It's Britain, 1953. Upon his return to work following a heart attack, irrepressible barrister Sir Wilfrid Robarts, known as a barrister for the hopeless, takes on a murder case, much to the exasperation of his medical team, led by his overly regulated private nurse, Miss Plimsoll, who tries her hardest to ensure that he not return to his hard living ways - including excessive cigar smoking and drinking - while he takes his medication and gets his much needed rest. That case is defending American war veteran Leonard Vole, a poor, out of work, struggling inventor who is accused of murdering his fifty-six year old lonely and wealthy widowed acquaintance, Emily French. The initial evidence is circumstantial but points to Leonard as the murderer. Despite being happily married to East German former beer hall performer Christine Vole, he fostered that friendship with Mrs. French in the hopes that she would finance one of his many inventions to the tune of a few hundred pounds. It thus does ...Written by
Although originally published as a short story in 1925 with the title "Traitor's Hands" by Agatha Christie, she renamed it "Witness for the Prosecution" when it was reprinted in the 1930's and 1940's in British and American publications. Her play is based on this short story. See more »
When Vole and Wilfrid first meet in his office, he refuses to take the case and puts his wig in its container, closes it, and the lid is noticeably 6 inches from totally closed. The next time we see the container it is completely closed. See more »
[getting progressively more agitated]
The question is, Frau Helm, were you lying then, are you lying now, or are you not in fact a chronic and habitual LIAR!
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Before the film begins, a message appears onscreen saying that to avoid ruining the effect of the surprise ending, patrons should not take their seats during the last few minutes of the movie. See more »
Another brilliant work in the legendary career of Billy Wilder. The director signs a cinematic adaptation of this Agatha Christie story: actually it is really as if the camera went on stage for filming the play. But the film is passionating and exciting, there's no time to get bored.
Another thing we shall not forget is that Billy Wilder is European. He manages to keep the spirit of the film very British, with lots of humour and sarcasm. Compared to films like this one, "legal" movies from John Grisham's novels are empty and meaningless, without soul.
Mr.Wilder is the director, we know; we have Charles Laughton, Tyrone Power and Marlene Dietrich: what a cast! Add a superb black and white cinematography... The result is amazing, with a film where dialogues are flawless and carry everything.
Times are different now, but the atmosphere and the taste of movies like this one are impossible to find in contemporary films.
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