Lust for Life (1956)

The life of brilliant but tortured artist Vincent van Gogh.

Directors:

Vincente Minnelli, George Cukor (co-director) (uncredited)

Writers:

Norman Corwin (screen play), Irving Stone (based on the novel by)

Stars:

Kirk Douglas, Anthony Quinn, James Donald

Won 1 Oscar. Another 3 wins & 6 nominations.

Cast

Cast overview, first billed only:
Kirk Douglas	...	Vincent Van Gogh
Anthony Quinn	...	Paul Gauguin
James Donald	...	Theo Van Gogh
Pamela Brown	...	Christine
Everett Sloane	...	Dr. Gachet
Niall MacGinnis	...	Roulin
Noel Purcell	...	Anton Mauve
Henry Daniell	...	Theodorus Van Gogh
Madge Kennedy	...	Anna Cornelia Van Gogh
Jill Bennett	...	Willemien
Lionel Jeffries	...	Dr. Peyron
Laurence Naismith	...	Dr. Bosman
Eric Pohlmann	...	Colbert
Jeanette Sterke	...	Kay
Toni Gerry	...	Johanna

Storyline

Vincent Van Gogh is the archetypical tortured artistic genius. His obsession with painting, combined with mental illness, propels him through an unhappy life full of failures and unrewarding relationships. He fails at being a preacher to coal miners. He fails in his relationships with women. He earns some respect among his fellow painters, especially Paul Gauguin, but he does not get along with them. He only manages to sell one painting in his lifetime. The one constant good in his life is his brother Theo, who is unwavering in his moral and financial support.

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Plot Keywords:

painter | mental illness | painting | suicide | liberation theology | 

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Taglines:

He had a lust for life. Sometimes he was brutal, sometimes delicate---always he lived with insatiable passion!

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Genres:

Biography | Drama

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

15 September 1956 (USA)

Also Known As:

La vie passionnée de Vincent van Gogh

Filming Locations:

Grand Hornu, Boussu, Wallonia, Belgium

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

122 min

Sound Mix:

Mono (Perspecta Sound® encoding) (35 mm optical prints) (Westrex Recording System) 4-Track Stereo (35 mm magnetic prints) (Westrex Recording System)

Color:

Color (Ansco Color) (as Metrocolor)

Aspect Ratio:

2.55 : 1

Did You Know?

Trivia

In his memoir "The Ragman's Son" Kirk Douglas recounted that John Wayne attended a screening of the film, and was horrified. "Christ, Kirk! How can you play a part like that? There's so few of us left. We got to play strong, tough characters. Not those weak queers," Wayne said. Douglas tried to explain, "It's all make-believe, John. It isn't real. You're not really John Wayne, you know." Wayne (born Marion Morrison) looked at him oddly, as if Douglas had betrayed him.

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Goofs

A painting of Roulin is shown displayed in Theo's house before Van Gogh has met him.

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Quotes

[first lines]
Commissioner De Smet: You are now qualified for evangelical work, under the auspices of The Belgian Committee of the Messengers of the Faith. May the lord guide you, and sustain you in all your ways.
Dr. Gachet: [gets up from the table and dismisses the five aspiring clergymen from the room, then looks unenthused at Vincent Van Gogh waiting in the hallway before closing the door and sitting back down]
Dr. Peyron: Congratulations Dr. Gachet, a very creditable group of young men.
Commissioner De Smet: Now about this other young man Dr. Gachet. Are you...
[...]

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Connections

Featured in Kirk Douglas: Before I Forget (2009)

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Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Played by a band in France, near the end

User Reviews

Passion for life

When I hear the name Vincente Minnelli certain scenes pop up on my inner screeningroom: A tracking shot at the fair (Some came running), the low tracking zoom towards Douglas and Turner at the pool (Bad and the Beautiful), snowmen (Meet me in St Louis) and the agony in Douglas's face in "Lust for life"; in fact as soon as his redbearded agonized face pops up, all the other movies fade away and "Lust for life" takes over my inner screening room.

But apart from being my favorite Minnelli movie, its a movie that more than any other shows his genius in use of colors; every scene is composed in breathtaking technicolor with the deepest respect for Van Gogh's own use of color, and Douglas's acting is filled with the same agony and passion as the strokes of Van Gogh's brush. As the other great movies who uses color to its fullest (Wizard of Oz, Black Narcissus, Ten Commandments), the simularities between the director and the painter is obvious. Hence, Minnelli's struggle for "painting" the scenes with the richness of technicolor becomes an echo of Van Gogh. It also reads as a textbook in composition from Steinberg's Dead Space to Eisenstein's juxtapositions. In all, Minnelli is of great skill and uses it to the fullest.

The story, which focuses on the struggle for a new way of expression, is tame at times and the acting (apart from Douglas) seems static most of the times, but the tortured face and body of Douglas and the use of color makes this one of the greatest achievements in MGM's history and one of the best movies Minnelli ever made.