an old Chinese man who sells him his daughter. Victor has no idea what's happened, but in the morning, he talks to his old friend who does speak Chinese and clarifies the matter.

Li Hua Li in her American debut, is Victor's indentured housekeeper, set to stay with him for three months while he gets his money's worth. At first, he's just content to let her mop the floor and cook his meals, but after she gets a makeover and a new dress, he notices other things about her. As you know if you see Victor in his non-epic films, he wears some wonderful expressions on his face when cast in a dramatic role.

The best part of this movie is Ward Bond, the priest who runs a local orphanage. He's sympathetic and wise, helps his pal Victor with problems of the heart, and speaks Chinese. Yes, you read that correctly; Ward Bond speaks Chinese. He's pretty good, too! So, if you're a fan, you've got to rent China Doll. Be prepared, though. It's a tearjerker. I wasn't prepared, and I wound up groping blindly for the Kleenex box.

DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. The first few minutes of the film have swirling camera work during the flying scenes, and it will make you sick. In other words, "Don't Look, Mom!"

Dolls Can Be Fragile

[bkoganbing · 5/10 · 23 June 2010]

After a decade's absence from the big screen director Frank Borzage did a few films toward the end of his life, the first being a tender love story set in Western China during World War II. Although you would hardly call Victor Mature's character an innocent like most of Borzage's protagonists, the female lead, Chinese actress Li Hua Li more than makes up for it in her character.

Mature is a transport pilot in the China-Burma-India theater and during a night on the town he wakes up finds out he's bought himself a Chinese concubine from her father. On a three month trial basis and Li Hua Li goes with him. Naturally this arrangement doesn't please all at the base with their western views on morality especially the women nurses. But Mature finds a surprising ally in Father Ward Bond who runs an orphanage and has spent decades in China and knows the customs well. In fact the main scene of the film is Bond presiding over a Chinese style wedding when the two realize they're in love. Of course the fact that a little one is on the way does speed everyone's plans up.

China Doll despite its themes of miscegenation is really a rather old fashioned film. Films like Sayonara and Love Is A Many Splendored Thing really tackled the whole issue far better. And I found the ending completely ridiculous especially if Mature's first concern was the safety of his infant daughter.

Vic and Li Hua Li are a touching pair of lovers though and the wartime combat scenes are expertly handled. Fans of Mature and of Ms. Li who is a big name in the Chinese cinema might like this though.

This one could have been much better!

[JohnHowardReid · 6/10 · 9 October 2014]

"There's no need to scream or yell," Frank Borzage told me. "Some directors do just that, but I believe in coaxing a performance out of my players. I never raise my voice. I get results from actors by taking them aside, talking softly, making suggestions and listening to what they have to say and gaging how they feel about the role they're playing. If we have different interpretations, we settle them peacefully. If we cannot come to an agreement, we shoot the scene the way they would like and then we re-shoot the way I would like. I always play fair. I don't instruct the cameraman to put no film in the camera like some directors do."

I've always regarded Borzage as the great romanticist of the cinema. Alas, we're getting close to the end of his career here and his hand is faltering. It's only in its later scenes that the movie comes across with even a little emotional impact. Part of the reason lies with Victor Mature. Hardly what you would call a sensitive actor, Mature is totally unable to suggest a sympathetic heart beneath a rough exterior. He is wholly out of tune with the film, the director, the character and the story. Ward Bond, in a major role for once, is okay, but he can do better! It's a pity he didn't try. Only the Chinese members of the cast really strike home: Li Li Hua is absolutely marvelous as the peasant girl and makes me wish that she had made more films. The actor who plays her father also makes a strong impression. Danny Chang is faultless as an opportunistic mascot. There is very little action -- all of it in the last reel -- so action fans would be well advised to give this flick a miss. William Clothier's photography has moments of great beauty.

The ballad of Shu-Jen and Brandon

[dbdumonteil · 11 April 2010]

Next-to -last movie in Borzage's filmography,one of the most important of the whole American cinema.Although the script is rather weak,compared to so many other works (see the other comments) ,there is in every Borzage movie at least one ,two and even three scenes which make the whole thing worthwhile .

First there's Victore Mature ,suffering from malaria and the girl on his body ,recalling that the Borzagesque hero/heroine is prepared to sacrifice anything: Rosalie warming Pender up in "the river" or Timothy creeping in the snow in "lucky star".

There's the baby playing with the identity disc (and the captain's salute to his baby-sitter) and the young girl holding it at the airport.

Although it's often labeled war movie,war scenes actually take place at the end of the movie,most of the time being given over to the captain/Chinese girl relationship .

Like this ? try these...

"Sayonara" Joshua Logan ,1957

"Love is a Many-Splendored thing",Henry King,1955

"The sand pebbles" ,Robert Wise,1966

What kind of love can there be in wartime?

[lee_eisenberg · 6/10 · 2 April 2021]

Obviously, Frank Borzage's "China Doll" is bound to be a little dated in terms of gender relations and race relations. Nonetheless, its depiction of the romance between a US pilot and a Chinese woman must've been bold for the era (remember that the Hays Code banned the portrayal of interracial relationships). It apparently wasn't the only movie depicting such a relationship, but you have to understand the era in which it got released.

The obvious unpleasant side is that the Chinese woman gets depicted as a lotus flower (a common stereotype). The recent murder of several Asian women in Atlanta has drawn attention to the fetishization of Asian women. As long as we understand the questionable portrayal, we can appreciate the movie. The entire cast puts on fine performances. I recommend the movie.

Kind of sappy.

[planktonrules · 3/10 · 23 October 2012]

in beginning, C-47 went from silver with post-war markings to olive with mid-WWII markings.

Batjak--John Wayne's production company interesting to hear Denver Pyle without his put-on Southern accent 86 minute mark--totally random stock footage of airplanes inserted "China Doll" is not a terrible film but it certainly leaves a lot to be desired--particularly if you like war films or know much about WWII airplanes. It's sad, as with a few changes and a better ending, it could have been satisfying.

The film begins in China during WWII. A group of American servicemen are responsible for flying 'the hump'--a journey from India to China to provide war materials for the fight against the Japanese. Victor Mature plays a captain who spends his time flying and drinking. Duirng one of his drinking spells, however, he accidentally purchases a woman. More specifically, she becomes a short-term indentured servant to him. Although it does not happen for some time, you know pretty much that the two will be in love by the end of the film. However, this is a film with LOTS of complications for their love--and the ending certainly won't satisfy romance lovers! See the film and you'll understand.

For me, the sappy and sickly sweet (and difficult to believe) romance was not the major problem. Being a retired history teacher and airplane buff, I was really annoyed by the sloppiness of the use of stock footage of airplanes and air battles. Too often, they were just randomly tossed in and seemed to have no rhyme or reason. In some cases, it was really pretty funny, as the C-47 transport at the beginning of the movie is painted in silver--and it lands painted all in olive drab! Other times, plane types simply change in mid-air! It's all pretty irritating and even non-purists like myself will notice. Sloppy and a film you could easily skip.

Mature in Love in War-Torn China!

[cariart · 8/10 · 19 November 2000]

***SPOILERS*** ***SPOILERS*** 'China Doll' marked Frank Borzage's return to film after being 'blacklisted' for ten years, and for a modestly-budgeted film, it is a nifty war romance.

Cliff Brandon (Victor Mature) is a war-weary veteran pilot, assigned to airlifting supplies and training aircrews, in WWII China. To co-pilot Phil Gates (Olympian Bob Mathias), and his new crew (including singer Johnny Desmond, and rising actors Stuart Whitman and Tige Andrews), he is an abrupt and by-the-book nag (he tells them, "It's my job to get your dogtags back to the States...hopefully, with you still in them!"), but his coldness comes from losing too many men.

One night, as Brandon is drunkenly stumbling home, an old Chinese gentleman begs him for money, mentioning a girl. The pilot assumes the man is pimping, and hands him a wad of bills. Unknown to Brandon, the man was actually 'selling' his daughter, and Brandon now had a 'bride'.

The girl, Shu-Jen (played by newcomer Li Li Hua), accepts her new role with resignation, but as Brandon sobers up, he is shocked by what he has done. He attempts to rid himself of his 'bride', but discovers he cannot, 'honourably'. For three months, the American will have to live with the Chinese girl, until the 'debt' is paid.

There is a lot of humour as the months pass, and the pair start realizing their feelings. Events take a melodramatic turn, however, when the pilot suffers from a relapse of malaria; Shu-Jen undresses him, then tries to provide warmth by covering him with her body. Delirious, and racked with fever, he is aroused, sexually, and he 'takes' her, resulting in her pregnancy!

What prevents this scene from becoming tawdry are the performances of the leads, the following day; Mature conveys such sincerity and awkwardness that you know that he respects the girl, and will not take the night's passion lightly. Li Li Hua, barely speaking English, is a wonder, conveying the nuances of the innocent girl's love by her eyes, her smile, and her posture. The pair have a chemistry that makes the scene, and the entire film work.

Without giving away the ending, let me say that a LOT happens after 'the night', and the film integrates the war quite effectively into the story, building to a climax and resolution that might surprise you!

This isn't a movie that appears on TV frequently, and is not available to buy, but if you get an opportunity to see it, check it out...This is a VERY good little film!

Best Film of 1958 - China Doll

[arthur_tafero · 8/10 · 14 August 2023]

This film is reminiscent of The Good Earth in the sense that it sticks very close to actual Chinese mores and customs. Li Hua Li gives a sensitive performance as the romantic interest of Victor Mature. The movie is unexpectedly a two-hanky affair, and not just another GI Joe in Asia adventure.

The film highlights the Flying Tigers, a military unit that struck petrifying fear in the hearts of the Japanese occupation forces within China during WW 2. There is very little jingoism or gung-ho dialog, as normally associated with Hollywood productions. This is because this is not a Hollywood production, but a well-made independent film. Kudos to the producers of this film and the screenwriters who made this film unforgettable. Some might say it is a bit corny and sentimental, but those sentiments are quickly dashed after the film's plot begins to unravel. You can keep Gigi, the winner of the Best film of 1958. This film is much better.

Very Flawed

[Kalaman · 12 May 2004]

"China Doll" is highly flawed Borzage romantic melodrama set in China in the 50s. It stars Victor Mature as an American pilot Cliff Brandon taking part in a war against the Japanese. He falls in love and marries a Chinese housekeeper Shu-Jen, played by Li Li Hua. The continuing exploration of love transcending everything - race, religion, war, death - is competently stated. The film is also very poignant in some passages, as is most of Borzage. However, if you look at it closely, it doesn't really jell.

The expert Borzage scholar John Belton, whom I owe a lot in my understanding of Borzage, ranks "China Doll" with the director's other melodramas - "7th Seventh", "A Farewell to Arms", "Man's Castle", "The Mortal Storm", "Three Comrades", "Till We Meet Again". Belton notes that all these works "contain hostile backgrounds which Borzage's fragile characters ultimately surpass."

But I find "China Doll" significantly problematic and less memorable than those films. I get the feeling that something is missing; much of it is characterized by an air of aimlessness or uncertainty. I didn't get that haunting spark that underlies the luminous lovers in much of Borzage's best work.

There is an apparent misalliance between Mature and Li Li Hua. I find Mature's character to be stiff, callow and frail. His careless demeanor does not contrast well with Hua's innocence or devotion. And ultimately (and regrettably) "China Doll" falls very short of greatness.

"A precious gem"

[GianfrancoSpada · 8/10 · 10 August 2023]

An interesting medium-low budget film that brings together all the narrative ingredients that Hollywood is known for, but in this case, due to the budget, there are no flashy visuals or grand fireworks. The narrative line is quite well-constructed, and the characters, though sometimes a bit too caricatured, fit the stereotypes of the era. The film's interest lies in its thematic focus, which places the action at the airfield the Americans improvised in the Chinese city of Kunming. The Americans intervened in the Sino-Japanese War, first incognito in Chinese uniforms and later, after the declaration of war against Japan following the attack on Pearl Harbor, in American uniforms. And it was precisely in Kunming where the Flying Tigers were established, the volunteer aviators of the American Volunteer Group (AVG) who significantly contributed with their flight expertise to the still immature Chinese air defense at that time.

Touching, sort of in Sam Fuller territory

[Handlinghandel · 27 June 2002]

This appears to be a pretty low-budget movie. As such, it is very poignant -- right up there with Borzage's best. The location and matter-of-fact story of miscegenation, which must have been quite shocking for its time, remind one of Samuel Fuller (generally a far more rough and gritty director than Borzage).

Madame Butterfly in China

[clanciai · 10/10 · 30 August 2023]

This was Frank Borzage's first film in ten years, he was one of the banned ones in the McCarthy witch-hunt days, and he was already in 64 when at last he was given the opportunity of a comeback, but his master's hand is ostensibly obvious in every scene of this film. The realism is total all the way through, the actors are perfectly organic and natural in Borzage's hands, the music is wonderful in its romantic touch to the story, the cinematography couldn't be better, and the sum of it is that this is a film to love. Borzage always worked with excellent scripts, this is no exception but rather proves the rule, it is a tragedy of course, but it is beautifully handled with exquisite care, and the psychology is perfect in convincing consistency. It was a particular joy to find Stuart Whitman, still very young, in this film, and he is given the responsibility of one of its most sensitive moments. Victor Mature is as surprisingly good as ever, but the prize goes of course to Li Hua Li as the poor Chinese girl who is sold from necessity by her father into a marriage, that is totally maladroit but proves a greater success anyway than anyone could have imagined. In the beginning of the film someone says, "a man never knows how happy he is until after death", which could be the motto of the film. Frank Borzage made two more films, but this one could be marked as his definite triumph as a director.

It was awright, I guess

[BLG-2 · 9 April 2003]

I agree that it was touching in spots, downright sad in others, but what really spoiled it for me was the fact that the leading man and lady weren't able to kiss because of the race issue. That made it seem very stilted and unbelievable. Just when did they throw out the ban on interracial kissing, anyway?