Ailing barrister Sir Wilfrid Robarts is thrust back into the courtroom in what becomes one of the most unusual and eventful murder case of the lawyer's career when he finds himself defending Leonard Vole, a man being tried for the murder of a wealthy woman. With Robarts choosing to represent him, the two find themselves up against Leonard's cold-hearted wife, Christine - who, in a surprising turn of events, chooses to appear in court against her husband.Written by
Kyle Perez
Marlene Dietrich was determined to play Christine Vole, and only if Billy Wilder directed. See more »
Goofs
Early in the courtroom scenes witnesses are seated in the hallway outside the courtroom door on a bench. This has a backdrop painted to look like a longer hallway. At the end of the trial when the courtroom is emptied the hallway is shown as being narrower with no bench. See more »
Quotes
Sir Wilfrid:
Doctors! They've deprived me of everything: alcohol, tobacco, female companionship!
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Crazy Credits
As the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution." See more »
To see "Witness for the Prosecution" for the first time in 2008 is a jolting surprise. Nobody could do it better than Billy Wilder did in 1957. A man accused of murder, Tyrone Power, the weakest link in this terrific chain. Sir Wilfred is called to defend him, he is played by the extraordinary Charles Laughton, but he's just out of hospital - he wasn't dismissed he was expelled - and due to doctor's orders he's not to take any criminal cases. He finds Power charming and personable enough but he's not going to risk his life to save his until Marlene Dietrich makes her entrance - and what an entrance! How marvelous that what amounts to a bit of Agatha Christie's usual fare becomes such an entertaining and at times right down riveting piece of film-making.
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To see "Witness for the Prosecution" for the first time in 2008 is a jolting surprise. Nobody could do it better than Billy Wilder did in 1957. A man accused of murder, Tyrone Power, the weakest link in this terrific chain. Sir Wilfred is called to defend him, he is played by the extraordinary Charles Laughton, but he's just out of hospital - he wasn't dismissed he was expelled - and due to doctor's orders he's not to take any criminal cases. He finds Power charming and personable enough but he's not going to risk his life to save his until Marlene Dietrich makes her entrance - and what an entrance! How marvelous that what amounts to a bit of Agatha Christie's usual fare becomes such an entertaining and at times right down riveting piece of film-making.