IMDb-BEWERTUNG
5,6/10
325
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn American intelligence agent is sent to Tokyo to track down a Communist spy ring.An American intelligence agent is sent to Tokyo to track down a Communist spy ring.An American intelligence agent is sent to Tokyo to track down a Communist spy ring.
Yuki Kaneko
- Baya
- (Nicht genannt)
Yô Kinoshita
- Customs Agent
- (Nicht genannt)
Yoshitaka Kusunoki
- Announcer
- (Nicht genannt)
Michei Miura
- Prima Donna
- (Nicht genannt)
Marty Mogge
- Radio Announcer
- (Nicht genannt)
Solly Nakamura
- Nobika
- (Nicht genannt)
Tatsuo Saitô
- Matsura
- (Nicht genannt)
Keiko Shima
- Emi
- (Nicht genannt)
Kazuo Sumida
- Official
- (Nicht genannt)
Denmei Suzuki
- Captain Masao
- (Nicht genannt)
Sammee Tong
- Diplomat
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis movie was based on the last of the "Mr. Moto" novels, "Stopover Tokyo", published in 1955, featuring a middle aged Moto. This movie version deleted the Moto character entirely.
- Zitate
Mark Fannon: flew 8000 miles to kiss a girl on a staircase.
- VerbindungenFeatured in Ich bin Joan Collins! (2022)
- SoundtracksThe Washington Post
(uncredited)
Written by John Philip Sousa
Played at the beginning of the ceremony sequence
Ausgewählte Rezension
Why worry?
It's a 1950s Cinemascope film with Robert Wagner, and it's our first chance to see him in a modern-dress picture since the excellent A Kiss Before Dying. The decor and locations are similarly eye-worthy to Kiss, but the photography is toned down and some sets made to look shopworn to suggest a recovering Japan, at which the film succeeds. The clothes and automobiles more than compensate.
Stopover Tokyo is memorable for being the one that Joan Collins was contractually obligated to appear in after the studio's promise that she would work with Roberto Rossellini fell through. Was anyone expecting genius from a film adapted from a Mr. Moto novel to satisfy another contractual obligation? Just enjoy the ride, its a post-war film as aesthetically satisfying as The Crimson Kimono, without the burden of pretentious auteur direction. (They thought so little of it that they let the screenwriter direct.)
If you want a better Wagner film in Cinemascope, see A Kiss Before Dying. If you want a better Joan Collins role, see Turn the Key Softly. Otherwise, stop blaming everything on Edmond O'Brien.
Stopover Tokyo is memorable for being the one that Joan Collins was contractually obligated to appear in after the studio's promise that she would work with Roberto Rossellini fell through. Was anyone expecting genius from a film adapted from a Mr. Moto novel to satisfy another contractual obligation? Just enjoy the ride, its a post-war film as aesthetically satisfying as The Crimson Kimono, without the burden of pretentious auteur direction. (They thought so little of it that they let the screenwriter direct.)
If you want a better Wagner film in Cinemascope, see A Kiss Before Dying. If you want a better Joan Collins role, see Turn the Key Softly. Otherwise, stop blaming everything on Edmond O'Brien.
hilfreich•52
- davidandrews27
- 30. Aug. 2015
Top-Auswahl
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Details
Box Office
- Budget
- 1.055.000 $ (geschätzt)
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Geheimring Nippon (1957) officially released in India in English?
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