THE TATTERED DRESS has so many fascinating elements within it that it deserves to be elevated to the class of forgotten, but major, works. Jack Arnold's direction of a potentially overly-melodramatic plot manages to sidestep most of the problems, but it is the acting that is most memorable. The film's beginning uses Elaine Stewart to enormous advantage. She may have had a short film career, but you could not take your eyes off her when she was on screen (THE BAD AND THE BEAUTIFUL, SKY FULL OF MOON, HAJJI BABA, etal). She had quite a bit of talent that never saw stardom, partly because of a dog attack that left her out of the biz for a while. GAIL RUSSELL is superb...totally wonderful... in a supporting role, and the scene in which she breaks down in the courtroom deserved a Nomination. And how splendidly she handles the line about drinking!! JACK CARSON is cagey and sneaky and superbly threatening. In the lead, JEFF CHANDLER, as a lawyer, is always convincing. Low-keyed, you can tell when his character is confronted with an insurmountable problem. JEANNE CRAIN has little to do as his wife, but she is always lovely to watch. Catch this underrated film. It's worth searching for.
15 Reviews
The Wrong Sheriff to Mess With
bkoganbing22 August 2006
The Tattered Dress is a very under rated film that I wish would be broadcast more often. I saw it many times during the sixties and seventies and haven't seen it for years. But the performances do stand out.
The one who stands out the most is Jack Carson. This is no doubt his best screen dramatic performance. Carson usually was cast as amiable blow hard types who usually meant well, but could be very dense. In The Tattered Dress as the mean sadistic sheriff he really should have been nominated for Best Supporting Actor in this one.
Jeff Chandler plays a high price defense attorney who's come to Carson's town to defend a married couple accused of a murder that has generated national headlines. Chandler is usually well paid for his services and this is no exception.
While there Chandler makes the acquaintance of Carson. Carson's a local celebrity himself, his former gridiron exploits locally helped him first get elected sheriff. However Chandler's a real national celebrity and Carson fawns all over him.
What happens though is that Carson gives Chandler a confidence that when the trial comes, Chandler uses to impeach Carson's testimony and make him a figure of ridicule on the stand. Because of that his clients get acquitted.
Carson exacts his revenge by framing Chandler on a jury tampering charge and uses every avenue to close any loopholes Chandler might find as his own defense attorney.
The Tattered Dress is one of Jeff Chandler's best films, but as good as he is, Jack Carson gives us his career performance. He's an incredible study of pure evil in power. A person totally unable to deal with others professionally. Chandler was an attorney advocating for his clients, admittedly not a pair of the noblest creatures on earth, but in the final analysis was just doing his job. Carson can't separate that out. I've known some and worked for some people like that in real life. Bad when they get into positions of authority.
Elaine Stewart and Philip Reed are Chandler's wealthy clients who take a powder on him when he gets in a jackpot. Jeanne Crain is Chandler's estranged wife who still stands by him and Gail Russell in one of her last film roles is the woman who accuses Chandler of jury tampering. They all fill their roles nicely, but a special mention should go to George Tobias, a comedian who Chandler got off on a murder charge himself, but at the cost of his career. He serves as a gopher/confidante to Chandler and has a tragic end.
I truly wish The Tattered Dress was out on VHS or DVD. It's a terrific story that is well acted and written. Absolutely a must see for fans of Jeff Chandler and Jack Carson.
The one who stands out the most is Jack Carson. This is no doubt his best screen dramatic performance. Carson usually was cast as amiable blow hard types who usually meant well, but could be very dense. In The Tattered Dress as the mean sadistic sheriff he really should have been nominated for Best Supporting Actor in this one.
Jeff Chandler plays a high price defense attorney who's come to Carson's town to defend a married couple accused of a murder that has generated national headlines. Chandler is usually well paid for his services and this is no exception.
While there Chandler makes the acquaintance of Carson. Carson's a local celebrity himself, his former gridiron exploits locally helped him first get elected sheriff. However Chandler's a real national celebrity and Carson fawns all over him.
What happens though is that Carson gives Chandler a confidence that when the trial comes, Chandler uses to impeach Carson's testimony and make him a figure of ridicule on the stand. Because of that his clients get acquitted.
Carson exacts his revenge by framing Chandler on a jury tampering charge and uses every avenue to close any loopholes Chandler might find as his own defense attorney.
The Tattered Dress is one of Jeff Chandler's best films, but as good as he is, Jack Carson gives us his career performance. He's an incredible study of pure evil in power. A person totally unable to deal with others professionally. Chandler was an attorney advocating for his clients, admittedly not a pair of the noblest creatures on earth, but in the final analysis was just doing his job. Carson can't separate that out. I've known some and worked for some people like that in real life. Bad when they get into positions of authority.
Elaine Stewart and Philip Reed are Chandler's wealthy clients who take a powder on him when he gets in a jackpot. Jeanne Crain is Chandler's estranged wife who still stands by him and Gail Russell in one of her last film roles is the woman who accuses Chandler of jury tampering. They all fill their roles nicely, but a special mention should go to George Tobias, a comedian who Chandler got off on a murder charge himself, but at the cost of his career. He serves as a gopher/confidante to Chandler and has a tragic end.
I truly wish The Tattered Dress was out on VHS or DVD. It's a terrific story that is well acted and written. Absolutely a must see for fans of Jeff Chandler and Jack Carson.
1950's Courtroom Melodrama
Henchman_Number13 June 2012
When hired gun New York lawyer James Blane (Jeff Chandler) is brought in to Desert View, Nevada to defend Michael Reston and his vampy wife Charleen (Phillip Reed & Elaine Stewart) on murder charges, he finds himself accused of jury tampering. Blane, a less than exemplary role model with a dubious past, must fight over local prejudice and the town's political power-broker Sheriff Nick Hoak (Jack Carson) to prove his innocence. With the help of his estranged wife Diane (Jeanne Crain)Blane works to unearth the town's secrets and unravel the crime.
"The Tattered Dress" is one of the many medium budget releases cranked out to fill growing demand in the 1950's created by the expansion of the drive-in movie. Universal International Pictures was a major player in that space. Universal International was able to assemble casts of slightly off the A-list and presumed over-the-hill stars into some very good movies. "The Tattered Dress" is one of those. The cast of this movie is excellent. After watching a few movies with Elaine Stewart it's hard to understand why she never quite made that transition to major stardom. She had a screen presence as did Gail Russell who carries her part off to perfection in one her last big screen appearances.
Since this movie shows up in Film Noir titles it will get criticism from purist Noir Fans, which is unfair to this movie. By 1957 visually classic Film Noir Movie was a thing of the past. "The Tattered Dress" is a 1950's style, slightly salacious, crime melodrama. The style of this movie lies somewhere between The Postman Rings Twice and Peyton Place. Taken for what it is, "The Tattered Dress" is 93 minutes of decent entertainment.
"The Tattered Dress" is one of the many medium budget releases cranked out to fill growing demand in the 1950's created by the expansion of the drive-in movie. Universal International Pictures was a major player in that space. Universal International was able to assemble casts of slightly off the A-list and presumed over-the-hill stars into some very good movies. "The Tattered Dress" is one of those. The cast of this movie is excellent. After watching a few movies with Elaine Stewart it's hard to understand why she never quite made that transition to major stardom. She had a screen presence as did Gail Russell who carries her part off to perfection in one her last big screen appearances.
Since this movie shows up in Film Noir titles it will get criticism from purist Noir Fans, which is unfair to this movie. By 1957 visually classic Film Noir Movie was a thing of the past. "The Tattered Dress" is a 1950's style, slightly salacious, crime melodrama. The style of this movie lies somewhere between The Postman Rings Twice and Peyton Place. Taken for what it is, "The Tattered Dress" is 93 minutes of decent entertainment.
Well-Done But Unlikely Courtroom Drama
boblipton13 September 2019
Big-shot trial lawyer Jeff Chandler gets a client off for a murder in Nevada. The murdered man had been a friend of sheriff Jack Carson. Carson frames Chandler for bribing a juror. When the attorney Chandler and long-suffering ex-wife Jeanne Crain hire begins to talk about plea deals, Chandler fires him and conducts his own defense.
It's directed by the under-rated Jack Arnold, who is best remembered for some fine, subtext-laden monster movies of the era. With Chandler's dramatic, rumbling voice, however, it turns into a well-told soap opera, with undertones of danger from Carson, who is very good in his part. I'm afraid I was put off by the slovenly-lawyered courtroom scenes, in which attorneys accepted hearsay evidence without a whimper, and verdicts that seem unlikely. Other cast members include Edward Platt as a reporter whose job seems to be to follow around Chandler, George Tobias as a not-too-funny comic, Gail Russell as the woman who accuses Chandler of bribery, and Elaine Stewart as a rather dumb blonde.
It's directed by the under-rated Jack Arnold, who is best remembered for some fine, subtext-laden monster movies of the era. With Chandler's dramatic, rumbling voice, however, it turns into a well-told soap opera, with undertones of danger from Carson, who is very good in his part. I'm afraid I was put off by the slovenly-lawyered courtroom scenes, in which attorneys accepted hearsay evidence without a whimper, and verdicts that seem unlikely. Other cast members include Edward Platt as a reporter whose job seems to be to follow around Chandler, George Tobias as a not-too-funny comic, Gail Russell as the woman who accuses Chandler of bribery, and Elaine Stewart as a rather dumb blonde.
Good drama from a non drama specialist
searchanddestroy-122 June 2023
Jack Arnold have always amazed me except in his last films, in the seventies, when he lost all ambitions and maybe also talent. But in the fifties, he is one of my favourites, besides Nathan Juran, his alter ego for me. Both worked mainly for Universal Pictures, though Juran was alsio hired by Columbia Pictures, and both were pretty good professionals in any domain: science fiction, western, crime.....Their films have great charm, and in this one, I was a bit stressed before seeing it, because it is a thriller drama, not really crime, but shot in the western more: small desert area town, a man arriving - a lawyer instead of a sheriff ( Jeff Chandler) but that where the comparison stops. It becoms a court drama and so on. Some scenes may be seen as some kind of tribute to other Jack Arnold's films: a beautiful lady dives into a swimming pool and swims underwater - CREATURE FROM THE BLACK LAGOON - and Jeff Chandleer shown driving in the desert - TARANTULA and if my memory doesn't fail IT CAME FROM OUTER SPACE. This drama is full of the fifties charm and Universal Studios always gave me this feeling.
Pretentious courtroom drama can't live up to steamy opening
bmacv28 January 2002
By far the best few minutes in The Tattered Dress occur in its swift, provocative prologue. In filthy-rich Desert Valley, California, there's an illicit tryst (where a bodice actually gets ripped); a fight between the adulterous blonde and her jealous husband; and the stalking and slaying of the popular young man who cuckolded him. When a hotshot mouthpiece from New York rolls into town to defend the killer, on the grounds that he was only avenging his wife's rape, it promises to be down-and-dirty fun, like Anatomy of Murder a couple years later.
No such luck. The trial is but a plot point, winning lawyer Jeff Chandler not only an acquittal for his client but the everlasting enmity of the town sheriff and political boss (Jack Carson). Chandler finds himself framed for bribing a juror and ill-advisedly chooses to defend himself. To his side rushes Jeanne Crain, playing that most thankless of roles, the loyal ex-wife. Though there's some welcome noirish violence, the movie has aspirations to being a big courtroom drama where Chandler fights for his reputation, his self-respect, and "principle."
Turning Chandler into the central character proves a colossal miscalculation. He can't begin to impersonate a legal legend who's been compared to Clarence Darrow; though he sweats and strains to work up a full head of steam in his flat, wide skull, he convinces only the jurors -- never us viewers.
Elaine Stewart, as the trampy trophy-wife, and Gail Russell, as the bribed juror, get tossed aside, as does Crain. Only Carson emerges unscathed; once again, as in a long line of supporting roles, he uses his affable, average-joe persona to hide the ruthless schemer inside. When Chandler turns the ripped dress of the original trial into a metaphor for the "tattered" garb of the blind statue of Justice, it's clear that this movie is giving itself airs because it has nothing else to give.
No such luck. The trial is but a plot point, winning lawyer Jeff Chandler not only an acquittal for his client but the everlasting enmity of the town sheriff and political boss (Jack Carson). Chandler finds himself framed for bribing a juror and ill-advisedly chooses to defend himself. To his side rushes Jeanne Crain, playing that most thankless of roles, the loyal ex-wife. Though there's some welcome noirish violence, the movie has aspirations to being a big courtroom drama where Chandler fights for his reputation, his self-respect, and "principle."
Turning Chandler into the central character proves a colossal miscalculation. He can't begin to impersonate a legal legend who's been compared to Clarence Darrow; though he sweats and strains to work up a full head of steam in his flat, wide skull, he convinces only the jurors -- never us viewers.
Elaine Stewart, as the trampy trophy-wife, and Gail Russell, as the bribed juror, get tossed aside, as does Crain. Only Carson emerges unscathed; once again, as in a long line of supporting roles, he uses his affable, average-joe persona to hide the ruthless schemer inside. When Chandler turns the ripped dress of the original trial into a metaphor for the "tattered" garb of the blind statue of Justice, it's clear that this movie is giving itself airs because it has nothing else to give.
Not a Bad Film with Some Familiar Faces
ldeangelis-757084 December 2022
I'm not really a crime drama fan, but some of these movies are good, and this is one of them. The title seems a bit misplaced, as the dress in question is just a small part of the story (worn in the beginning by Elaine Stewart, who plays socialite adulteress Charlene Reston), but it triggers the events that come after.
Jeff Chandler plays defense attorney James Blane, who has a Perry Mason reputation and seems to bask in the glory, although his celebrity, as well as his infidelity, have estranged him from his wife, Diane (Jeanne Crain). In his latest case, his defense of wealthy Michael Reston (Phillip Reed), for the murder of his wife's lover, his tough questioning of the town sheriff Nick Hoak (Jack Carson) leaves Hoak feeling embarrassed as well as angry, so he gets revenge by setting Blane up to make it look like he bribed witness Carol Morrow (played by Gail Russell), who has secretly been seeing Hoak.
As the story progresses, and Blaine tries to find a way to prove his innocence, he starts to rethink his life and the path it's taken.
There are some familiar faces in this movie that you'll recognize from classic TV, like George Tobias, who plays Blane's friend, Billy, Edward Platt (reporter Ralph Adams) and William Schallert, who plays a court clerk.
A movie worth taking a look at.
Jeff Chandler plays defense attorney James Blane, who has a Perry Mason reputation and seems to bask in the glory, although his celebrity, as well as his infidelity, have estranged him from his wife, Diane (Jeanne Crain). In his latest case, his defense of wealthy Michael Reston (Phillip Reed), for the murder of his wife's lover, his tough questioning of the town sheriff Nick Hoak (Jack Carson) leaves Hoak feeling embarrassed as well as angry, so he gets revenge by setting Blane up to make it look like he bribed witness Carol Morrow (played by Gail Russell), who has secretly been seeing Hoak.
As the story progresses, and Blaine tries to find a way to prove his innocence, he starts to rethink his life and the path it's taken.
There are some familiar faces in this movie that you'll recognize from classic TV, like George Tobias, who plays Blane's friend, Billy, Edward Platt (reporter Ralph Adams) and William Schallert, who plays a court clerk.
A movie worth taking a look at.
A Fool For A Client.
rmax30482314 May 2013
Warning: Spoilers
Universal Studios -- known for colossal stupendous productions like "Francis The Talking Mule" and "Abbott And Costello Meet The Invisible Man" -- presents a rather neat little courtroom drama directed by Jack Arnold, who gave us such compelling art films as "Tarantula." I'm kind of making fun of it but I really shouldn't, because, if it lacks poetry, it's still not bad.
Briefly, Jeff Chandler is a high-priced New York criminal lawyer who comes to the little town of Desert Valley to defend some potentate who murdered his luscious wife's rapist. At least we think she was raped. Elaine Stewart, of Montclair, New Jersey, is an outrageous flirt. She's hardly a receding type of personality, and the only evidence is her testimony and her tattered dress.
Chandler gets the killer off but the town is enraged because they liked the murder victim. The local corrupt sheriff (Carson) and his consort (Russell) concoct a frame and charge Chandler with jury tampering, obstruction of justice, bribery, and ordering rare steak for strange women on trains. He defends himself but, as his wife, Jeanne Crain, points out, a lawyer who defends himself has a fool for a client.
For a smart lawyer, he's pretty clumsy. He shouts at Gail Russell on the stand until she faints, or pretends to, winning the sympathy of the jury. Chandler gives the role everything he's got but there's not much there. When he's not shouting staccato at the witnesses, his only other approach to acting is a deep nasal baritone that indicates deep thought. He has strong features, in addition to that masculine voice, and his skull is brachycephalic, shaped rather like a bowling ball.
Jeanne Crain is slender and lovely. The reason she's here, as Chandler's estranged wife, is to return to him when he needs comforting. "When pain and anguish wring the brow, a ministering angel Thou!" Gail Russell was improbably beautiful, vulnerable, and sexy ten years earlier but she'd been pounding a lot of booze lately and it had begun to show, though she was only in her early 30s when this was shot. She died miserably a few years later, a shame.
Lamentably, Jack Arnold is stuck with a plot-driven script with no nuance at all. In "Tarantula", John Agar is allowed to muse after hearing a strange sound in the Mojave: "Everything that has ever walked or crawled has left its mark on this desert." Nothing like that here. George Zuckerman, the writer, hasn't given Arnold much wiggle room with the characters or the narrative. Carson as the murderous sheriff is immediately recognizable for what he is -- a "Southern" type sheriff, you know; the kind that smiles in a friendly-like way while he thrusts his fist down your throat and yanks out your pyloric sphincter. And George Tobias as the worn-out Las Vegas comic is there only to be killed. I kept waiting for it.
The direction, on the whole is pretty slack. When giving his summation to the jury in what appears to be one unending take with few reaction shots, Chandler has a habit of lacing his fingers together as if about to crack his knuckles. He rarely DOESN'T do it. All Jack Arnold had to do was say, "Jeff, do something else with your hands."
Briefly, Jeff Chandler is a high-priced New York criminal lawyer who comes to the little town of Desert Valley to defend some potentate who murdered his luscious wife's rapist. At least we think she was raped. Elaine Stewart, of Montclair, New Jersey, is an outrageous flirt. She's hardly a receding type of personality, and the only evidence is her testimony and her tattered dress.
Chandler gets the killer off but the town is enraged because they liked the murder victim. The local corrupt sheriff (Carson) and his consort (Russell) concoct a frame and charge Chandler with jury tampering, obstruction of justice, bribery, and ordering rare steak for strange women on trains. He defends himself but, as his wife, Jeanne Crain, points out, a lawyer who defends himself has a fool for a client.
For a smart lawyer, he's pretty clumsy. He shouts at Gail Russell on the stand until she faints, or pretends to, winning the sympathy of the jury. Chandler gives the role everything he's got but there's not much there. When he's not shouting staccato at the witnesses, his only other approach to acting is a deep nasal baritone that indicates deep thought. He has strong features, in addition to that masculine voice, and his skull is brachycephalic, shaped rather like a bowling ball.
Jeanne Crain is slender and lovely. The reason she's here, as Chandler's estranged wife, is to return to him when he needs comforting. "When pain and anguish wring the brow, a ministering angel Thou!" Gail Russell was improbably beautiful, vulnerable, and sexy ten years earlier but she'd been pounding a lot of booze lately and it had begun to show, though she was only in her early 30s when this was shot. She died miserably a few years later, a shame.
Lamentably, Jack Arnold is stuck with a plot-driven script with no nuance at all. In "Tarantula", John Agar is allowed to muse after hearing a strange sound in the Mojave: "Everything that has ever walked or crawled has left its mark on this desert." Nothing like that here. George Zuckerman, the writer, hasn't given Arnold much wiggle room with the characters or the narrative. Carson as the murderous sheriff is immediately recognizable for what he is -- a "Southern" type sheriff, you know; the kind that smiles in a friendly-like way while he thrusts his fist down your throat and yanks out your pyloric sphincter. And George Tobias as the worn-out Las Vegas comic is there only to be killed. I kept waiting for it.
The direction, on the whole is pretty slack. When giving his summation to the jury in what appears to be one unending take with few reaction shots, Chandler has a habit of lacing his fingers together as if about to crack his knuckles. He rarely DOESN'T do it. All Jack Arnold had to do was say, "Jeff, do something else with your hands."
A criminal lawyer of New York is called upon to defend an obvious first degree murder, which he will find reasons to regret
clanciai13 July 2019
The introductory murder is just a trademark. There is some more violence, to be sure, but the important dominating part of the film is a splendid trial of integrity standing alone against mobster violence, corruption, foul play conspiracy, lies and relentless vengefulness. Jeff Chandler plays the lawyer ultimately defending himself and the truth, admitting all his mistakes, and that's the crucial turning point. He knows the truth of the case, he suspects the anatomy of the set-up, and he knows he is battling against an overwhelming enemy of evil in full power. The character of the film and the structure of the plot is very remindful of Orson Welles' "Touch of Evil" from one year later, and it's possible that Welles could have been influenced and inspired by this film. Jeff Chandler was always a great and good actor, but this is maybe his greatest performance, well supported by Jeanne Crain, who is equal to his poise. I loved this film, it is consrructive and gives you much to think of, and most of all to beware of hidden enemies - like in all American films of crime and noirs there are some good people committing unnecessary and meaningless mistakes, which helps in building up the terrible ordeal of the drama, but if there is anyhting you will learn something of, it's your mistakes.
The Tattered Dress is flimsy.
st-shot2 September 2017
After a member of the town upper crust Michael Reston and his wife get mixed up in a surly murder they reach out to top shelf lawyer James Gordon Blaine (Jeff Chandler) for defense. Blaine blows into Desert Nevada with his major rep that rankles the local common folk who see money buying Reston out of the rap, especially the local sheriff, Nick Hoak (Jack Carson), a friend of the murdered one time football hero gone town drunk. When Blaine gets Reston off the vitriol flows and the lawyer is accused of bribing a juror ( Gail Russell) on trumped up charges orchestrated by the sheriff and when that comes undone he resorts to more brazen tactic.
The Tattered Dress is a sensationalist piece whose selling point (coming attractions, lobby cards) centers around the sluttish opening scene presence of hyper tease Charleen Reston luring the boozy dumb jock to his demise. Things get staid after the fireworks though Ms. Reston likes what she sees in Blaine when his estranged wife (Jeanne Crain) shows up for support. The script remains perfunctory most of the way and Jack Arnold's direction is lax though Bernie Guffey's lensing lends visual support especially in the early moments where the Restons' throw the has been halfback for a final loss. What does give the film authority is the the unsympathetic surly Reston's cynicism and the fact that he walks on what is no more than an execution. Instead Arnold wastes time on Blaine's tenuous marriage with a wasted Jeanne Crain and a heavy handed finale.
Chandler offers a decent lead and the supporting cast of Jack Carson, Gail Russell and Phil Reed with Elaine Stewart turning the heat up make their presence known but it is Edward Andrews in one brief scene as a lawyer about to defend Blaine who has the best moment, once again coldly cynical.
In the hands of a more daring director and with tighter script and dialogue Dress might have made for a nice dark noir but given its cinemascope first run backing it wastes it's time with lookers Chandler and Crain in clinches when a similar scene between the weighty shirtless Carson and the dissipated Russell resonates with far more power. Then again Hollywood film remains a business before artistic consideration in most cases and it does so to the detriment of this picture aesthetic possibilities in favor of box office. Sounds logical.
The Tattered Dress is a sensationalist piece whose selling point (coming attractions, lobby cards) centers around the sluttish opening scene presence of hyper tease Charleen Reston luring the boozy dumb jock to his demise. Things get staid after the fireworks though Ms. Reston likes what she sees in Blaine when his estranged wife (Jeanne Crain) shows up for support. The script remains perfunctory most of the way and Jack Arnold's direction is lax though Bernie Guffey's lensing lends visual support especially in the early moments where the Restons' throw the has been halfback for a final loss. What does give the film authority is the the unsympathetic surly Reston's cynicism and the fact that he walks on what is no more than an execution. Instead Arnold wastes time on Blaine's tenuous marriage with a wasted Jeanne Crain and a heavy handed finale.
Chandler offers a decent lead and the supporting cast of Jack Carson, Gail Russell and Phil Reed with Elaine Stewart turning the heat up make their presence known but it is Edward Andrews in one brief scene as a lawyer about to defend Blaine who has the best moment, once again coldly cynical.
In the hands of a more daring director and with tighter script and dialogue Dress might have made for a nice dark noir but given its cinemascope first run backing it wastes it's time with lookers Chandler and Crain in clinches when a similar scene between the weighty shirtless Carson and the dissipated Russell resonates with far more power. Then again Hollywood film remains a business before artistic consideration in most cases and it does so to the detriment of this picture aesthetic possibilities in favor of box office. Sounds logical.
Powerful; Searing; Jeff Chandler Triumphs as a Lawyer Battling For His Career
silverscreen88827 July 2005
There seems to me as a writer and critic to be a bad tendency among U.S. reviewers to confuse their emotional and unaccountable reactions with information. For instance, I regard Jeff Chandler as a very good classical actor; I assert this because he has the vocal power, sufficient emotional voltage and the high intelligence to play characters in the distant past, future, positions of nobility and professions. But I also claim to be able to tell among his strongest portrayals, and those which were less successful. In "A Tattered Dress", for instance, the dress referring to the robes which cloak the naked female statue of justice, I believe Chandler has one of his most fascinating parts in this film by anyone's standards. And one of his best successes.He plays a lawyer who was refused employment as a poor student once he had been admitted to the bar in the Depression era; to overcome this injustice, he began taking clients who were criminals, who could pay him. In the years since then, he has become a famous and deeply- hated lawyer, because of those criminals whom he represents. The fascinating twist to this Jack Arnold directed noir is that he wins his original case. A husband had been accused of having killed his wife's lover, after she has come with "a tattered dress'. Then, thanks to collusion between the town's average-guy closet-dictator sheriff, and those supporting him, the lawyer finds himself accused of having bribed a juror during the case. His estranged wife returns to stand by him; he elects to be defended by the best lawyer he knows, himself. and this proves to alienate the townsfolk even further. He shakes the juror's testimony, but he must resort to a magnificent last defense, equating the tattered dress with justice itself that is thwarted, to plead his case as a human being who has been wronged more than he has wronged anyone. he is acquitted, which leads to a strongly-written climax and ending. This is a well-made and well-directed thriller; besides veteran Arnold's direction, this B/W drama features original music by Frank Skinner and Henry Mancini, fine cinematography by Carl E. Guthrie, outstanding art direction by Alexander Golitzen and Bill Newberry, set decorations by John P. Austin and Russell A Gausman. The very good costumes were the creation of J.A. Morely, Jr., with makeup being the work of Bud Westmore. Among the cast, Jeff Chandler's work as the lawyer accused is award level and memorable, varied in tone and nuanced. Others who brought to life George Zuckerman's finely-crafted script, drawn from a novel included Jack Carson as the sheriff, Jeanne Crain as the lawyer's wife, Gail Russell as the juror in question, Philip Reed as the husband, plus talented Edward Andrews Elaine Edwards, George Tobias, Edward Platt, Alexander Lockwood, Paul Birch, Edwin Jerome and William Schallert. This is a film that must be judged I assert by what it is, not what any observer wished it might have been. It is a very powerful indictment of U.s. societal justice as long ago as the 1930s; and of the citizens of a representative town who allow their prejudices to interfere with their judgment. Similar movies had been made, in the same era as this, about other democratically-elected governments and their statist countries, such as England and France. But the content of this scorching indictment of postmodernist truth-twisters and their all-too-willing victims is a very United States story, and one coming from the H.U.A.C era as well. A very strong film.
This was a really good film until the ridiculous and hysterical courtroom scene with his accuser!
planktonrules15 December 2016
Warning: Spoilers
Jeff Chandler plays James Gordon Blane, a hot-shot lawyer from New York City who comes to a small town to defend some rich folks accused of murder. Blane is able to get a acquittal and almost immediately is arrested for paying off one of the jurors. The accusation is that he paid her $5000 to vote not guilty...and money Blane lost the night before playing cards is submitted as evidence of the bribe. Obviously, Blane's been set-up and no one seems particularly upset by that-- least of which the Sheriff (Jack Carson), who was torn to pieces on the witness stand in the previous case. It's a vendetta and he'll apparently stop at nothing to get Blane....and that might even include murder!
This was a great film in many ways...up to a point. Rarely have I seen a film go from exceptional to crap so quickly! The first time was late in the film when Blane gets his accuser on the witness stand...she implicates herself (yet oddly folks seem to think the opposite) and then wildly stands up and faints right in the middle of the scene!! This is histrionic and stupid. Then, only moments later when a guy (George Tobias) finds a hole in the prosecution's case, the scene involving the sheriff killing this witness is also overdone and like a cliché...a bad one at that. Later, when the Sheriff is on the stand...well, it's pretty ridiculous as well! And, the summation by Blane near the end is just ridiculous! Sadly, the film had been humming along marvelously...only to sink due to some seriously bad writing that should have been edited out! And, it's frustrating that you like a movie this much and invest this much into it...only to have sloppy writing practically ruin it. The first half, I'd score an 8...the last portion a 2! As a result of a very weak second half, I'd say don't waste your time with this one.
This was a great film in many ways...up to a point. Rarely have I seen a film go from exceptional to crap so quickly! The first time was late in the film when Blane gets his accuser on the witness stand...she implicates herself (yet oddly folks seem to think the opposite) and then wildly stands up and faints right in the middle of the scene!! This is histrionic and stupid. Then, only moments later when a guy (George Tobias) finds a hole in the prosecution's case, the scene involving the sheriff killing this witness is also overdone and like a cliché...a bad one at that. Later, when the Sheriff is on the stand...well, it's pretty ridiculous as well! And, the summation by Blane near the end is just ridiculous! Sadly, the film had been humming along marvelously...only to sink due to some seriously bad writing that should have been edited out! And, it's frustrating that you like a movie this much and invest this much into it...only to have sloppy writing practically ruin it. The first half, I'd score an 8...the last portion a 2! As a result of a very weak second half, I'd say don't waste your time with this one.
An original plot in this excellent mystery and crime drama
SimonJack25 September 2021
"The Tattered Dress" is an excellent mystery and crime story that will keep one on the edge of her or his seat from halfway through to the end. And, what a tremendous cast of top actors of the day. The leads all gave great performances - Jeff Chandler as James Blane, Jeanne Crain as his wife, Diane, and Jack Carson as Sheriff Nick Hoak. And a supporting cast of well known actors who also shine - George Tobias as Billy Giles, Gail Russsell as Carol Morrow, Edward Platt as Ralph Adams and Edward Andrews as Lester Rawlings head up that bunch.
I don't recall ever having seen this film as a teenager when it came out, or on late night movies after that. The plot is very original and very interesting. The only fuzzy thing about this is the portrayal of the murder case that big city attorney James Blane wins in getting his wealthy client, Michael Reston (played by Phillip Reed) acquitted. The film just has Blane cross examining the sheriff and pretty much making a fool of him. The next thing is a jury verdict of innocent. But that then opens onto the meat of this movie when Blane is served with a summons for a grand jury trial.
Anyone who enjoys good mystery films should like this one from way back in the middle of the 20th century. Here are a couple of favorite lines from this film.
Michael Reston, "You sound like a prosecutor." James Blane, "Another acute observation. You're cleverer than I imagined."
Charleen Reston, "I'll pick you up at the courthouse at eleven." James Blane, "Slight correction - I'll see you in court Monday morning."
I don't recall ever having seen this film as a teenager when it came out, or on late night movies after that. The plot is very original and very interesting. The only fuzzy thing about this is the portrayal of the murder case that big city attorney James Blane wins in getting his wealthy client, Michael Reston (played by Phillip Reed) acquitted. The film just has Blane cross examining the sheriff and pretty much making a fool of him. The next thing is a jury verdict of innocent. But that then opens onto the meat of this movie when Blane is served with a summons for a grand jury trial.
Anyone who enjoys good mystery films should like this one from way back in the middle of the 20th century. Here are a couple of favorite lines from this film.
Michael Reston, "You sound like a prosecutor." James Blane, "Another acute observation. You're cleverer than I imagined."
Charleen Reston, "I'll pick you up at the courthouse at eleven." James Blane, "Slight correction - I'll see you in court Monday morning."
Lurid but dreary, a cheap 50's paperback come to life
Sleepy-171 March 2001
The first 20 minutes are quite vivid and garish, and Elaine Stewart is lovely and electrifying as the well-married tramp. Later it bogs down in pompous courtroom scenes that magnify Jeff Chandler's tendency toward two-note delivery. Note: The review in TV Guide slams Jack Arnold, implying that he's a poor director and that the "Incredible Shrinking Man" was a poorly-directed film. (!?!) Hey! Please study your film history! Take it from someone who thinks that 50's pop culture is important, that it is reflected in almost everything we think, do, and watch today, from the cars that we drive to the presidents that we elect! Jack Arnold was a master, and the films (and TV shows) that he directed have been a major influence.
A sleazy attorney requires an even sleazier attorney.
mark.waltz13 April 2024
Warning: Spoilers
And for lawyer attorney Jeff Chandler, it's not going to be the arrogant Edward Andrews when he is put on trial for allegedly bribing a witness in his biggest case yet. Chandler managed to get an aquital for client Philip Reed who killed the man he believes physically abused his wife Elaine Stewart. Local sheriff Jack Carson decides to go after Chandler whom he believes bribed a juror and that turns into a big case itself with Chandler defending himself after getting rid of the horrible Andrews.
Although she had been around for a while, Elaine Stewart got the Marilyn Monroe/Jayne Mansfield treatment as the woman wearing the tattered dress, obviously drunk when she came home, sending husband Reed into a rage. The trial is over quickly and it's onto Carson's revenge, with Chandler's estranged wife Jeanne Crain putting aside the problems of their marriage to help him.
A daring attempt to question the ethical standards of high priced lawyers in getting clients off scott free for crimes they obviously committed. Chandler gets a complex character to play, and he's quite good, but indeed it's Carson who walks off with the film as an ethically challenged sheriff who hypocritically goes after Chandler. It's a very layered part that like Chandler shows every aspect about him. Well written and thought provoking, a surprising gem.
Although she had been around for a while, Elaine Stewart got the Marilyn Monroe/Jayne Mansfield treatment as the woman wearing the tattered dress, obviously drunk when she came home, sending husband Reed into a rage. The trial is over quickly and it's onto Carson's revenge, with Chandler's estranged wife Jeanne Crain putting aside the problems of their marriage to help him.
A daring attempt to question the ethical standards of high priced lawyers in getting clients off scott free for crimes they obviously committed. Chandler gets a complex character to play, and he's quite good, but indeed it's Carson who walks off with the film as an ethically challenged sheriff who hypocritically goes after Chandler. It's a very layered part that like Chandler shows every aspect about him. Well written and thought provoking, a surprising gem.
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