Stuart Bailey, his prisoner and four others survive a plane crash and are washed ashore on an isolated island. Exploring their haven, Bailey learns to his horror that within 48 hours, it might turn ...
Jeff recounts how he took in struggling nerd Stu as junior partner, after Jeff rescued a beauty from a kidnapping plus nabbed a car ring single-handed, after bow-tied, all-thumbs Stu botched the car ...
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie worked as a valet. The finger-snapping, slang-talking Kookie occasionally helped Stu and Jeff with their cases, and eventually became a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also joined the firm, and Suzanne was their leggy secretary.Written by
Marty McKee <email@example.com>
The name of the show's creator, Roy Huggins, is listed in the credits as, "Roy HuGGins", with the "GG" capitalised. The letter "G" just happens to be the seventh letter of the alphabet, so "GG" = "77". Obviously, someone at Warner Bros., possibly even Huggins himself, couldn't resist creating a little inside joke/hidden riddle for sharp-eyed viewers to solve. See more »
77 Sunset Boulevard is actually a bridge over the 101 Freeway. Further, the opening sequence shows the Sunset Tower Hotel in the distance, which would place them in the 8000 block of Sunset. See more »
I thoroughly agree with everybody who loves 77 SUNSET STRIP, the detective show that was hip and jazzy long before shows like Miami VICE and 24 came along! I used to live in NYC, so like you, I'd been longing to see this and/or the other Warner Bros. 1950s/'60s detective shows back on TV. But when my family and I moved to Pennsylvania last fall, we were in for a swell surprise: on Saturday nights, the GoodLife TV Network -- usually a religious channel, of all things -- shows all these series under the umbrella title "The Private Eyes"! At 8 PM the evening kicks off with BOURBON STREET BEAT (my fave next to 77 SUNSET STRIP -- the New Orleans-set series was greatly underrated, IMO), then 77 SUNSET STRIP at 9 PM, HAWAIIAN EYE at 10 PM (young Robert Conrad and Connie Stevens -- yum!), then the night winds up with SURFSIDE SIX at 11 PM (formulaic but fun, even if it's got the weakest theme song of this quartet :-). The GoodLife TV Network is on the Service Electric cable system in our area, so if you or a friend have access to this, set the timer on your VCR for Saturday night! (And if you liked the '50s/'60s Warner Bros. Westerns, too, you can see them on Sunday night!) UPDATE FOR 2006: As of this writing, The GoodLife Channel has since been renamed American Life TV, the block of detective shows is now shown twice on Monday nights, and the revolving lineup now includes the late, great David Janssen's detective series HARRY O (some weeks they show BOURBON STREET BEAT, some weeks they show SURFSIDE SIX, but the detective show lineup always includes 77 SUNSET STRIP and HARRY O).
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