The Wrong Man (1956)

In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.

Director:

Alfred Hitchcock

Writers:

Maxwell Anderson (screen play), Angus MacPhail (screen play)

Stars:

Henry Fonda, Vera Miles, Anthony Quayle

Cast

Cast overview, first billed only:
Henry Fonda	...	Manny Balestrero
Vera Miles	...	Rose Balestrero
Anthony Quayle	...	Frank D. O'Connor
Harold J. Stone	...	Det. Lt. Bowers
Charles Cooper	...	Det. Matthews
John Heldabrand	...	Tomasini
Esther Minciotti	...	Mama Balestrero
Doreen Lang	...	Ann James
Laurinda Barrett	...	Constance Willis
Norma Connolly	...	Betty Todd
Nehemiah Persoff	...	Gene Conforti
Lola D'Annunzio	...	Olga Conforti
Kippy Campbell	...	Robert Balestrero
Robert Essen	...	Gregory Balestrero
Richard Robbins	...	Daniel - the Guilty Man

Storyline

Christopher Emmanuel Balestrero, "Manny" to his friends, is a string bassist, a devoted husband and father, and a practicing Catholic. His eighty-five dollar a week gig playing in the jazz combo at the Stork Club is barely enough to make ends meet. The Balestreros' lives will become a little more difficult with the major dental bills his wife Rose will be incurring. As such, Manny decides to see if he can borrow off of Rose's life insurance policy. But when he enters the insurance office, he is identified by some of the clerks as the man that held up the office twice a few months earlier. Manny cooperates with the police, as he has nothing to hide. Manny learns that he is a suspect in not only those hold-ups, but a series of other hold-ups in the same Jackson Heights neighborhood in New York City where they live. The more that Manny cooperates, the more guilty he appears to the police. With the help of Frank O'Connor, the attorney that they hire, they try to prove Manny's innocence. ...

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Plot Keywords:

innocence | trial | new york city | mistaken identity | based on true story | 

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Taglines:

HITCHCOCK'S FIRST REAL-LIFE THRILLER! (original print ad - all caps)

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Genres:

Drama | Film-Noir

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Certificate:

Not Rated

Details

Country:

USA

Language:

English Italian Spanish

Release Date:

26 January 1957 (USA)

Also Known As:

Der falsche Mann

Filming Locations:

Catalpa Avenue, Ridgewood, Queens, New York City, New York, USA

Box Office

Budget:

$1,200,000 (estimated)

Gross USA:

$2,000,000, 31 December 1956

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

105 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Barney Martin, of Seinfeld (1989) fame, appeared as a juror in Manny's first trial, when represented by O'Connor. He is in the front row of the jury box, and whips his head around to look at the juror behind him who stands to ask the judge if they have to "listen to this".

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Goofs

The police truck Manny is loaded into to take him to Long Island jail has the number 1437 painted on it. The next shot shows the police truck crossing a bridge with the number 1403 visible on it. When it arrives at the jail it again has the number 1437 on it.

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Quotes

[first lines]
Prologue narrator: This is Alfred Hitchcock speaking. In the past, I have given you many kinds of suspense pictures. But this time, I would like you to see a different one. The difference lies in the fact that this is a true story, every word of it. And yet it contains elements that are stranger than all the fiction that has gone into many of the thrillers that I've made before.

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Connections

Referenced in Alfred Hitchcock Presents: Number Twenty-Two (1957)

User Reviews

Disquieting, a steely Fonda, and amazing Hitchcock. But it might make you edgy.

The Wrong Man (1956)

There's no question Alfred Hitchcock has pulled off something amazing here, a kind of experiment. Entirely based on true events, and without any sense of chase, romance, or high intrigue, and without special effects or even witty dialog, he makes you feel for the main character, Henry Fonda, a man accused of a crime he did not commit.

It's often pointed out that Hitchcock had an enormous fear of the police, and of being accused when innocent. This shows up in many of his films, but never more clearly or more painfully than here. To watch is an adventure in frustration, almost to the point you have to turn it off. But of course, you can't just get up and leave. You have to know what happens.

And the turns of events are so reasonable and yet so unbearable, you just want to get up there and say, do this, do that! It's weird to say, this is not an enjoyable movie. But it's a very good one, maybe flawless in its attempt to trap you as much as the main character was trapped. The surrounding cast is terribly believable, the cops, the wife, the kids. And it unfolds with such dramatic relentlessness. The camera angles (thanks to Robert Burks) are psychologically intense (and edited for discomfort). And the music (Bernard Herrmann, soon to score Psycho) only adds more tension.

Beautifully. As an exercise in precision, and in sticking to the facts, this is as good as a dramatic (non-documentary) film can get. Wikipedia has a small amount of helpful information, and tcm.com has a lot (click on articles or reviews on the left for a range of texts). But of course, watch it straight. See some period New York City scenes (from streets to jails to what looks like the amazing 57th St. bridge at dusk). A wonderful, if not uplifting, movie.